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Othello?s Characters, 2002.
A study of the characters in William Shakespeare's "Othello".
1,160 words (approx. 4.6 pages), 1 source, MLA, £ 27.95
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Abstract
This paper discusses how the characters in William Shakespeare?s ?Othello? are what really make the play come to life. It provides a brief summary of each of the main characters with a character analysis and a description of their contribution to the plot of the play. It shows how Othello is bold warrior and a good person, how Iago brings all of the evil and fallacy into the play, how Desdemona is young and innocent and how Cassio?s character is vulnerable and easily manipulated.
From the Paper
"The character of Desdemona is young and innocent. When she is wrongly accused of infidelity, her innocent response to his rage is "I never gave him cause!" (III.iv.155). Desdemona?s innocent nature is highlighted in the play, through the contrast with the two other female characters, the cynical Emilia and Cassio's mistress, Bianca. These women are harsh and ugly, and make Desdemona seem all the more pure. Her love for Othello is a major part of her character. She permits his abuse of her, although it shakes her self-confidence. She is an obedient and devoted wife. She carries her love for Othello with her even as he strangles her to death."
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The Characters of "Othello" and "Jane Eyre" as 'Other', 2002.
Shows how William Shakespeare in "Othello" and Bronte in "Jane Eyre" reflect certain characters as disadvantaged others in their works.
1,400 words (approx. 5.6 pages), 2 sources, £ 37.95
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Abstract
Both Shakespeare's "Othello" and Bronte's "Jane Eyre" feature the theme of the treatment of the 'other - ' a theme that situates the protagonist, in both of these texts, in a disadvantaged position vis-a-vis the dominant culture. In varying ways, the characters of Othello and Jane Eyre both experience the difficulties of being different, or apart from the status quo. Othello's color sets him notably apart from those around him. For Jane Eyre, it is her low social status, at least at the novel's beginning, although Jane is doubly disadvantaged being both impoverished and female. In both cases, the protagonists are treated with contempt, as if their status of 'other' renders such behavior on part of the dominant culture acceptable. But beneath this theme of marginalization and otherness that manifests itself in both of these texts is a journey into the self: a journey that ends in tragedy for Othello, as his is a path to self-deception, but one of self-discovery and maturation for Jane Eyre.
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William Shakespeare?s ?Othello?, 2004.
This paper analyzes the character Iago in William Shakespeare?s play, ?Othello?.
1,105 words (approx. 4.4 pages), 5 sources, APA, £ 26.95
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Abstract
This paper explains that Iago, from William Shakespeare?s play, ?Othello,? is probably one of the best evil characters ever created. The author points out that he is an interesting case study because he is proud of his evilness and plans to use it to his utmost abilities to bring Othello down. The paper relates that another aspect about Iago's character that makes him so detestable is that he really has no reasonable excuse to hate Othello so much; he is not crazy, but rather is smart and clever, two characteristics that make him even more dangerous.
From the Paper
"Another characteristic of Iago that is unforgettable is his cleverness throughout the entire play. Iago must know Othello well because he demonstrates that he knows just the right things to say to Othello to spur his anger and jealousy. Robert Heilman claims, ?Wit is Iago?s instrument to compensate for what he does not have. He perversely hates and yet lusts after what he does not have . . . and he undertakes to disparage it, minimize it, debunk it, and destroy it.? Once he knows what it is he wants to do, he has no trouble achieving his goal. Critic Harold Bloom states that Iago?s ruination of Othello is in some ways too subtle for criticism to paraphrase. Iago suggests Desdemona's infidelity by at first not suggesting it, but hovering near and around it.? This is all too true."
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Shakespeare?s ?Othello?, 2004.
This paper analyzes Shakespeare?s ?Othello? as an Aristotelian tragedy.
2,115 words (approx. 8.5 pages), 7 sources, MLA, £ 46.95
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Abstract
This paper explains that Shakespeare?s ?Othello? follows Aristotle?s principles for creating the perfect tragedy. It has a plot that is easily remembered and structured to arouse pity and fear within the audience, with importance placed on the action, and events turning upon surprises. The author points out that the suffering of Othello meets the essential requirements to be considered a tragic hero. The paper stresses that, in ?Othello?, the reader witnesses the genius of Shakespeare; Othello changes from a loving husband and great warrior to a jealous, murdering husband. The reader loves him, hates him, and then feels sorry for him.
