| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "NATIONAL GALLERY MUSEUM": |
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The National Gallery Museum, 2004.
Discusses a history of this London art museum and some of the more famous paintings housed there.
1,078 words (approx. 4.3 pages), 5 sources, MLA, £ 25.95
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Abstract
The National Gallery Museum is home to some of the world?s most famous paintings, including "Venus and Mars" by Sandro Botticelli and "Sunflowers" by Vincent van Gogh. This paper presents a history on the museum, including the addition of the Sainsbury wing and then describes several paintings stored in the museum. It also provides an architectural description of the museum.
From the Paper
"The atmosphere of the Early Renaissance gallery is sophisticated, accessible and subdued. Lighting is a combination of artificial light and natural light that is automatically controlled and "delicately balanced" (Venturi, Scott Brown & Associates). The wing takes advantage of natural lighting as much as possible, and is designed to reduce damaging ultraviolet radiation. The color of the walls is designed to minimize distraction, and showcase the individual works (The National Gallery Museum, Building). A "gently implied hierarchy" of rooms (ranging from small to medium and large rooms) make up the galleries (Venturi, Scott Brown & Associates)."
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New National Gallery, 2006.
This paper discusses the architecture and structure of the New National Gallery in Berlin.
1,125 words (approx. 4.5 pages), 3 sources, £ 30.95
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Abstract
This paper discusses the New National Gallery in Berlin, Germany, designed by architect Mies van der Rohe and completed in 1967. The writer cites this as a classical structure that represents the essence of the way in which van der Rohe treated space and the walls he used to enclose that space. The writer points out that such walls consist of glass planes enclosing the upper space, and a large basement where the collection is housed.
From the Paper
"The architect Mies van der Rohe was one of the leading architects of the twentieth century, a product of the Bauhaus movement in Germany who created buildings all over the world. One of his major structures from later in life is the New National Gallery at Berlin, Germany, a classical structure that represents the essence of the way van der Rohe treated space and the walls he used to enclose that space. He was born in Germany in 1886 and died in Chicago in 1969."
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Im Pei & National Gallery, 1994.
Role of this architect in creating the east wing of Washington, D.C. art gallery. Discusses the history of the gallery, selection of Pei, style, design and criticism.
4,050 words (approx. 16.2 pages), 33 sources, £ 93.95
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From the Paper
" The purpose of this research is to examine the east wing of the National Gallery in Washington, D.C., designed by architect I.M. Pei in the late 1970s. The plan of the research will be to set forth a description of the life and career of Pei and of the National Gallery itself, and then to discuss reasons for the new addition, how the commission to design the east wing of the structure came about, and details of the project itself, from an architectural standpoint. As well, reference will be made to the relationship between the "container," or structure, and the "contents," or works of art that it houses.
To discuss a principal work of Ieoh Ming Pei, usually referred to as I.M. Pei, it is useful to place that work in the context of life. Pei was born into a financier's family in 1917 in Canton, China, and stayed in the United States from 1935.."
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The Art Gallery of Ontario, 2005.
A look at spatial and architectural codes of the Art Gallery of Ontario.
1,125 words (approx. 4.5 pages), 1 source, £ 30.95
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Abstract
This paper looks back and review the semiotics of the interior of a major civic space - the Art Gallery of Ontario. This paper briefly analyses the semiotics of this civic space, from foyer to galleries and takes a look at how people are encouraged to interact with the space, works of art and each other.
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The Case of Gallery Furniture, 2004.
This paper is a case study of Gallery Furniture that uses a buyer-oriented marketing approach.
980 words (approx. 3.9 pages), 0 sources, £ 23.95
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Abstract
This paper explains that the objective of Gallery Furniture is to serve a wide market at the upper-low and middle market segments; the company is well served by this strategy. The author points out that, if the company were to expand geographically, it would have to use zone pricing of delivery. The paper states that, on the company's Web site, showing the photos of the showroom exactly as a low- to-middle level showroom looks, instead of having a more artful Web arrangement of selected items as might be the case in a more upscale Web presentation, supports the firm?s strategic position.
Table of Contents
General Pricing Strategy
Pricing the Geographically Expanding Market
Internal and External Concerns
Product-Mix Pricing Strategies
Psychological Pricing
The Web Site
From the Paper
"Internal factors that would influence the decision would be: whether the store could obtain or get commitments for sufficient quantities of their online items (which in this case is the entire inventory) to serve a region or the nation; whether the logistics of setting up either distribution from a central warehouse or setting up regional warehouses is affordable and acceptable to the operation of the company without diminishing its service to markets it already serves; whether it could set up a service operation sufficient to handle orders nationally or even regionally; whether it had the advertising budget to promote its goods and services regionally or nationally, or whether it would be wise to seek investment to do so."
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UCLA Fowler Museum of Cultural History, 2002.
This paper describes a visit to the UCLA Fowler Museum of Cultural History highlighting a show entitled "Music in the Life of Africa".
