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"A Portrait of the Artist as a Young Man", 2002.
A review of James Joyce's "A Portrait of the Artist as a Young Man" with an emphasis on Stephen Daedalus' struggle for freedom.
1,150 words (approx. 4.6 pages), 1 source, £ 26.95
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Abstract
This paper analyzes Stephen Daedalus' struggle for freedom in "A Portrait of the Artist as a Young Man", by James Joyce. It evaluates whether Stephen strives for and gains freedom, how and why he achieves his freedom, and focuses upon the master/servant relationships in the novel.
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"Portrait of an Artist as a Young Man", 2002.
A review of "Portrait of an Artist as a Young Man" by James Joyce.
1,150 words (approx. 4.6 pages), 4 sources, £ 26.95
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Abstract
A paper on the thematic context of James Joyce's "Portrait of an Artist as a Young Man".
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"A Portrait of the Artist as a Young Man", 2005.
A look at the journey of self discovery for the protagonist Stephen in James Joyce's "A Portrait of the Artist as a Young Man".
1,141 words (approx. 4.6 pages), 3 sources, MLA, £ 23.95
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Abstract
The author of this paper states that the journey to self-discovery may not always be painful but it is always rewarding. James Joyce's novel, "A Portrait of the Artist as a Young Man", describes such a journey, tracing the elements of Stephen's life that eventually lead him to self-realization and acceptance. This paper explains how Joyce utilizes mythology, symbolism, imagery and motifs to emphasize how Stephen matures over the years. It shows how these literary techniques help illustrate and illuminate Stephen's radical transformation.
From the Paper
"To conclude, James Joyce uses many literary motifs to illustrate and emphasize the progress of Stephen's journey in his novel, A Portrait of the Artist as a Young Man. Stephen's path to self-discovery is influenced by references religion and mythology. In addition, Joyce employs symbolism, imagery, and motifs in the novel to bring Stephen's adventures to life. Stephen's change was not a simple or easy one. Rather, it was difficult and complicated but well worth the painful experience of growing wings and learning to fly."
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"A Portrait of the Artist as a Young Man", 2004.
A review of the book, "A Portrait of the Artist as a Young Man," written by James Joyce.
1,888 words (approx. 7.6 pages), 6 sources, MLA, £ 36.95
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Abstract
This paper discusses the events that led to the spiritual evolution of Stephen Dedalus in James Joyce's "A Portrait of the Artist as a Young Man". The paper examines the significant events that mark moments in Stephen's life when he realizes that life is complex and that following one's dreams is not always as easy as it seems. The paper describes how Stephen develops and matures throughout the novel, evolving from a young, quiet boy into the spiritually aware artist that we see at the end of the novel.
From the Paper
"One early event in Stephen's life that leaves a significant impression of Stephen is the confrontation in the schoolyard. When his schoolmates ask him whether he kisses his mother at night or not, Stephen becomes aware of a difference between them. Tracey Schwarze, in her article, "Silencing Stephen: colonial pathologies in Victorian Dublin," states that "Stephen's need for an exalted place in the school yard hierarchy is a direct result of the oppression he experiences there" (Schwarze). Stephen struggles and feels "his whole body hot and confused" (Joyce 14) because he does now the answer to the question. Both replies to this question cause the other to laugh at Stephen. As a result, Stephen tries to figure out "what was the right answer."
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"A Portrait of the Artist as a Young Man", 2006.
An analysis of the use of blindness vs. seeing and related motifs in James Joyce's "A Portrait of the Artist as a Young Man".
2,211 words (approx. 8.8 pages), 6 sources, MLA, £ 41.95
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Abstract
This paper examines the thought behind the books that James Joyce wrote, as well as the very man himself and his life. It highlights how Joyce was short-sighted and how he often used the help of others to finish his books. It also looks at how Joyce's own life influences, such as his bad vision, helped him relate to characters and situations in his books with an emphasis on "A Portrait of the Artist as a Young Man". The paper concludes that it is not just his blindness that made Joyce such a strong writer but also his intellectual genius.
From the Paper
"Joyce's expression of the motif of blindness in describing imperfect human vision is perhaps the most obvious, literal uses of the motif. However, the genius of its implementation lies in the fact that the distorted or failed vision represents a flaw in the character who possesses it. At the beginning of the story, Dedalus' father is described as looking "at (Stephen) through a glass" (Joyce, 19), referring to a monocle. Later, Dedalus, Sr., is mocked by his son as having disastrously weak financial vision, dabbling unsuccessfully as "a medical student, an oarsman, a tenor, an amateur actor, a shouting politician, a small landlord, a small investor, a drinker, a good fellow, a story teller, somebody's secretary, something in a distillery, a tax gatherer ,a bankrupt."
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"A Portrait of the Artist as a Young Man", 2001.
