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Movie Director's Notes, 2007.
A presentation of a movie director's notes for shooting a film beginning on an airplane.
1,194 words (approx. 4.8 pages), 0 sources, £ 27.95
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Abstract
This paper is written as a creative writing piece. It presents instructions for a director for shooting a movie that begins on an airplane. It describes the scenery, the types of shots that should be taken and how the characters should be positioned in the shots. The paper presents details for three scenes in this short movie.
Table of Contents:
Airplane Scene One
Scene Two: Having fun in Europe
Final scene
From the Paper
"The next scene spins in showing dancers with the mountains visible out the windows but only lit by the lights of the slopes. We identify the couple as they dance by the camera and the next scene spins in showing a 45 degree angle shot of the couple at a table is a nice restaurant with a different view out the window. The lighting is romantically low and warm, but not dark. The story action can be continued here, as the camera moves to full frontal table shot and then dollies in until we have full frontal couple shot. The camera angles alternate between full frontal couple, and individual head and shoulder shots as they talk while drinking wine and sampling hors d'ouvres. They are seated almost as closely as the airline seats enforces. Outside the large windows it is dusk and we see a cityscape of Paris."
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Leadership in a Movie: The Case of Patton, 2008.
This paper assesses the film "Patton", by Frank Schaffner, through the portrayal of General George S. Patton.
1,156 words (approx. 4.6 pages), 2 sources, APA, £ 27.95
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Abstract
The essay examines the 1970 film, "Patton", and illustrates the sort of leadership that director Frank Schaffner (and lead actor George C. Scott) feels typified the command of World War II American Army General, George S. Patton. Specifically, the paper looks at how Patton led through a combination of technical ingenuity, mastery and sheer force of will. Specifically, the paper demonstrates that Schaffner sincerely wants to portray Patton in a well-rounded fashion and shows how brilliance can be complicated by poor people skills and by a grasping nature.
From the Paper
"Still, even as he acknowledges Patton's strengths as a military commander, Schaffner never fails when the opportunity is available to show the down-side of Patton's leadership style. For instance, his intemperate outbursts to the press ruffle enough feathers among the high command that Patton must promise, at one point, to keep his big mouth zippered. Similarly, his poor people skills cause considerable tension between himself and other senior commanders - and may partly explain why Patton was placed on probation for the previously-discussed slapping incident (Patton). All told, the film is an enthralling look at a gifted man who, not unlike Douglas MacArthur, simply could not get along very well with other human beings and simply could not, though he was far from perfect himself, tolerate perceived shortcomings in others."
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Erich von Stroheim, 2002.
Examines the life and career of movie director, writer and actor, Erich von Stroheim.
1,150 words (approx. 4.6 pages), 4 sources, £ 30.95
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Abstract
Erich von Stroheim's financial excesses and explosive temperament were condemned by many movie studios. Von Stroheim was known for his eccentricities and his life full of excessive misguided energy. He was not only a passionate director, but a writer of many films and a magnificent actor that took on many difficult roles.
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"Shall We Dance", 2004.
An analysis of the movie, "Shall We Dance", by director Masayuki Suo.
1,265 words (approx. 5.1 pages), 4 sources, MLA, £ 29.95
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Abstract
This paper explains that the movie is a refreshing and provocative story of a Japanese man who breaks out of his humdrum existence through the unlikely intervention of ballroom dancing lessons. It discusses how Suo?s adept direction makes this film erotically charged and hilariously comic at the same time, as well as full of interesting and believable characters. The cinematography is flawless and engaging, and the viewer is soon immersed in the world of the unlikely hero. Ultimately, the movie?s greatest strength is in its ability transform the mundane and comic into the beautiful and sublime.