From the Paper
"Additionally, Iago also tells Roderigo that Othello ?Is of a constant, loving, noble nature,/And, I dare think, he?ll prove to Desdemona/A most dear husband? (II.i.280-3). In reaction to Othello?s character, A. C. Bradley states, ?Othello's mind, for all its poetry, is very simple. He is not observant. His nature tends outward. He is quite free from introspection, and is not given to reflection. Emotion excites his imagination, but it confuses and dulls his intellect . . . he has little experience of the corrupt products of civilised life, and is ignorant of European women? (Bradley). Our first impression of Othello is a positive one. This fact will help us to feel pity for Othello later in the play."
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Shakespeare?s "Othello", 2004.
This paper discusses Shakespeare?s "Othello" as a tragic hero.
1,205 words (approx. 4.8 pages), 4 sources, MLA, £ 28.95
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Abstract
This paper explains that, through Othello, Shakespeare creates, perhaps, the most popular tragic hero in literature because Othello is presented as strong and powerful in the beginning of the play, and, by the play?s end, he is reduced to a man blinded by jealousy. The author points out that Shakespeare allows the downfall of Othello through the character of Iago. The paper concludes that, because Othello recognizes his failure and tries to rectify the situation in the only way he knows how, we feel pity for him.
From the Paper
"Again, we can see the genius of Shakespeare at work. We have witnessed the complete transformation of a warrior to a jealous husband. Othello?s flaw lies in the fact that ?his whole nature was indisposed to jealousy, and yet was such that he was unusually open to deception, and, if once wrought to passion, likely to act with little reflection, with no delay, and in the most decisive manner conceivable?. Cantor agrees with this assertion, adding another crucial element to Othello?s demise. He claims that Othello?s image of himself has become tightly connected with how Desdemona perceives him. He explains that for most of Othello?s life, ?his self-possession came from the fact that he could derive his sense of worth from his own heroic deeds, something largely within his own control."
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William Shakespeare?s ?Othello? and ?King Richard III?, 2003.
This paper compares William Shakespeare?s villains, Iago from ?Othello? and Richard III from ?King Richard III?.
1,490 words (approx. 6.0 pages), 6 sources, APA, £ 34.95
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Abstract
This paper relates that Shakespeare?s primary intent in ?Othello? was to develop the villainous character of Iago, whose motives are represented as being highly complex and ambiguous, but villainous in the extreme. The author points out that Richard is shown to be a villain of the highest caliber, whose power-mad lust for the crown compels him to confirm his claim that, ?I am determined to prove a villain?. The paper concludes that Shakespeare portrays Iago and Richard in much the same light, as sociopaths who view others as merely objects representing obstacles in their path to fame and glory, which makes them villains by any definition.
From the Paper
"However, much like Richard, Iago?s ambition is the source of his villainy rather than his resentment at being overlooked for promotion, sexual jealousy or the racial prejudice he had consistently faced; rather: ?A man motivated by simple jealously and hatred would have no such need. He is not inspired by pure evil and desire to torment Othello either. In reality, Iago?s main motivation, born out of an inferiority complex, is a desire to heighten his sense of superiority and power.? According to Agrawal, Samuel Coleridge?s phrase, ?. . . motive hunting of motiveless malignity,? may best describe Iago?s strange actions and behavior. ?Motive hunting? exactly describes Iago?s soliloquies. He continuously ponders over and tries to understand his emotions. It is clear that he wants to torment and destroy Othello. However, he is not sure of the motivations underlying that desire.? "
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Othello Character Analysis, 1998.
This paper is an in- depth character analysis of all the characters in William Shakespeare's "Othello."
1,185 words (approx. 4.7 pages), 0 sources, MLA, £ 28.95
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Abstract
This paper examines the characters in the play "Othello," and discusses many of the reasons for betrayal and deceit between the characters. Through the unraveling of the plot, issues such as infidelity, jealously, and loyalty are detailed by the author.
