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Vivaldi's "Spring" Concerto, 2002.
An analysis of Antonio Vivaldi's solo concerto "Primavera" Op. 8, No. 1 ("Spring").
900 words (approx. 3.6 pages), 4 sources, £ 21.95
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Abstract
Analysis of Antonio Vivaldi's solo concerto "Primavera" Op. 8, No. 1 ("Spring"). The first of the 4 concertos that make up The Four Seasons, a programmatic piece. Discusses the ideas of the poem. Discusses interpretations. Details each movement and its motifs.
From the Paper
"Antonio Vivaldi's Primavera, or Spring (Op. 8 no. 1) was the first of the set of concertos entitled Le quattro stagioni (Op. 8 nos. 1-4) published in Il cimento dell'armonia e dell'inventione at Amsterdam in 1725 (although the date of their composition is uncertain). The Primavera is a solo concerto scored for Violino principale, two other violins (ripieno), violas, violoncellos and double basses with continuo (usually played on harpsichord). The four concertos provide an example of programmatic music, illustrating four simple poems addressed to the seasons which may have been written, or at least adapted, by Vivaldi himself.
In the poem to Spring, in rough outline, the goddess is welcomed by the singing of birds and the breath of Zephyrs which makes the brooks murmur. Thunder and lightning, one of her signs, arrive and darken the sky. The storm is soon over and the..."
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"Spring, Summer, Fall, Winter . . . and Spring", 2008.
A review of "Spring, Summer, Fall, Winter . . . and Spring", a Korean film by directro Ki-duk Kim.
1,490 words (approx. 6.0 pages), 1 source, MLA, £ 34.95
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Abstract
This paper takes a look at Ki-duk Kim's film "Spring, Summer, Fall, Winter . . . and Spring". The paper holds that the film teaches the viewer a great deal about Buddhist philosophy, through everything from the scenery to the characters, including animals. The paper argues that the director is not always subtle about his Buddhist message. However, it concludes that he does seem to present a view of Buddhist philosophy that allows the viewers to draw their own conclusions.
Outline:
Summary
The Meaning of the Film
What the Film has Taught Me
Conclusion
From the Paper
"Spring, Summer, Fall, Winter . . . and Spring opens during the springtime at a floating temple on a lake set somewhere in Korea. This part of the movie features a small boy who is studying with the elderly monk who inhabits the temple. Although he is preparing to become a monk later in life, Ki-duk Kim shows the boy committing acts of cruelty against animals. The monk attempts to teach the boy respect for the natural world around them by assigning him a punishment for tying rocks to the animals. The monk's warning that the boy will carry a stone in his heart forever if he kills an animal, along with the punishment, sets a theme for the boy's mental state over the course of the movie. Animals, too, play a part throughout the film beginning with the animals being tormented and continuing through to the monk using the cat's tail to paint the characters of the sutra."
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Antonio Vivaldi, 2002.
Discusses the life and works of eighteenth century Venetian composer, Antonio Vivaldi.
2,719 words (approx. 10.9 pages), 10 sources, APA, £ 56.95
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Abstract
Antonio Vivaldi (1678-1741) wrote nearly 500 concertos of various types, composed at least 50 operas and other vocal and instrumental pieces by the score, strongly influenced the direction of violin technique and was a primary influence on Johann Sebastian Bach. The paper shows, however, that for two centuries after his death, Vivaldi and his music sank into oblivion and were only resurrected in the latter half of the twentieth century. Despite this long absence, Vivaldi's reputation has revived swiftly. Although his vocal works and other instrumental pieces are not, as yet, well known, his concertos such as "Le Stagione" ("The Four Seasons"), are among the most popular of all Baroque and classic music today. The paper traces Vivaldi's life and music career and discusses several of his works.
