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Metaphors in Rock Love Songs, 2002.
Analysis of the metaphors used in Rock Music love songs.
1,150 words (approx. 4.6 pages), 3 sources, £ 31.95
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Abstract
One of the key things about similes and metaphors in contemporary rock love songs is that, for the most part, they can be interpreted in various and multiple ways. In other words, they contain a strong sense of ambiguity. This allows them to be taken as speaking to each individual listener as if the song were aimed directly at him or her.
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"Songs of Innocence" and "Songs of Experience", 2008.
An analysis of the combination of William Blake's poems, "Songs of Innocence" and "Songs of Experience."
1,741 words (approx. 7.0 pages), 4 sources, MLA, £ 39.95
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Abstract
This paper focuses on William Blake's two poems, "Songs of Innocence" and "Songs of Experience." It aims to show how the two poems together form a seamless whole that aim to portray the world as seen by what Blake calls "the two contrasting states of the human soul." The paper analyzes the poems in the context of the mythology put forth in Blake's prophetic works. Illustrations of the poems are included with the paper.
From the Paper
"As the poems of Songs of Innocence and of Experience show, Blake's account of the Fall at work within the human soul is more descriptive than it is moralistically sentimental. His much more nuanced view is of innocence as a state of unification and creative power but a lack of agency, and of the fall to experience as the inevitable and necessary process of individuation, bringing with it subjectivity and its more varied perceptions. Interestingly enough, in this conception of the Fall, Blake anticipated, as Abrams notes, the "fall" that is the malaise of modern culture, essentially "a mode of psychic disintegration and of resultant alienation from oneself, one's world, and one's fellow human beings" (39). In this respect at least, Blake was indeed prophetic."
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"Songs of Innocence" and "Songs of Experience", 2003.
A discussion on how William Blake's "Songs of Innocence" and "Songs of Experience" can be considered both complex and simple.
1,698 words (approx. 6.8 pages), 4 sources, MLA, £ 39.95
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Abstract
Through the analysis of various poems such as "The Lamb" and "The Tyger" and "London", this paper contends that both the 'Songs of Innocence', and the 'Songs of Experience' are simple and complex. It looks at how they exist on a number of levels, having at once simple meaning, and complex analogy symbolism to further give expression to the poetry. The paper also examines how the conflicting simple and complex natures of the poetry gives rise to more thought on behalf of the reader.
From the Paper
"The innocent child who speaks in 'The Lamb' does so freely, however, seemingly the child's innocence prevents it from grasping correctly the allusion it has made. Although obviously in Christianity God has a connection with all living things, the child makes the connection with the lamb, and then compares it with "He" who became a little child. This is a reference to 'The Lamb of God', or Jesus Christ. The aforementioned innocence of the child blinds it from understanding that 'The Lamb of God' was a sacrifice, and so in making such a comparison he is stating both the lamb and himself are akin to a sacrifice. This meaning, taken from the further, more complex reading, may make the question of the first line, "Little Lamb, who made thee?" more poignant, in the face of whether or not the Christian God is so benevolent."
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?Songs of Innocence? and ?Songs of Experience?, 2002.
Examines these collections of poetry by William Blake.
838 words (approx. 3.4 pages), 4 sources, MLA, £ 20.95
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Abstract
William Blake's "Songs of Innocence" and "Songs of Experience" were written between 1788 and 1801 and contain a collection of nineteen individual poems and twenty seven poems, respectively. This paper looks at whether Blake's works could still be enjoyed and understood if the individual poems within the collections were read independently and not within the context of the collection. The paper uses evidence from the poems to show that ultimately, the poems should be read as part of the collection to be appreciated.
From the Paper
"The individual poems do not describe the whole of the human experience because they approach life from the perspective of either innocence or experience. In order to appreciate Blake's comment on the human condition, they must be read in the context of the collection as a whole. "Songs of Experience" is a retort to the "Songs of Innocence." Together they capture the loss of security each of us experiences as we move from childhood into adulthood, and the longing for the innocence we leave behind. Blake's treatment of this state of being endures because it a universal expression of our common nostalgia."
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Classic Rock Song Analysis, 1999.
A sociological analysis of the song "Money", by Roger Waters (1981) and "Feel Like a Number" by Bob Seger (1978).