From the Paper
"In Act IV-scene 3, Emilia and Desdemona are alone in Desdemona?s room engulfed in an intimate talk on infidelity. Desdemona tells Emilia that she doesn?t believe there is such a woman who would betray her husband. Emilia responds, ?Yes, a dozen; and as many to th? vantage as would store the world they played for. But I do think it is their husbands? faults if wives do fall.? This is no doubt the opinion of a woman who has been married to a man such as Iago. To Iago, love is only lust. Even hiswife sees this in his character. He treats her no better than any character in the play. She admits to Desdemona that she would betray her husband, undoubtedly due to her husband?s lack of loyalty. The true nature of their relationship can be seen in Act V-scene 2, here Emilia finally betrays her husband and tells Othello and the others of Iago?s scheme."
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"Othello's" And Iago's Character, 2002.
A look at the character of Othello as revealed in Act 3 Scene 3 of the play.
650 words (approx. 2.6 pages), 1 source, £ 18.95
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Abstract
This three-page undergraduate paper examines the character of Othello as revealed in Act 3 Scene 3 of this famous tragedy by William Shakespeare. The hero of the play is driven by jealously and in a fit of rage orders murder of his best friend Cassio and kills his wife Desdemona whom he suspects of infidelity.
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Iago's Character in "Othello", 2004.
Examines the speech delivered to Rodrigo by Iago in "Othello".
1,024 words (approx. 4.1 pages), 1 source, MLA, £ 25.95
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Abstract
This paper introduces, discusses, and analyzes Iago's speech to Roderigo in "Othello" by William Shakespeare. Specifically, it discusses what the speech reveals about Iago's character.
From the Paper
"Iago could be one of Shakespeare's most evil and frightening villains. He has no remorse, and is totally consumed with his own hatred of Othello. It colors everything he does in the play, and has clearly turned him into a bitter and spiteful man. In his speech to Roderigo in the First Act, Third Scene of the play, he reveals quite a bit about his own personality and psychology. It is clear he is not a kindly, romantic, or loving man. (A man that kills his own wife is none of these things). He says, "our bodies are gardens," (Shakespeare 1:3:315) which at first seems a bit romantic and earthy, but then compares the garden's fruitfulness with our own wills. This makes sense, because we are responsible for our own wills, and our own bodies, and so, we are responsible for what "grows" there, but he is really showing his cynicism and negative outlook. He is clearly a pessimist when he says, "the blood and baseness of our natures would conduct us to most preposterous conclusions:" (Shakespeare 1:3:322). He feels we are nothing more than base humans, who are led by our emotions and our sexuality."
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Othello as an Aristotelian Character, 1993.
Examines Shakespeare's tragic hero and the applicability of Aristotle's dramatic ideas.
1,125 words (approx. 4.5 pages), 6 sources, £ 27.95
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From the Paper
"William Shakespeare's Othello presents the title character as a tragic hero in a way that illustrates the definition offered of the tragic hero by Aristotle. A comparison of the character in the play with the description of the tragic hero offered by Aristotle shows the similarities and also shows where Shakespeare may have differed from Aristotle.
F.L. Lucas writes about the characters of tragedy as Aristotle has delineated them and notes that they must be "good" but not perfect, appropriate or true to type, and consistent or true to themselves. Lucas says that "good" in the context in which Aristotle uses it means noble or fine, and thus the characters appropriate to tragedy are elevated characters, because "tragedy in Aristotle's theory represented men as finer than they are.". More correctly, Aristotle holds that human ..."
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Characters on the Fringe: Are They More Intriguing?, 2001.
An examination of literary characters who are regarded as "outsiders" shying away from the norms of society and a proposition by the author of this paper that it is this behavior that makes these characters so interesting.
1,496 words (approx. 6.0 pages), 0 sources, £ 34.95
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Abstract
In this paper the author presents the idea that in literature, those who live on the fringe of society are often the most intriguing. In pursuing this idea, the author examines what he contends are three of the most notable ?outsider? characters in modern literature; John Steinbeck?s Cathy/Kate in ?East of Eden?; Albert Camus? Meursault in ?The Stranger?, and Septimus Smith in Virginia Woolf?s, ?Mrs. Dalloway?.
From the paper:
?However, he clings to live at the end, remembering his mother?s ?fiance?? and her desire to start over again even at her old age. He finally opens himself up to the tender indifference of the world. For him to feel less alone, he wishes for a great many spectators at his execution, and that they greet him with cries of hate. For Meursault sees that in his isolation to the rest of the world that he certainly is guilty. For Camus, Meursault is the epitome of existentialism and the folly of humanity, and the absurdity of life.?