From the Paper
"Shall We Dance" is director Masayuki Suo's largest break into North American cinema. Previously, his works include a "pink" (X-rated) movie called "Daughter in Law", a TV drama, a documentary called "A Taxing Woman", and a major picture called "Manic Zen", followed by a movie depicting a college Sumo wrestler. Though released in English, "Manic Zen" was only seen in movie festivals and not released in the United States. When asked about Japanese director Yasujiro Ozu's influence on "Shall We Dance", Suo replies, " I didn't think very much about Ozu, therefore I don't know how I was influenced...? However, he credits Ozu as a great influence on his first movie, "Daughter-in-Law" (Kaufman)."
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Alfred Hitchcock Films, 2002.
Analyzes three movies by Hollywood director, Alfred Hitchcock.
900 words (approx. 3.6 pages), 3 sources, £ 24.95
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Abstract
An analysis of three movies of Alfred Hitchcock, and how he deviated from Hollywood norms. By understanding the use of German Expressionism and Documentary Realism in Hitchcock's films, we can see the Hollywood glamour of moviemaking he counteracts.
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Director Pedro Almodovar and the Spanish Film Industry, 2002.
This paper shows the influence of director Pedro Almodovar on the Spanish film industry and how his films helped pave the way for other Spanish directors to find an audience outside of Spain and to reestablish the viability of the Spanish film industry.
3,100 words (approx. 12.4 pages), 8 sources, £ 62.95
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Abstract
The paper introduces the topic with a look at Robert Phillip Kolker's "The Altering Eye", which considers some of the economic and social forces that apply in different countries to shape their film. It then examines the life and work of director Pedro Almodovar as an example of these theories at work in Spain. It suggests that Almodovar's success was dependent on the social and political changes in Spain, namely the end of the fascist era and a move toward democracy.
From the Paper
"Film is an international medium in spite of language differences, and different countries come to the fore at different times to make a mark both artistic and economic on the world cinema. After world War II, Italian neo-realism burst onto the scene, followed in the early 1960s by the French New Wave. In the 1970s it was a combination of films from Australia and films from West Germany, the latter led by Rainer Werner Fassbinder. More recently, Spain has become a contributor to the screens of the world, with the leading filmmaker of the time being Pedro Almodovar, in some ways an unlikely leader given his penchant for bizarre sexual themes, iconoclastic attitudes, and searing satiric humor."
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Colorization in Movies, 2002.
A review of the use of color effects in movies - both modern and classic.
1,585 words (approx. 6.3 pages), 2 sources, MLA, £ 35.95
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Abstract
This paper examines the technology available today to directors when deciding whether to use color, black and white or both effects in their movies. It compares this to the historical movies which were all in black and white and discusses the different effect this had on the audience's perception of the film.
From the Paper
"Today?s filmmakers have quite a few options. They may choose to place a character in a realistic spaceship; they may choose to shoot their film from dynamic angles which push the limits of filmmaking; they may choose to have a dinosaur wander through the city or they may choose to shoot the movements of micro-bacteria. They may also make the choice as to whether they wish to shoot their film in black and white, in color, or in a combination of the mediums. Films such as Schindler?s List and Pleasantville are excellent examples of films wherein the filmmakers understood that the juxtaposition of color and black and white have an effect on the audience. In Schindler?s List, the audience watches a small girl in a bright red jacket flee Nazis during a raid. She draws the eye and as a result has a profound effect on the audience."
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Vouchers and High School Athletic Directors, 2002.
Examines the impact that high school education voucherswill have on high school athletic directors.
650 words (approx. 2.6 pages), 4 sources, £ 18.95
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Abstract
In schools in which athletics are emphasized, the role of the athletic director will increase with the introduction of education vouchers. However, at schools with no emphasis on athletics, the role of the athletic director will decline. The role of the athletic director will be determined by the emphasis of the individual school.
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The New Boards of Directors, 2006.
Examines how company boards of directors have changed their perspectives and management systems after the Sarbanes-Oxley Act of 2002.