From the Paper
"The works in L'estro armonico represented the concerto form "at its most balanced and typical moment" with only three retaining the old-fashioned slow movement at the beginning and the others in the quick-slow-quick form pioneered by Torelli (Palisca 165). Vivaldi wrote at least thirty concertos that retained this older form and, as Talbot notes, they were very often connected by title with the feast-day requirements of the Pietא which seems to indicate that Vivaldi may have hoped "to add an extra touch of grandeur and solemnity by reverting to the four-movement cycle of the church sonata" (145). But, unlike the more sober magnificence of a Corelli concerto grosso or even Torelli's three-movement solo concertos, all of Vivaldi's writing in these early concertos unleashed a "torrent of emotions" that was "unlike anything ever written or at least published before" (Landon 43)."
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Brahms' Two Piano Concertos, 2002.
A study of Brahms' first and second piano concertos.
1,587 words (approx. 6.3 pages), 4 sources, MLA, £ 35.95
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Abstract
This paper examines the birth and development of Brahms' first and second piano concertos. The paper describes the poor reception to the first concerto and Brahms' subsequent reluctance to compose another concerto. Thus the writer explains the twenty year break between the first and second concerto. The paper provides a detailed musical description of these two concertos.
From the Paper
"Various compositions that are now highly praised as masterpieces were not predominantly triumphant in their early years, but few were greeted by actual hisses from the audience. Those that were had typically committed the sin of being too progressive for their day. One such example, the most notorious one, the First Piano Concerto by Brahms a fact which must have been shocking to this composer, who so little identified with progressives. It was one of his first, and most tender, encounters with the determination of the musical establishment. "
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"Brandenburg Concerto" #6 (B-flat), 2005.
This paper discusses Bach's "Brandenburg Concerto" #6 (B-flat) on a Sony disk performed by the "Classic Music Studio" Orchestra of St. Petersburg, Alexander Titov, conductor.
1,030 words (approx. 4.1 pages), 0 sources, £ 25.95
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Abstract
This paper explains that Bach simply entitled this music the "Six Concertos for several Instruments"; but, Philipp Spitta, 160 years after they were composed, named them the "Brandenburg Concertos", after Christian Ludwig, the margrave of Brandenburg, the most prominent patron of music in Berlin and Prussia. The author points out that the "Sixth Brandenburg Concerto" is distinctive because it features no violins and is scored for two violas, a cello and continuo (which is a bass part usually performed by a harpsichord), which gives it a far darker tone than the other five concerti. The paper states that this version performed by the "Classic Music Studio" Orchestra of St. Petersburg, Alexander Titov conducting, has a muffled sound and is too "Slavic" an interpretation to be appropriate for the Baroque Bach.
From the Paper
"While each concerto features a different set of instruments, all put together represent what music historians consider the synthesis of Baroque concerto styles. This was, of course, long before the concerto was created as a solo instrument playing its own melody, accompanied by an orchestra (Haydn, and of course, Mozart, perfected that style). Here they are considered as concerti grossi, in which a small body of "solo" instruments, called the concertino, contrasts with a larger orchestral group called the ripieno."
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Bach's First Brandenburg Concerto, 2004.
A discussion on elements and form in Bach's First Brandenburg Concerto.
690 words (approx. 2.8 pages), 3 sources, MLA, £ 16.95
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Abstract
This paper looks at Bach's First Brandenburg Concerto in F major. It examines the formal elements of the opening movement and the minuet and polacca at the end of the concerto.
From the Paper
"Johann Sebastian Bach achieved eminence first as a keyboard virtuoso and later as a prolific master composer in nearly all the musical forms and genres of the high Baroque. "
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"Spring Silkworms", 2006.
An analysis of Mao Tun's short story trilogy, "Spring Silkworms".
4,145 words (approx. 16.6 pages), 4 sources, MLA, £ 77.95
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Abstract
This paper highlights the dominance of the peasant theme in Mao Tun's trilogy, "Spring Silkworms", which was a marked shift from the traditional focus on the elite in Chinese literature. The paper discusses how these stories celebrate the life, the triumph and the demise of the farmers or peasants and their battle against a society which was not supportive of their existence. The paper examines the plot structure, the characters and the setting, as well as the major themes of the story.