1,755 words (approx. 7.0 pages), 1 source, £ 39.95
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Abstract
This paper explains that the Fowler is a museum of culture rather than an art museum, and therefore it concentrates on the way culture is manifested by different peoples around the world. The author points out that the Fowler Museum is in a relatively new building on the north end of the campus of UCLA, but getting to the museum and close-parking areas are problems. This paper explains that the display of the artifacts in this museum differs from that in many museums; the visitor is not so separated from the objects being shown, but rather most objects rest on low platforms no more than a foot or so off the ground. The paper includes details of the "Music in the Life of Africa" exhibition.
From the Paper
"Two of the current exhibits emphasize a continuing concern with how a culture makes use of its waste in artistic expression with shows on how certain materials are recycled for use in artworks. A second show has a similar theme but is more particularized as it shows "Muffler Men," or human figures made from discarded mufflers, usually by mechanics who then place these figures outside their businesses as advertising to show passersby what kind of business is conducted inside. Many of these figures are very creative. One service station shown in a photograph has eight or nine such figures outside and on its roof. Some of the figures are playing musical instruments, also made from old mufflers and other automobile parts no longer needed. The figures are usually painted, and they resemble nothing so much as robots in an old science fiction movie."
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Anthropology Museum, 2003.
This paper discusses the creation of an anthropological museum.
920 words (approx. 3.7 pages), 564 sources, £ 21.95
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Abstract
This paper discusses the building and putting together of a new museum housing an anthropological collection in the state of Georgia. The author examines how to build the museum, what type of museum it should be and how to balance the research and exhibit goals of the museum. The paper relates issues of collections, funding, staffing, museum design and layout.
From the Paper
"The purpose of anthropology is to study the origin behavior as well as the physical, social and cultural development of humans throughout history and in different cultures. This study can take the form of fieldwork academic study research as well."
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The British Museum, 2005.
This paper discusses the financial management of the British Museum especially for long-term projects and displays.
2,640 words (approx. 10.6 pages), 7 sources, APA, £ 54.95
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Abstract
This paper explains that the expenses incurred by any museum including the British Museum can be sub-divided into cost categories: Salaries and benefits, occupancy, curatorial and conservation, public programs, marketing and administration. The author stresses that museums must reserve about 5% to 10% of their total budget for direct collection management costs other than salaries; lesser reserves indicate neglect of the museums most important resources, its exhibits. The paper relates that museums house thousands of art and artifact pieces valued at billions of pounds; therefore, insurance on collections, buildings, equipment, liability and loans to other museums around the world is essential. Charts and graph.
From the Paper
"The museum currently gets a grant of about 36 million pounds. This is nearly one third of its total budget. Although the income from the shops on the piazza has doubled, it is not sufficient to ensure that the museum is profitable. The actual operating costs of the Great Court were higher that the initial estimates. At present effective marketing can combat these unique situations that the museum faces. Fundraising is essential. There are two methods that have been identified in effective fundraising for any establishment. The first is a pace setting donation method in which the museum approaches its most valuable donators and petitions for a donation. This is generally done on a personal, one on one level where interaction is critical. The fundraisers then approach other individuals who might be willing to donate to the cause if they feel that they will gain recognition or popularity from that move."
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The Guggenheim and Metropolitan Museums of Art, 2002.
A discussion of the Guggenheim and the Met and their success in stimulating and educating museum visitors.
1,395 words (approx. 5.6 pages), 4 sources, MLA, £ 32.95
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Abstract
This paper discusses the Guggenheim and Metropolitan Museums of Art, describing and contrasting the two museums in the context of bringing art, culture and architecture to the public. Modern thought regarding museum architecture is also discussed. It also discusses the history of art museums in the past century. It examines the level of interaction between the art admirer and the art itself in several museums and accordingly judges their success.
From the Paper
"Art museums have been through multiple metamorphoses in the last 100-plus years, from ornate Victorian cathedrals stuffed with artifacts, to flexible modernist boxes and vast salvaged industrial buildings. A museum building is often thought of as monumental sculpture, and is itself potentially the most important work in an institution's collection. How paintings and sculpture actually fit into it is, typically somewhat controversial. Museum founders realize that the public can best appreciate and become engaged in art when the level of interaction and personal participation is high. Mimi Gaudieri, the executive director of the Association of Art Museum Directors, and other enthusiasts among professionals in the field insist that there's no conflict between a museum's mission and high-profile architecture. "On the contrary, an exciting building lends itself to art," Gaudieri says. "It's part of the growth of the whole museum field. Years ago we were just sleepy institutions with no profile, and all of a sudden things have changed. Museums have woken up. We are much more aware of the community and are working more closely with it." Current museums incorporate inviting lobbies, lecture halls, libraries, cafes and shops, recognizing that while they display art, they also must draw the interest of the public (and potential donors) with a holistic appeal (Lloyd 2001)."
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Board Games at the Victoria and Albert Museum, 2004.