1,900 words (approx. 7.6 pages), 5 sources, MLA, £ 42.95
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Abstract
The writer looks at the song ?Money?, and raises the following points - Roger Waters? references to our social hierarchy, how his ideas relate to Thorstein Veblen's 'Theory of the Leisure Class', and class discrimination. This song brings to light concerns about our current economy. Bob Seger's song, "Feel Like A Number," also deals with the social hierarchy from the perspective of the workers that make up the majority of our society. This song has been related to Merton?s Strain Theory for sociological purposes.
From the Paper
The song "Money" seems to deal with people and their desire to possess more money. The song also implies that money is not such a wonderful thing to attain beyond a certain amount based on the fact that it gives the person too much power, or rather the belief that he has power. It seems to be broaching the idea of capitalism with skepticism. The message seems to be claiming that those with money and power let it get to their heads and do very little to help change the situations for those less fortunate. In a sense, Waters is disagreeing with the functionalist view that our society will work itself out. He words it as though he feels that it is dysfunctional in our society to allow the wealthy to hold their earnings with an iron grip.
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Song of Songs, 2008.
A discussion on the reasons for the inclusion of the Song of Solomon in the Bible.
1,999 words (approx. 8.0 pages), 7 sources, APA, £ 44.95
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Abstract
This paper comments that the "The Song of Solomon" is one of the most controversial pieces in the Old Testament due to its erotic nature and references to sexuality. The paper then relates that many believe the Song of Songs does not belong in the Bible, and certain faiths refuse to include it, while others believe it is an essential part of the Bible with an important message. The paper also relates that still others feel it is essential as a sexual primer for a committed, married, heterosexual couple. The paper then examines arguments for including the Song of Songs in Holy Scripture, but acknowledges that the reasons are varied and yet all are valid to the people who support them.
Outline:
Classifying the Books of the Bible
Song of Solomon as Allegory
Song of Solomon as a Message of Love
The Song of Solomon and Symbolism in Literature
The Denial of Desire
Conclusion
From the Paper
"Why is the Song of Solomon included as scripture? One conjecture is that, purportedly embarrassed by the frank sensuality in the Song of Songs, "many (ancient) commentators have labeled the work an allegory - a fictional narrative in which characters, objects, and actions symbolize some higher truth. To Jews, the Song became an allegory of Yahweh's love for Israel; to Christians, it became an expression of Christ's love for his "bride," the church" (Harris, 2007, p. 263). These labels indicate that the erotic nature of the poem is actually a spiritual, rather than physical, element. The "higher purpose" the ancient commentators placed on the Song of Songs belies the frank sexual nature of the poems (the Songs are a collection of poems)."
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CD: "Disney Songs the Satchmo Way", 2005.
This paper reviews the compact disk "Disney Songs the Satchmo Way" on which Louis Armstrong presents Disney songs in his jazz style.
915 words (approx. 3.7 pages), 0 sources, £ 22.95
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Abstract
This paper explains that, on "Disney Songs the Satchmo Way", Louis Armstrong re-interprets the music of very familiar songs associated with Disney by adding a jazz flair to each song resulting in a more enjoyable sound than in their original format. The author points out that the new style actually makes the songs a much mellower flavor, which flows along nicely instead of being choppy in places as in the original Disney style. The paper analyzes the songs "Chim Chim Cher-ee", "Bibbidi-Bobbidi-Boo", "The Ballad of Davy Crockett" and "When You Wish upon a Star", all of which definitely have that New Orleans flavor with trumpets, trombones and various brass instruments playing Disney tunes.
From the Paper
"Another aspect that struck me was my attitude towards the kind of songs being performed. I had always thought of these tunes as children's songs, just funny, cartoon type lyrics and music. The way, in which these tunes were performed by Louis Armstrong, I could actually see some of them making it onto the charts. Even though they are suppose to be fun songs, the new format somehow gave them a little more seriousness. "
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The Book of Songs, 2005.
An in-depth analysis of the ancient Chinese "Book of Songs".
1,350 words (approx. 5.4 pages), 3 sources, £ 37.95
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Abstract
The paper discusses the ancient Chinese "Book of Songs," a book of poems each of which is set to music so it can be sung. The book consists of 305 poems categorized into folk songs, ceremonial songs, and sacrificial songs, based on their content and the style of the music. The paper examines the various styles of songs that make up the book and how these songs were used to celebrate many occasions.
