| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "NATHANIEL HAWTHORNE": |
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Nathaniel Hawthorne's "A Scarlet Letter", 2006.
An analysis of the main protagonist in Nathaniel Hawthorne's "A Scarlet Letter' and how he portrays her character.
1,445 words (approx. 5.8 pages), 1 source, MLA, £ 24.95
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Abstract
This paper analyzes the character of Hester Prynne in Nathaniel Hawthorne's story, "A Scarlet Letter" and explains how he uses her outward appearance to depict her inner character and identity.
From the Paper
"A common notion in literature is that the outward appearance of an individual often expresses an inward reality of character. Personality frequently displays itself in the countenance or demeanor of a figure, but is more subtly portrayed through clothing. Nathaniel Hawthorne, in his classic novel, The Scarlet Letter, exhausts the power of this literary concept in his recreation of the Puritan society, a community bent on assessing and shaping character and personality by observing and dictating outward apparel. Hester Prynne, one of the primary characters in the novel, enfleshes this idea, elucidating her own personality by the dramatic image embroidered on her bosom. Her dexterous handiwork also vivifies other characters, displaying their inner emotions and thoughts. In addition, by employing images of sewing, Hawthorne demonstrates the tension between Hester's internal nature and the established order of Puritan society."
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The Romantic Period: Nathaniel Hawthorne, 2002.
This paper examines three of Nathaniel Hawthorne's works that demonstrate his characterization as a Romantic writer.
1,140 words (approx. 4.6 pages), 5 sources, MLA, £ 20.95
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Abstract
This paper begins with a discussion of the Romantic Period, and then turns to Nathaniel Hawthorne, a writer of that time. Three of his works, "Young Goodman Brown", "The Minister's Black Veil", and "The Scarlet Letter" are discussed as examples of writings of the Romantic Period.
From the Paper
"The Romantic Period can be characterized by four things, "a return to nature and to belief in the goodness of humanity; the rediscovery of the artist as a supremely individual creator; the development of nationalistic pride; and the exaltation of the senses and emotions over reason and intellect" (Encyclopedia.com). Nathaniel Hawthorne is one writer whose work is generally classified as Romantic. By looking at three of his important works, we can see how Hawthorne meets the criteria of a Romantic and also how Hawthorne goes beyond this definition, not only making a comment on the place of humans, but actively encouraging all humans to reconsider their place in the world."
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"Birthmark" by Nathaniel Hawthorne, 2001.
A look at the themes and concepts in Nathaniel Hawthorne's "Birthmark".
580 words (approx. 2.3 pages), 0 sources, £ 10.95
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Abstract
A look at Nathaniel Hawthorne's "Birthmark". The author analyzes and interprets the theme of human nature in the novel and other symbolic elements around this concept.
From the Paper
"The Birthmark" explores a very intriguing and deep theme: man's attempts to transform nature in order to make it more perfect than it already is. Hawthorne goes into details into the subject of human mortality and the spiritual aspects of the scientific experimentations with the Nature's laws. He shows us that human intrusion into the universal wholeness and attempts to take control over nature can be unpredictable and often fatal.
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Nathaniel Hawthorne, 2002.
Analysis and critique of Nathaniel Hawthorne's "House of the Seven Gables" and "The Marble Faun".
1,900 words (approx. 7.6 pages), 7 sources, £ 37.95
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Abstract
This paper examines and analyzes Nathaniel Hawthorne's "House of the Seven Gables", and "The Marble Faun". It presents the author's criticism of both works and supports that criticism with published criticism.
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Nathaniel Hawthorne, 2004.
A look at the desire to succeed in "My Kinsman, Major Molineux" and "Young Goodman Brown" by Nathaniel Hawthorne.
1,339 words (approx. 5.4 pages), 2 sources, MLA, £ 23.95
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Abstract
This paper examines how, in the two works "My Kinsman, Major Molineux" and "Young Goodman Brown" by Nathaniel Hawthorne, the main characters Robin and Young Goodman Brown go on personal journeys to seek their individual goals. Robin seeks a kinsman who can help him establish his future livelihood, and Brown searches to restore his faith and the evil in his heart. It shows how they each reach a goal, yet not the one expected.
From the Paper
"In this new urban world, Robin wonders at the "gay and gallant figures" who wear "garments of showy colors, enormous periwigs, gold-laced hats, and silver-hilted swords." He sees "imitators of the European fine gentleman of the period, (treading) jauntily along, half dancing to the fashionable tunes which they hummed, and making Robin ashamed of his quiet and natural gait." He even confuses a prostitute for a maiden. Hawthorne thus depicts the old and the new ways of life in New England, and they are very different, especially from what Robin has experienced."