This paper is an in-depth study of James Joyce?s "A Portrait of the Artist as a Young Man".
2,645 words (approx. 10.6 pages), 6 sources, MLA, £ 47.95
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Abstract
This paper studies James Joyce's autobiographical tale of Stephen Dedalus. It discusses Stephen?s growing self-awareness as a person and as an artist which causes him to dismiss the nationalism and Catholicism and to go to Paris to become a writer. It is a tale of the author's description's of Dedalus's history and what became of him. It includes several excerpts from the book which are analyzed.
From the Paper
"If we were to concern ourselves strictly with plot, we might well say of James Joyce?s A Portrait of the Artist as a Young Man that there is none there. Not a great deal actually happens in this essentially autobiographical tale of Stephen Dedalus, and the narrative follows no clear single trajectory of cause and effect. Rather, in one of the first important uses of stream of consciousness, Joyce tells us in this short novel about Stephen?s growing self-awareness as a person and as an artist, a growing self-awareness that will cause him by the end of the book to cast off the nationalism, the Catholicism and the sense of clannishness that defines other members of his father and to set off to Paris to become a writer."
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"A Portrait of the Artist as a Young Man", 2004.
Looks at James Joyce's use of symbolism in his book, "A Portrait of the Artist as a Young Man".
1,134 words (approx. 4.5 pages), 1 source, MLA, £ 23.95
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Abstract
This paper looks at the different symbols and motifs used in Joyce's book and how they are used to illustrate the main character's maturity and growth. The paper explains how Joyce uses color, birds, and water as symbols, as well as his use of motifs such as fire, prayer, and religion.
From the Paper
"One significant use of symbolism in ?A Portrait of the Artist as a Young Man? is the myth of Icarus and Daedalus. Like Icarus and Daedalus , Stephen is wandering and seeking his identity. Because he is on a path to self-discovery, Joyce has Stephen walk the path of many roads. For instance, Stephen is wandering the streets when he happens upon his first sexual encounter. We are told that he ?wandered into a maze of narrow and dirty streets? (100). Stephen also wanders ?swiftly throughout he dark streets? (139) when he is struggling with his sin. He ?walked on and on through illicit streets, fearing to stand still for a moment lest it might seem that he held back from what awaited him? (140). After his confession, we are told the ?muddy streets were grey? as a purified Stephen made his way home. Stephen must balance his desire to leave his country with his own abilities. To avoid making a bad decision such as Icarus did, Stephen decides to spend more time at the university and develops his craft of writing."
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James Joyce's "A Portrait Of The Artist As A Young Man", 1972.
This paper analyzes James Joyce's "A Portrait Of The Artist As A Young Man" as a story of developing artistic consciousness especially the character Stephen's break with the Church.
2,250 words (approx. 9.0 pages), 2 sources, £ 47.95
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From the Paper
"First novels are more often than not self-portraits. In "A Portrait of the Artist as a Young Man", Joyce's first novel, we witness a fictionalized account of Joyce's struggle with religion, depicted in the person of the protagonist Stephen Dedalus. The book is a piece of self-analysis which portrays the story of a "sensitive, gifted boy who is disappointed in his hope of communion with parents, country and religion.". Ultimately he rejects the actual world, creating a better one for himself..Stephen's is a soul divided between religion and beauty, and the Portrait becomes basically the story of a developing artistic consciousness. Even as a child, Stephen Dedalus is in quest of beauty, not a wild, fiery, passionate beauty but a serene and exalted beauty. This sensitivity to beauty and aversion to ugliness is a basic part of the nature with which Stephen is ... "
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"A Portrait of the Artist as a Young Man?, 2002.
Discusses the first chapter of James Joyce's novel.
1,244 words (approx. 5.0 pages), 1 source, £ 25.95
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Abstract
Chapter One of James Joyce?s "A Portrait of the Artist as a Young Man" traces Stephen Dedalus?s early childhood experiences from his toddler years through his first term at boarding school. The paper shows that through several key events, Stephen is forced to confront his own weaknesses and to recognize the shortcomings in other people. It also shows how he is forced to confronts weightier, adult issues in his immature mind.
From the Paper
"Daydreaming is natural to Stephen, whose early memories mingle with multi-sensory fantasies. Colors, feelings, smells, tastes and sounds commingle to color the present moment and help Stephen understand the world. When Wells humiliates him in front of his classmates, he feels the embarrassment throughout his entire body. Stephen is unable to fight back, for he is not aggressive. Instead, he withdraws further. His poor eyesight also serves as a symbolic barrier between him and the outside world. It prevents him from playing sports well, which leads to his being unpopular. Ironically, breaking his glasses causes him to become a hero by the end of the chapter. Until then, however, young Stephen contends with conflicting emotions and ideas when Wells teases him about kissing his mother. ?Was it right to kiss his mother or wrong to kiss his mother??"