A look at some of the more fascinating board games displayed at this London museum.
4,926 words (approx. 19.7 pages), 6 sources, MLA, £ 86.95
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Abstract
In 1974, Sir Roy Strong, the director of the Victoria and Albert Museum at the time, felt there were enough significant objects relating to the history of childhood within the Victoria and Albert Museum to devote an entirely separate museum to this subject. Since then, the V&A childhood collection has been housed at Bethnal Green and has developed and grown in status to become a collection of national and international significance. Using the documentation available in the Museum of Childhood archives, the author of this paper has produced a comprehensive report on the most popular and influential games displayed at the museum. The paper shows that games were not just a leisure activity arbitrarily serving as a means of passing time. Many times, they are used to teach morals, histories, and religions, and are always a reflection of the culture that surrounds them.
From the Paper
"Because of the gambling character inherent in many games played with a normal deck of cards, such as Poker or Bridge, children?s card games were often specifically designed to look different by the addition of pictures or words. In Europe, card games have been documented since about 1370. Card games for children are often fast-moving, enjoyable and easy to learn. Most could be played with a standard deck as well, but often cards for children have an educational theme, with designs based on almost any subject, from fairy tales to maths."
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Museum Education, 2003.
Discusses the development of museum education departments.
3,600 words (approx. 14.4 pages), 57 sources, £ 88.95
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Abstract
Examines the relationship between museum educators and museum curators, the roles of each, overlapping of roles, the division of labor at museums, and the implications of a trend toward art as a cultural and historic artifact.
From the Paper
"The development of museum education departments as the point of contact between the museum institution and the public has occurred in the context of museum mission ..."
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L.A. History Museums, 2002.
A discussion of how Los Angeles' museums shows L.A. history.
900 words (approx. 3.6 pages), 2 sources, £ 24.95
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Abstract
This paper presents a detailed discussion about the Natural Living History Museum of Los Angeles and how it pertains to the history of the state and consequently the nation. The history of the United States until 1865 was an interesting time. We moved slowly while at the same time making leaps and bounds in progress as far as settlements went. Families sought out new lives and believed that travel held the key to their happiness and future success . While the nation was still struggling to determine how it was going to conduct itself and present itself to the world it endured many changes including the Civil War and the enactment as well as the abolishment of slavery. In addition to the Natural Living History Museum being used as an example the Gene Autry Museum was also touched upon as relating to the time period.
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Museums, 2005.
An analysis of the role of the museum in modern day society.
1,941 words (approx. 7.8 pages), 10 sources, APA, £ 42.95
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Abstract
This paper explores the roles that museums have today and discusses this against the background of contemporary academic and policy debates. The paper considers whether museums can defend their role as a conserving agent, especially in times where the Internet and other media have become the main source of information for most people. The paper then concludes that the traditional museum, as it exists for more than 200 years now, plays and will always play a special but nonetheless important role in the lives of the people and in a society that rather is a changing collectivity than a rigid system.
From the Paper
"The term 'museum' is originally derived from the Greek word mouseion, which simply meant library, and was used for the Ptolematic library in Alexandria (Vergo: 1997, 1). But that collection of books in ancient Greece cannot be compared to the modern form of our so well-known museum. The museum as we know it first came to being in the 18th century in France. After the French Revolution, the private collections of the rich were made publicly accessible and thus gathered together in special places for every citizen to visit. This process of bringing culture to the mass, of 'culturing', was an attempt of constituting a public, of generating 'a self-identifying collectivity in which members would have equal rights, a sense of loyalty to one another and freedom from exclusions' (MacDonald: 2003, 2). "
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Museum Anthropology, 2007.
This paper discuses the impact of new technologies on the practice of museum anthropology.
1,610 words (approx. 6.4 pages), 5 sources, MLA, £ 36.95
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Abstract
This paper explains that new technologies are impacting the practice of museum anthropology by making possible a more accurate interpretation of what ancient objects are really saying, by removing long-held misconceptions, and by enabling museum anthropologists to get much closer to the real story told by these silent artifacts. The author points out that the invention of photography has made possible different kinds of exhibitions, while the invention of x-rays, combined with sophisticated computer analysis of these x-rays, has made possible a more informed understanding of what exhibit artifacts really mean. The paper relates that archaeologists, anthropologists, engineers, mathematicians and computer scientists are working together at the ancient site of Tiwanaku, Bolivia, to develop a large, subsurface surveying project that will attempt to identify artifacts before they are actually collected.
From the Paper
"Yet this was just the beginning of the ways in which technology would shape and frame the discourses engaged in by museum anthropologists. While the possibility of collections of photographs made possible a particular kind of exhibition, more recent advances have made possible a deeper insight into what the exhibitions actually mean. For example, the Krapina Neanderthal fossil bone collection was found in August, 1899, in caves in Croatia. It has long been thought that the collection was a relic of an ancient group of hominids that died out because they were weaker than other groups."
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