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Cotton Mather and Nathaniel Hawthorne, 2003.
A comparative analysis of the secularism of Nathaniel Hawthorne and the religious fanaticism of Cotton Mather .
1,150 words (approx. 4.6 pages), 3 sources, MLA, £ 20.95
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Abstract
This paper compares of the ideas of Cotton Mather and the themes of Nathaniel Hawthorne's short story,"Young Goodman Brown."
From the Paper
" From the perspective of it is difficult to credit such an idea until one is reminded of the fundamentalist zeal of Nazis or religious fanatics who blather about great Satans and howl for death to this ..."
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Nathaniel Hawthorne's "Ethan Brand", 2004.
This paper offers an analysis of four critics' views on Nathaniel Hawthorne's short story, "Ethan Brand."
1,356 words (approx. 5.4 pages), 4 sources, MLA, £ 24.95
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Abstract
The paper provides an analysis of four critics' views on Nathaniel Hawthorne's short story, "Ethan Brand." The paper reviews the plot of the story and examines Brand's innate value system and the value system of his society. The paper concentrates on Brand's quest to commit the "unpardonable sin."
From the Paper
"Critical Analysis of Nathaniel Hawthorne's "Ethan Brand." Nathaniel Hawthorne's short story "Ethan Brand" is the tale of a man who upsets the balance between his own innate values system and that of a society whose applause he craves. He is presented by Hawthorne as having a heart of marble, impenetrable by real morality and solidified by the workings of pride. The Biblical concept of the Unpardonable Sin is used as the target of the protagonist's quest to locate himself in a world steeped in intellect and reason."
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Nathaniel Hawthorne's "The Blithedale Romance", 2002.
Discussion of the plot and the theme of polarities in Nathaniel Hawthorne's novel "The Blithedale Romance".
1,900 words (approx. 7.6 pages), 6 sources, £ 37.95
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Abstract
Nathaniel Hawthorne's "Blithedale Romance", is the first person narration of a man bent upon joining a world that has no need of him by imposing an arbitrary order upon his reality. Blithedale, is a novel of polarities. Just as Coverdale imposes order on reality, Zenobia, the feminine voice of creation, understands reality as a fragmented thing that cannot have order forced upon it. We see in the novel oppositions in communities, in social order, and in place. But, Hawthorne also gives us a richly crafted story about what it is that defines community and the common spirit or communal soul. The romance, of this book, is not just that of man and woman, but of the romantic ideals of society and of order. Coverdale, who is the namesake of the primary translator of the King James bible, is a man bent upon making the world be what he wants it to be. Hawthorne's, The Blithedale Romance, provides the reader with a set of beliefs, ideals, and aspirations, that become ideologies that actually mask reality thus pitting the utopian hopes of Blithedale against actual human behaviors - which makes for a difficult conflict at best.
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Nathaniel Hawthorne's "Ethan Brand", 2004.
This paper offers a review of Nathaniel Hawthorne's literary career and his short story, "Ethan Brand."
1,356 words (approx. 5.4 pages), 9 sources, MLA, £ 24.95
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Abstract
The paper analyzes Nathaniel Hawthorne's literary career and offers a close analysis of his short story, "Ethan Brand." The paper discusses the influences on Hawthorne and includes ideas found in The Scarlet Letter. The paper also reviews critical interpretations of "Ethan Brand."
From the Paper
"Nathaniel Hawthorne. A Review of the Writer and his Short Story "Ethan Brand." Nathaniel Hawthorne's literary career is a fascinating one. He was highly educated and spent much of his early childhood being formally educated within an illustrious group of influential New Englanders. His classmates included fellow writer Horatio Bridge, future President Franklin Pierce and poet Henry Wadsworth Longfellow. During Hawthorne's life he was closely associated with Herman Melville, Ralph Waldo Emerson, Henry David Thoreau and Walt Whitman."
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Nathaniel Hawthorne, 2001.
The life and works of Nathaniel Hawthorne.
1,770 words (approx. 7.1 pages), 7 sources, MLA, £ 30.95
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Abstract
A critical biography of Nathaniel Hawthorne. The writer shows why Hawthorne is considered to be the epitome of the American Romantic writer. Discusses his life, and early works, his upbringing and education and how these influenced the development of his unique writing style. Discusses his works "The Birthmark" and "The Scarlet Letter".