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?A Portrait of the Artist as Young Man?, 2002.
Discusses symbolism in James Joyce's novel.
1,163 words (approx. 4.7 pages), 1 source, MLA, £ 24.95
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Abstract
This paper examines how author, James Joyce makes up for lack of plot with the use of symbolism in his autobiographical novel "A Portrait of the Artist as a Young Man". Joyce tells us, in this short novel, about Stephen?s growing self-awareness as a person and as an artist, a growing self-awareness that will cause him by the end of the book to cast off the nationalism, the Catholicism and the sense of clannishness that defines other members of his family and to set off to Paris to become a writer. The paper shows that Joyce?s use of symbolism is far more important in conveying what he has to say about these themes than what actually happens in the plot.
From the Paper
"While it might be tempting to view the image of the bird in Stephen?s life (and in the novel) as a relatively straightforward one of liberation and of the release of the authentic self from social bounds, in fact (as Thornton argues) it is a complex and to some extent contradictory one that contains at least three different elements. These are first the threat of punishment (regardless of specific guilt on Stephen?s, although given the way in which the novel is embedded in Catholicism, certainly not regardless of the general sin of all humanity in the echoes of the fall of the species from grace); secondly, the metaphor and reality of sight; and thirdly the bird itself, the real birds that appear in Stephen?s life and the mythical one that appears in his name (after Thornton)."
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"Portrait of the Artist as a Young Man", 2005.
Examines the theme of self discovery in this book by James Joyce.
1,004 words (approx. 4.0 pages), 3 sources, MLA, £ 21.95
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Abstract
This paper discusses James Joyces' "A Portrait of the Artist as a Young Man". As the story unfolds, the protagonist, Stephen Dedalus' personal vision grows closer and closer to that of an "artist." The paper shows that Stephen attempts, throughout the story, to understand the inspiration he receives, while being tormented by influences that seem to distract him.
From the Paper
"As young Stephen begins his education, we see the descriptions becoming increasingly filtered through this idea that there is an objective truth about things, both rational and spiritual. Stephen becomes very taken with the notion of education, and he excels at it. His efforts put him at the head of the class in essay writing, although his skill at mathematics is weak. His education indoctrinates him with the structures of rationality in he liberal arts, and his religious education, indoctrinates him with a passionate faith for a time."
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"A Portrait of the Artist as a Young Man" by James Joyce, 1993.
Examines Stephen Dedalus' fascination with, use of & development as artist & man through language.
1,350 words (approx. 5.4 pages), 1 source, £ 28.95
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From the Paper
"In the opening chapters of A Portrait of the Artist as a Young Man, James Joyce couples the development of Stephen Dedalus as a human being with the development of his skills at language. The character is always surrounded by and fascinated by language and by the act of telling a story, and this is mirrored in the structure of the novel and in the way the language is structured as well. Stephen's interest in language is created as he interacts with the world around him and as he is motivated to explain that world to himself first and then to others. The novel recreates the development of a writer, one who works with words, communicates with language, but also one who understands the world and himself through his fascination with language. In the early chapters, Stephen's sense of language and storytelling remains in its early stages and does not develop to full artistic.."
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"A Portrait of the Artist as a Young Man", 2002.
This paper discusses James Joyce's "A Portrait of the Artist as a Young Man".
1,400 words (approx. 5.6 pages), 7 sources, £ 31.95
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Abstract
This paper explores symbolism as a leitmotif in James Joyce's "A Portrait of the Artist as a Young Man".
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?A Portrait of the Artist as a Young Man?, 2004.
A review of James Joyce's novel, ?A Portrait of the Artist as A Young Man?.
1,915 words (approx. 7.7 pages), 3 sources, MLA, £ 36.95
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Abstract
This paper examines how James Joyce's "A Portrait of the Artist as a Young Man" is a modern novel that can be interpreted in any number of ways. It looks at how the story is centered on Stephen Dedalus's search for himself, in general, or specifically, how to become an artist by his own definition. It explores how the inward analysis that he wallows in does not imply self-consciousness, but rather the belief in the significance of living as an individual. It also discusses whether or not the protagonist is able to become an individual by embracing the ?either/or? nature of himself and the world or if he must rebel against social rules.
From the Paper
"In looking at the passage from chapter five, Henke would view Dedalus as once again fleeing from his own need for balance. It is significant that the woman in his example must die ? just as the need for others must die in order for him to feel autonomous. Henke sees this as depending on binary (?either, or?) logic that presents one term over the other as more important. She provides examples such as ?active/passive, masculine/feminine, father/mother, head/heart, son/daughter, intelligent/sensitive, brother/sister, form/matter, phallus/vagina, reason/emotion? (296) and argues that the feminine perspective has been lost in many writings."
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