Papers on "Chinese versus Western Film" and similar term paper topics
Paper #102105 ::
Chinese versus Western Film
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This paper discusses Chinese and Western cinema in the context of globalization.
Written in 2008; 2,800 words; 7 sources; MLA;
$ 83.95
Paper Summary:
In this comparative analysis, the writer presents a discussion on Chinese and Western film. The writer evaluates one aspect of the impact of globalization on popular culture, as demonstrable through the medium of popular cinema. In addition to exploring the thesis position that globalization has produced a ready co-opting of themes, ideas, images and devices from one culture to another, this discussion considers some of the effects of this pattern. Among them, the writer maintains that there is cause to suggest that domestic culture identity in many ways suffers from the implications of globalization, particularly as it trends toward catering to hegemonic principles and interests. The writer explores the impact of this pattern as it relates to such factors as copyrighting, capitalism and the triangulating relationship between these factors and the economic and cultural dominance of the west in global cinema.
Outline:
Introduction
A Brief History
Methodology
Findings
Analysis
Conclusion
From the Paper:
"For both the United States and China, domestic film production would become important for those with hegemonic influence. History demonstrates that in its first decades of popular proliferation, cinema was dominated in both nations by a studio system in which large corporate structures executed an uncontested control over content and aesthetic, allowing for the pairing of hegemonic propaganda and popular cinema. In juxtaposition, however, two distinct political histories in the United States and China would produce sharp departures as the latter entered into the Communist Era. Though it can still be said that propaganda and hegemonic interest would be determinant factors in the success and distribution range of many American films of the middle 20th century, an actively repressive regime would enter into force with the Communist takeover of 1949, creating a sharp distinction in the consequences of producing subversive cinematic content between the nations considered."
Tags:
identity nation culture interests
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