From the Paper
"Nathaniel Hawthorne is one of early America's greatest authors. He was born on July 4, 1804, in Salem, Massachusetts, where he spent his childhood with his mother and two sisters. When Hawthorne was four years old, his father died of yellow fever, leading to a somber childhood. His mother became overly protective and pushed him toward more isolated pursuits. Hawthorne's childhood left him overly shy and bookish, and molded his life as a writer."
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Nathaniel Hawthorne's "Roger Malvin's Burial", 2007.
This paper analyzes "Roger Malvin's Burial" by Nathaniel Hawthorne .
1,041 words (approx. 4.2 pages), 7 sources, APA, £ 19.95
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Abstract
The paper describes how the fiction of Nathaniel Hawthorne is laced with symbolism and symbolic meaning employed by objects, words and character and place names that convey the ideas Hawthorne wants to implant in the reader. The paper portrays how such symbols often work on the reader unconsciously, evoking meaning and memory based on associations the reader has with the words used or even the sounds of the words. The paper analyzes "Roger Malvin's Burial" and highlights the symbolism present in this short story.
From the Paper
"The oak stands as another sign that this is the same place, and the oak also represents the passage of time and the persistence of memory, consience, and sin. When Reuben kills his son and his wife shrieks and falls on the boy's body, the oak acts as if alive: "At that moment, the withered topmost bough of the oak loosened itself, in the stilly air, and fell in soft, light fragments upon the rock, upon the leaves, upon Reuben, upon his wife and child, and upon Roger Malvin's bones" (para. 68). The symbolism is complete as the story makes a full circle and returns to its beginning."
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Nathaniel Hawthorne, 2007.
An analysis of the references to Puritanism in Nathaniel Hawthorne's stories and novels.
1,608 words (approx. 6.4 pages), 8 sources, MLA, £ 27.95
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Abstract
This paper discusses the author of the Romantic period, Nathaniel Hawthorne. It particularly discusses his views on Puritanism, as one of the main themes of his work was the concept of unpardonable sin, which all Puritans held very close to their hearts. The paper gives examples from Hawthorne's books of this concept and uses some of some of these examples to discuss whether Hawthorne condoned puritanical beliefs or condemned them.
From the Paper
"Humanity means morality and faith here and represents everything good and wholesome. Hawthorne felt that when man starts to use his intellect to seek scientific knowledge to support or reject his beliefs, he is basically committing a crime and thus losing touch with humanity. The main reason Hawthorne equated knowledge with evil was because he felt evil was always a lurking possibility and as long as man doesn't engage himself in unnecessary questioning, he could keep that evil force silent. As he once noted: "There is a fund of evil in every human heart, which may remain latent, perhaps through the whole of life; but circumstances may arouse it to activity" (Coale, 1).
Even though Hawthorne was born in the Puritan society, he appears to have disliked the strict laws and regulations of the time. This is because while he endorses the view the faith must not be questioned, he also found that this view was not practiced by the people in its true spirit."
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Nathaniel Hawthorne, 2002.
This paper discusses the life and times of Nathaniel Hawthorne .
2,150 words (approx. 8.6 pages), 11 sources, £ 42.95
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Abstract
This paper argues that Nathaniel Hawthorne made a contribution in the reevaluation of the place of Puritanism in American history. The author uses Hawthorne's stories "Young Goodman Brown", "Rappaccini's Daughter", and "The Birth Mark" to support the argument.
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Nathaniel Hawthorne's "The Birthmark", 2006.
A discussion of Nathaniel Hawthorne's use of symbolism in his work, "The Birthmark".
900 words (approx. 3.6 pages), 2 sources, £ 18.95
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Abstract
This paper explains that Nathaniel Hawthorne lived at a time when science was viewed with equal parts awe and suspicion. Hawthorne was, in fact the descendant of a Protestant minister which may have led to the cautionary tone of his works when writing of science. The paper examines how this cautionary tone is evident in "The Birthmark" and is made apparent by Hawthorne's use of symbolism in the story.
From the Paper
"The birthmark in question is a tiny strawberry mark in the shape of a "singular mark" that "bore not a little similarity to a human hand" (Hawthorne 3). Hawthorne's narrator suggests that this tiny hand was a fairy mark. However, given that the union between Aylmer and Georgiana was deemed a spiritual one and that the mark was "deeply interwoven [. . .] with the texture and substance of her face" the power behind that hand would seem to be a much greater one indeed."
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