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Handicapped Characters in Contemporary Fiction, 2007.
This paper studies the effect that a handicap has on the development of the disabled characters in contemporary fiction.
1,618 words (approx. 6.5 pages), 5 sources, MLA, £ 36.95
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Abstract
In this article, the development of the characters with handicaps in works of fiction is analyzed and attention is paid to how much these particular characters have been influenced by the disabilities that they have. Whether these characters have been affected in a positive or negative way is also a point of consideration. The writer notes that unfortunately, it appears that there has not been that much attention paid to handicapped or disabled characters within the realm of contemporary fiction, but there are more characters with disabilities than is first realized. The writer maintains that the idea that more handicaps and limitations are appearing in fiction today is actually very promising, because it shows that there is more recognition of the fact that these problems do exist within society and they should be recognized and addressed.
From the Paper
"It does not appear that a study on this issue has been performed in the past, which is both good and bad, and is discussed within the confines of the methodology. Here, however, it is important to address the literature that is available and the information that it provides. From Tom Hanks' portrayal of Forrest Gump in the movie of the same name to the wheelchair-bound policeman on Cartoon Network's animated show 'Family Guy,' handicapped people, with both mental and physical impairments, are showing up in various works of fiction. However, it is not just whether they appear that is important, but how they are portrayed and whether they evolve throughout the course of the fiction, or whether they simple remain the same types of background characters that they often are in the beginning."
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"Six Characters in Search of an Author", 2004.
A Freudian analysis of the play, "Six Characters in Search of an Author", by Luigi Pirandello.
718 words (approx. 2.9 pages), 2 sources, MLA, £ 17.95
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Abstract
This paper examines how Luigi Pirandello's play, "Six Characters in Search of an Author", is a representation of reality as opposed to the presentation of reality via drama. It looks at how it can also be interpreted as a division of the conscious mind from reality, or what Freud called ?doubling?, since the characters in the play are separated into actors and the characters they are to play. In particular, it attempts to show how the relationship between the author's characters and the actors who attempt to play the characters can be understood in terms of Freud?s theory of the uncanny.
From the Paper
"In the play, six characters appear at a rehearsal and are looking for a way to have their story told. Their goal is to have actors play the parts they represent in the story as yet completed. It is a paradoxical situation in which the actors are imitating the characters as they ?perform? the circumstances of their lives. The conflict is made manifest in the discussions between the father and the producer as to what constitutes reality. The actors are ?real? because they are living humans. The characters are ?fictitious forms? of consciousness. From the perspective of the characters, the actors are comical in their attempts to recreate what the character has created. The actor is both ?real? and an imitation while the characters are a representation presented to the world as ?real? because of the reality of their stories."
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Mary Higgins Clark?s Characters, 2006.
This paper explores the background and motivations of American novelist Mary Higgins Clark as well various characters from her numerous works of writing.
2,690 words (approx. 10.8 pages), 5 sources, APA, £ 56.95
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Abstract
The writer of this paper delves into both the life and works of author Mary Higgins Clark and centers mainly on the strength of her characters. While the author's characters frequently possess the ability to overcome insurmountable obstacles that happen too often in life, this paper details the events in Clark's personal life that often parallel to her characters. The death of her father completely altered Mary's family life. Mary gained the knowledge of how precious life was at the early age of ten. From her mother's example Mary learned how to be strong, even in the face of tragedy. This paper discusses both the plots and main characters from various novels including: My Pretty One Sleeps," "I'll Be Seeing You," "Where are the Children?" and "A Cry in the Night" which deals with a mother struggling to raise her children alone.
From the Paper
"Mary dips into the deep well of her experiences again with her novel, While My Pretty One Sleeps, as she grew up listening to her mother's stories about the fashion world. Her mother had been a bridal buyer for B. Altman's; and also mary had written a radio show called "Women Today" where she interviewed designers and fashion editors. This exposure showed her the inside story in the glamour world and also the agony within this industry. From these experiences and her inquisitive imagination, Mary concocted Ethel Lambston, a influential gossip writer who was about to "rock the fashion industry with an expose revealing the secrets of top fashion designers," but is murdered before she can get the story out and she is discovered missing by Neeve Kearney."
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