Outline:
Introduction
Spring Silkworms and the Chinese Society: A Historical Background
The Author
The Characters and the Setting
Plot Structure
Analysis of Central Themes and Other Major Characteristics
Conclusion
From the Paper
"Traditional Chinese Literature is undeniably focused in celebrating the mesmerizing world of the elite and the aristocrats who are indulging in the feasts of music, wine and the luxurious life in the Imperial Palace. It also deals with romantic and family tales as well as with stories about heroism. Coupled with the description of these surreal worlds is the use of figurative language, which is more often than not, just meant to be understood by the scholars and the literatists."
"However, through time, there is an observed paradigm shift in the style of the writers. Instead of further patronizing the seemingly divine world of the bourgeoisies, most Chinese writers of the early 19th Century ventured in putting into writing the events which are happening in real life. Aside from viewing literature as just a form of entertainment and a vessel for relaying values, it was also seen as a mirror, which reflects the condition of the society. It also serves as source of light, which stirs realization and awakening of the victimized people."
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Khatchaturian Concerto, 2003.
An analysis of the dueling themes of reason and passion in the Khatchaturian concerto for violin.
1,150 words (approx. 4.6 pages), 8 sources, APA, £ 27.95
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Abstract
This paper studies the dueling themes of reason and passion in the Khatchaturian concerto for violin and orchestra. The paper examines the construction of the concerto and provides a brief biography of the composer.
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"Silent Spring", 2003.
A book report on "Silent Spring" by Rachel Carson, an ecological text on the problems surrounding the use of the chemical DDT.
2,950 words (approx. 11.8 pages), 1 source, MLA, £ 61.95
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Abstract
After providing a brief autobiography of the author of "Silent Spring", Rachel Carson, the paper discusses the book itself in a chapter-by-chapter summary. "Silent Spring" was Carson's way of presenting to the public the dangers of the use of DDT. The paper also includes quotes from the text.
From the Paper
"In Detroit, Michigan the Michigan Department of Agriculture decided to cover their city with Aldrin pellets, the most dangerous poison at the time (and the cheapest), to destroy their population of Japanese Beetles which had arrived in Detroit on plants imported from Mississippi. Carelessly they sprayed the pellets over the human population and when it rained over night the pellets were watered down and puddles of lethal poison lay scattered across the ground."
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Toronto Sources for Spring Roll Ingredients, 2005.
This paper discusses a search for locating sources in Toronto for ingredients for spring rolls.
900 words (approx. 3.6 pages), 6 sources, £ 24.95
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Abstract
The following assignment is for a fourth year geography assignment. The topic is Chinese spring rolls. The assignment requested the student to determine where in Toronto the ingredients for spring rolls came from. This assignment was completed by going to the grocery store and reading the ingredients on the packages. The companies were then looked up on the Internet. "
From the Paper
"Although Chinese spring rolls originated in China they have migrated throughout the world. This means that one can obtain the necessary ingredients to make Chinese spring rolls in Toronto. The fact that the spring rolls are not made in China and the fact that most of the ingredients are fairly common, means that it is possible to obtain the necessary ingredients in most Toronto grocery stores. The grocery stores obtain their ingredients from their parent companies, which often use local suppliers. This makes sense especially when many of the ingredients are perishable and would not survive the long trip to the supermarket."
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Employee Morale at Canyon Springs, 2005.
Research paper how employee moral can be improved for Canyon Spring's employees, in an effort to foster a positive work environment.
973 words (approx. 3.9 pages), 3 sources, APA, £ 24.95
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Abstract
This research paper presents an examination of employee morale at Canyon Springs. Specifically, the researcher proposes an attempt to discern whether the creation of a positive work environment and increased employee morale is possible via implementation of a Treatment of People Program. Via use of a survey questionnaire, interviews and a thorough examination of the literature available on the subject of employee morale, the author draws conclusions related to the factors influencing employee morale, and proposes a solution for creation of a positive work environment at Canyon Springs.