2,224 words (approx. 8.9 pages), 5 sources, MLA, £ 48.95
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Abstract
Today's boards of directors are driven by far-reaching regulatory reforms and increased corporate expectations, as a result of the Sarbanes-Oxley legislation. Consequently, many feel an ever-growing need for orientation, education and evaluation. This paper shows that corporate directors are currently trying to gain the hands-on knowledge required to become more valuable professionals in the boardroom, with the help of general counsels, financial executives, HR representatives or corporate secretaries. The paper shows that ethics is a very important part of their change, since enforcing business morality is the main objective behind the Sarbanes-Oxley act.
From the Paper
"It would have been difficult for the SEC to implement and supervise the application of the new legislation all by itself. Usually, when a law doesn't make sense and is inappropriate for the current economic or social environment, it is simply rejected by the people who should apply it. The proof that the Sarbanes Oxley act is an example of a good piece of legislation is the fact that, since the act has passed through congress, other organizations have decided to join this movement in order to increase the accountability for board members and make sure that their skills and experiences match the tasks for which they are held responsible."
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The Director of National Intelligence, 2005.
This essay discusses the pros, cons and history of the newly created Executive Cabinet position of the Director of National Intelligence.
2,829 words (approx. 11.3 pages), 8 sources, MLA, £ 58.95
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Abstract
This paper begins with the history of the position and moves forward to the appointment of John Negroponte as the first Director of National Intelligence. The essay discusses the many roles associated with the Director of Central Intelligence. The essay quotes past and present politicians on their opinions of the position; to include the Chairman and Vice Chairman of the 9/11 Commission.
From the Paper
"In 1947, then President, Harry Truman signed into law The National Security Act of 1947. The National Security Act gave three primary responsibilities to the Director of Central Intelligence. First, the DCI was responsible for providing national intelligence to the President, members of the President's cabinet (where applicable), and to members of Congress (again where applicable). Second, the DCI would serve as the head of the intelligence community (IC). The DCI was responsible for establishing the priorities for collection and analysis of raw intelligence. The DCI formulated and presented the IC budget to the President and to Congress. The DCI also had very limited ability to transfer funds and personnel throughout the National Foreign Intelligence Program (NFIP). Third, the DCI was to serve as the head of the Central Intelligence Agency. Here the DCI supervised the entire bureaucracy of the CIA. The DCI was in charge of human sources, overseeing the analyzing of raw intelligence, and undertaking covert operations when directed to by the President."
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Nursing Practitioner and Unit Director, 2002.
This paper explores two career paths open to nurses working in hospitals, that of the nurse practitioner and that of the unit director.
2,780 words (approx. 11.1 pages), 8 sources, MLA, £ 57.95
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Abstract
The paper begins with a brief overview of the careers of a unit director and a nurse practitioner by explaining their activities and responsibilities. It then lists the formal educational requirements to become a unit director or a nurse practitioner and explains the ways in which they are trained. The paper then describes the salaries and benefits earned by the two professions and the number of hours that they are expected to work. The paper concludes by explaining the job satisfaction experienced by the two types of nurses.
From the Paper
"Certified nurse practitioners overall receive what most people would consider to be a good salary and as well as better-than-average benefits. We can see this documented in a recent posting by the state of Oregon for nurse practitioners. These nurse practitioners, who were wanted to work in a wide variety of settings, could receive a salary of up to $5,129 per month depending on their own training and experience."
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Director Alan Schneider, 2005.
This paper discusses the life and work of director Alan Schneider, American genius of the stage.
3,435 words (approx. 13.7 pages), 1 source, MLA, £ 67.95
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Abstract
This paper explains that Alan Schneider, who was an award winning director, innovator, teacher and mentor, was a major influence in academic commercial, local, regional and amateur theater. The author points out Schneider joined the Arena Stage in Washington D. C. during its formative years in the late 1940s, directed such works as "The Glass Menagerie" in 1951, which propelled the playwright Tennessee Williams into international prominence; the two men became close life-long friends. The paper states that the greatest insight into how Alan Schneider's style of directing can be found in the University of California, San Diego, collection of his papers entitled "Series 3, Production Materials"; the paper lists briefly some of its contents, which give an indication into his directing style for plays fro 1941 to 1979.