From the Paper
"Chinese literature has a long history that begins with Shi Jing, or the Book of Songs. The original title of the work was Shi (Poems) and later Shi Sanbai (Three Hundred Poems). Each of the poems was set to music so it could be sung. The book finally consisted of 305 poems categorized into folk songs, ceremonial songs, and sacrificial songs, based on their content and the style of the music. Folk songs were popular among the people and made up the best part of the book. Ceremonial songs and sacrificial songs were sung primarily on sacrificial or ceremonial occasions as a means of eulogizing the merits and virtues of the Son of Heaven and of his forefathers (Churchill paras. 1-2). Shi Jing is one of the seminal works of Chinese Civilization, serving this role along with the Book of Changes (Yi Jing), the Book of History (Shu Jing),.."
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The implications of Metaphors on Organisational Life, 2007.
An overview of the use of metaphors in organisational situations.
3,925 words (approx. 15.7 pages), 8 sources, APA, £ 75.95
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Abstract
This paper aims to critically review, examine and explain how different metaphors impact organisational life, with the help of academic text and examples from personal experience. This author has carried this out by focusing on three commonly used organisational metaphors. The paper has been roughly divided into four sections with the author concluding that while metaphors use evocative images to help us understand situations, if taken too seriously they can eventually lead to managers making poor decisions.
Outline:
Machine Metaphor
Organism Metaphor
Culture Metaphor
Illustration of Metaphors through my Organisational Experience
From the Paper
"Machine metaphor is arguably the most popular metaphor used in organisations and effectively the most influential metaphor to have influenced organisational life. This metaphor portrays an organisation as a machine, which is made up of several different parts, with each part playing a defined role, with the ultimate aim of achieving organisational goals and objectives. This mechanistic aspect is inherent in virtually all organisational functions, starting from planning, organising, and implementing to evaluation and control. In this concept people are considered as mere operators of machines and the focus is on maximum efficiency and productivity.
"Organisations that are designed and operated as if they were machines are usually called "bureaucracies" (Morgan, G, 1998). In mechanistic organisations things tend to be monotonous and predictable, such as arrival time, time for breaks, change over of employees, etc. Very often the work tends to be mechanical and repetitive, especially at the lower levels. Two of the greatest examples of the mechanistic model are Ford and McDonalds. During the industrial revolution, "the assembly line" by Ford proved to be a great success, and in the current times McDonalds has set up a great example by "mechanising the organisation of all its franchise outlets throughout the world, to produce a uniform product". (Morgan, G, 1998)."
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Organizational Structure Metaphors, 2004.
An analysis of different metaphors used in organizational structures.
2,213 words (approx. 8.9 pages), 13 sources, MLA, £ 48.95
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Abstract
This paper discusses various metaphors used in organizational structures. The paper explains the military or mechanical model metaphor and the organic or biological system metaphor. The paper also examines the cognitive system metaphor and the ecosystem metaphor. The paper presents a discussion as to how effective the metaphors are in enabling a greater understanding of organizational processes to be developed.
From the Paper
"In today's hyper-competitive world, organizations struggle daily to garner and maintain valuable market share. Thanks to globalization, businesses are experiencing competition from all four corners of the globe. It is now common for competitors to operate in completely different environments, both internally and externally. Despite the increased opportunities offered by globalization, it becomes increasingly difficult for some companies to remain competitive. As such, aspects such as "superior/subordinate relationships, leadership, teamwork, motivation, and conflict management" (Norris, 2000, p. 105) become ever more important, and each of these hinges upon the organization's structure."
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Metaphors in Daily Life, 2008.
A paper describing the meaning and use of metaphors in all forms of communications.
3,255 words (approx. 13.0 pages), 8 sources, MLA, £ 66.95
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Abstract
This paper looks at definitions of metaphors, their usefulness or lack thereof, and the basics of communication theory and how metaphors work in conjunction with that theory. While acknowledging that metaphors are good in that they describe a feeling that might not be communicated in another fashion, the paper also looks at whether it might be possible to educate the receiver of these metaphores that it might be prudent to implement some basic communication theories before swallowing metaphors "as true fact'.