Table of Contents
Abstract
Introduction
Background to the Problem
Proposal
Method
Conclusion
Appendix I
References/Resources
From the Paper
"The researcher proposes that implementation of a Treatment of People Program will help stimulate employee morale and foster a positive work environment. Studies suggest that to boost employee morale employers must rely on methods other than compensation, designed to pay specific attention to unique employee needs, wants and desires (Bryson, 2001). In today's competitive marketplace, it is more important than ever that employers take time to survey employee needs and develop morale boosting initiatives to ensure the long term success of an organization over time."
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Mozart?s Concerto for Violin & Orchestra No. 3, 2001.
Analysis of Movement I - Allegro of Mozart's Concerto for Violin & Orchestra No. 3 in G Major, K. 216.
885 words (approx. 3.5 pages), 2 sources, MLA, £ 21.95
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Abstract
This paper analyzes Mozart's Concerto for Violin & Orchestra No. 3 in G Major, K. 216, Movement I - Allegro. By using time codes to help the reader identify major changes in tempo, soloists and recapitulation, one can listen along to the movement and have a better understanding of Mozart's genius when writing his concertos.
From the Paper
"Mozart?s Concerto No. 3 is in three movements. It was written in 1775 and the main theme played by the orchestra at the beginning of the first movement (Allegro) was borrowed from his Il re pastore (?The Shepherd King?) (Lieberman, par. 2). The movement is set in the conventional sonata form with orchestral ritornellos alternating with the exposition, development, and recapitulation of the primary themes by the violin. The soloist gives a second exposition and the coda does not come until after an extended solo cadenza."
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Management at Sea Spring Corporation, 2004.
Looks at a number of factors that are influencing management's function at Sea Spring Corporation.
971 words (approx. 3.9 pages), 2 sources, APA, £ 24.95
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Abstract
This essay discusses the external and internal factors that impact the planning function of management within the Sea Spring Corporation. The Sea Spring Corporation is a multinational conglomerate that manufactures computer components, cellular telephones. and PDA?s. The essay focuses on the following internal and external factors: rapid change, globalization, technology, e-business, innovation, diversity, and ethics.
From the Paper
"Rapid change is always a challenge for a technology company; it is the nature of the industry. One of the most significant changes that have occurred in the technology industry is the decreased interests in personal computers. Much of the lost interest in personal computers is due to the fact that most new PCs do not offer any new options that people aren?t willing to live without. The rapid change in the decline of computer sales has caused the demise of many companies that manufacture PCs. Rapid change also occurs when poor economic conditions are present because consumer spending is low and people are not purchasing products that are not necessities."
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Silent Spring, 2000.
A look at Rachel Carson's literary work "Silent Spring".
1,115 words (approx. 4.5 pages), 4 sources, £ 26.95
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Abstract
An analysis of Rachel Carson's literary work "Silent Spring". The author analyzes the message in the novel and Carson's use of language and symbolism to convey the message.
From the Paper
"Be it known that the tapestry of life is formed by the lives of people. Each person is like a thread and it is difficult for the thread to see how it affects the whole. In this blindness, institutions are sometimes accepted that are not necessarily healthy. Once accepted the institutions begin to mar the design the tapestry. Sometimes in these moments a voice will arise that will help those who were blind to see. This voice in the wilderness will rush upon the consciousness of people like a mighty wave changing peoples perspectives demanding them to reevaluate their actions. This was so during the American Revolution when Tomas Pane wrote Common Sense. This literary worked helped lead Americans to the overthrow British rule and to found the United States. Later in American history Harriet Beacher Stowe wrote Uncle Tom's Cabin which demanded that black slaves be freed. In recent history Rachel Carson shocked her reader into action when she was able to blend her talent as a writer with her scientific expertise into the literary work Silent Spring."
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