Table of Contents
Introduction
Biographical and Background Information
The Balancing of a Career
Correspondence Series of Insights
Alan Schneider Style of Directing and Teaching
From Directing to Teaching - An Easy Transition
Conclusions
From the Paper
"In 1963 Alan Schneider received the Antoinette Perry (Better known as the "Tony") Award for his excellence of direction of "Who's Afraid of Virginia Woolf?" Likewise he's won the Village Voice Off-Broadway (OBIE) Award for his direction of "The Dumbwaiter" and "The Collection." Plus in Washington D. C., the Board of Trade Award "for outstanding contribution to professional Community Theater in the nation's capital and production director of Arena Stage." However Alan Schneider, always a restless and busy person, was never one to rest much, or even dwell long on his laurels. His delight came in helping others attain their goals and aspirations particularly the youth of not only the United States but throughout Europe and England."
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Sin and Redemption in the Movies, 2005.
A comparison of the movies "The Green Mile" (1999) and "The Shawshank Redemption" (1994) and the topic of sins and redemption.
1,584 words (approx. 6.3 pages), 4 sources, MLA, £ 35.95
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Abstract
This paper discusses that while both films "The Green Mile" (1999) and "The Shawshank Redemption" (1994) have prison settings and the same director, these two film's overarching ideological agendas stand in striking contrast. The writer points out that "The Green Mile" uses the Christ myth of a singular, suffering (black) savior that can redeem white society. It also shows how "The Shawshank Redemption" presents a morally ambiguous notion of salvation, that all individuals must strive for on their own, even as they work together to form a more viable prison community. The two themes are examined and compared.
From the Paper
"The comfort that "The Green Mile" creates in the hearts of its viewers is partly due to its setting of time and place. By setting the film in the deep, rural, old 'Jim Crow' era South, in 1935, the film creates a sense of historical impetus and the sense America has changed a great deal. Merely by not being such vociferous participants in racism, as the most racist captor of the drama, the viewer has 'come a long way,' and simply by not being bad as the villainous actors of the drama they are not complicit in the 'old' system that convicts John Coffey merely because he is place. The movie is told in a series of flashbacks as the memories of Paul Edgecomb, who is now living an old man, in a retirement home, increasing the sense of distance between the ideological past and present for the viewer."
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Film Director Steven Soderbergh, 2006.
This brief paper discusses the career and techniques of film producer and director Steven Soderbergh.
790 words (approx. 3.2 pages), 2 sources, MLA, £ 19.95
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Abstract
This paper explains that, although Steven Soderbergh has had prize-winning commercial film successes such as "Traffic", "Erin Brockovich", "Ocean's Eleven", "Ocean's Twelve", "Syriana" and "Sex, Lies and Videotape", he also is known for his art house films such as "The Limey". The author relates that, born in 1963, Soderbergh, who began filmmaking when he was only 13, was the youngest producer or director to win the Palme d'Or award at the Cannes Film Festival, which he was awarded in 1989 for "Sex, Lies and Videotape". The paper relates that Soderbergh's seminal filmmaking techniques include the use of non-linear narratives to show different perspectives, a docudrama filming style that creates an aura of reality and the use of pastoral scenery.
From the Paper
"In the new millennium, Soderbergh has hit it big with success such as "Erin Brockovich", "Traffic" and "Syriana". "Erin Brockovich", a movie that portrays the real-life Erin Brockovich, only through a sexier Julia Roberts, tells of an assertive woman who, without a legal education, managed to sue and claim victory over Pacific Gas & Electric Corporation. The lawsuit was the largest civil penalty ever awarded at that time in 1996, and the film went on to be nominated for Best Picture."
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