From the Paper
"Metaphors go through every form of communication in daily life. Since everything from politics, to science, to internet based research, entertainment, to speaking day to day with friends, neighbors and academic professionals involve spoken or written communication, metaphors permeate every facet of our lives.
"With that being the case, we need to understand them, and that is the purpose behind this paper, Metaphors in Daily Life. This paper looks at definitions of metaphors, if any exist, their usefulness or lack thereof, and the basic of communication theory and how metaphors work in conjunction with that theory. Do they have a relevance when the recipient of the conversation does not share the same experiences as the deliverer of those messages, or are they lost with no relevance because there is not enough literal meaning in which to extract meaningful interpretation?"
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Bob Marley's Songs, 2005.
An examination of how reggae music in general and Bob Marley's songs in particular, are expressions of protest.
2,325 words (approx. 9.3 pages), 2346 sources, MLA, £ 50.95
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Abstract
This paper discusses two of Marley's songs: "Redemption Song" and "Get Up, Stand Up" and examines the protest behind the songs. Additionally, the paper focuses on why Marley chose to present his protests against the political system, racism and social inequality through his music and how Marley's unique style characterizes his works. Finally, the paper discusses how Marley's songs altered the conventional ideas of reggae style and the religious movement known as Rastafari and discusses how Marley's music was able to inspire a nation and her people.
From the Paper
"Throughout history, expressions of protest have come from a variety of sources and through a vast plethora of mediums. From paintings to poetry, protest works have helped to shape many causes, and have in many cases even influenced the outcome of the cause for the protest. This type of influence and the ability to affect masses of people simultaneously is perhaps best shown in the world of music."
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Organizational Metaphors, 2003.
A discussion on the organization of work according to the business environment in which organizations operate.
2,750 words (approx. 11.0 pages), 6 sources, MLA, £ 58.95
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Abstract
This paper describes the ways which work is organized and the way in which information technology is employed in organizations in terms of metaphors such as the machine, the organism and the brain respectively. It discusses the definition of the word ?metaphor? and its significance for understanding organizations. For each metaphor, their fundamental concepts are examined, after which theories and principles developed to aid our understanding of these three specific metaphors are discussed. The metaphors are then analyzed for their effectiveness and appropriateness for our understanding of recent developments in the use of information technology in organizations.
Outline
What is a Metaphor?
The Machine Metaphor
Theories on Mechanistic Approach
Basic Characteristics
Strengths and Limitations
The Organism Metaphor
Theories on Organismic Approach
Basic Characteristics
Strengths and Limitations
The Brain Metaphor
Theories on the Brain Metaphor
Basic Characteristics
Strengths and Limitations
Conclusion
From the Paper
"Founders of the this theory, Lyndall Urwick, Henri Fayol and F.Mooney, took planning, coordination and control features of management as the core of their theory. The implementation of this theory creates hierarchically structured bureaucratic organizations with predetermined objectives, pre-defined jobs and specifically defined lines of communication and command. This kind of an organization design is similar with a machine design. They focused more on efficient operation of organizations so treated organizations as if they were machines and they ignored the human side. Their main objective was to make human fit the mechanical organizations."
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Songs versus Sonnets, 2008.
Compares songs and sonnets using examples from William Shakespeare and Elizabeth Barrett Browning.
1,525 words (approx. 6.1 pages), 4 sources, MLA, £ 35.95
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Abstract
This paper explains that both the poetic forms of songs and sonnets are common ways that individuals throughout the ages have expressed their thoughts and feelings, quite often but not exclusively about romantic love. While songs often have some form, such as a refrain, a repeating phrase or a melody, sonnets must adhere to a very specific structure. The author presents the history and construction of songs and sonnets. The paper relates that the fact that a song occurs during a play means that the audience likely wants to listen to something actively rather than take time to meditate on a few lines' meaning as they would for a sonnet.
From the Paper
"In the second rhymed stanza, the poet thinks about how the sun shines too hot, dimming the gold complexion of the beloved. He is worried that chance or simply time can rob even a beloved of physical beauty. This is not merely a celebration of love, because the lover understands with foresight the transience of all love, all mortal existence, and realizes that earthly love is not for 'all time,' even though many songs celebrate the sensation that love will last forever. It is also abstract--the poet is not afraid simply that the beloved will leave him, but the fact that everything mortal fades and dies."
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