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The Metamorphosis of the Butterfly, 2006.
An overview of the four stages of a butterfly's metamorphosis.
1,609 words (approx. 6.4 pages), 7 sources, MLA, £ 36.95
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Abstract
This paper explains that there are four concrete stages of metamorphosis in the life of a butterfly, listing these stages as the egg stage, the caterpillar/larva stage, the pupa/chrysalis, and finally the butterfly stage in which the complete butterfly emerges. The paper describes the processes and changes that take place in each of these stages and points out how the final stage of the butterfly's metamorphosis has become the universal image for various transformations.
From the Paper
"The lifecycle of the butterfly, namely metamorphosis, is a symbol of transformation. The process of Metamorphosis has four stages; each stage can be used to symbolize the life process on a diacritical level. The essence of this change of form can clearly be seen when one observes an ungainly, crawling caterpillar morph into a delicate, brightly colored flying butterfly. It is crucial to note that not only is this process beautiful, it is complex as well. Metamorphosis is controlled by a blend of genetic messages and hormones residing inside the organism, though it can also be influenced by environmental factors such as diet and temperature (Metamorphosis, 2). Additionally, Metamorphosis is defined as a marked and more or less abrupt developmental change in the form or structure of an animal occurring subsequent to birth or hatching."
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The Beauty of the Monarch Butterfly, 2002.
This paper is a detailed essay about the Monarch Butterfly and the problems of preventing its extinction.
2,745 words (approx. 11.0 pages), 11 sources, APA, £ 58.95
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Abstract
This paper describes the Monarch Butterfly in great detail, such as why does it have the bright colors and what do they mean? It states that the life of a Monarch Butterfly is quite complicated. The Monarch Butterfly is watched closely to prevent it from being extinct.
Table of Contents
Butterflies are Invertebrates
The Monarch?Danaus Plexippus
The Life Cycle of a Monarch
Lincoln Brower and the Monarch Butterfly
Brad Darrach and the Monarch Butterfly
The Monarch Butterfly Will It Be an Endangered Species?
The El Rosario Monarch Reserve
More Monarch Butterflies Killed and Solutions
From the Paper
"The butterfly comes from the Lepidoptera, which is a Greek word meaning that the wings are covered in scales. Butterflies have compound eyes on either side of the head. The eyes are and made up of thousands of lensed-eyes called ?ommatidia?. They are not able to see fine detail, but are able to detach if they have a predator."
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"Metamorphosis", 2003.
The following paper examines Franz Kafka?s short story ?Metamorphosis? focusing on Kafka?s emphasis on the metamorphosis of relationships - familial and societal.
1,005 words (approx. 4.0 pages), 0 sources, APA, £ 24.95
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Abstract
This paper looks at Kafka?s ?Metamorphosis? , focusing on the protagonist Gregor Samsa and his metamorphosis into an insect. The author examines how Gregor?s family discover hidden abilities and motivations towards personal betterment and a financially secure lifestyle.
From the Paper
"Prior to the metamorphosis, Gregor was the center of attention of his family?he was the sole breadwinner. His business having gone under five years ago, his father was relegated to physical and emotional inactivity. His mother was an asthmatic, and his sister Grete was still young. He had great dreams: to rid his family of his father?s financial commitments, and have his sister, a fair violin player, admitted into the ?Conservatorium despite the great expenses that would entail.?
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Franz Kafka's "The Metamorphosis", 2006.
An analysis of the metamorphosis in the relationship between Gregor and his sister Grete in Franz Kafka's story, "The Metamorphosis".
1,861 words (approx. 7.4 pages), 1 source, MLA, £ 41.95
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Abstract
This paper explains that while "The Metamorphosis" by Franz Kafka focuses mainly on the transformation of Gregor, the main character in the story, it is about the changes that occur within each character in the story as well as the changes that take place in the relationships between the characters. In particular, the paper focuses on the changed relationship of Gregor and his sister Grete.
From the Paper
"In chapter one we only hear Grete's voice and she is soft and nurturing. As the family yells at Gregor to get up and hurry to work, she gently implores "Gregor? Is something the matter with you? Do you want anything?" She cares for him very deeply and, while Mr. and Mrs. Samsa and Gregor's manager plead with him to come out of his room, "in the room on the right his sister began to sob." The love Grete feels for her brother is reciprocated by Gregor. This is learned as Gregor is facing his manager and feeling so hopeless as to how to communicate to him that despite his condition, he understands everything clearly. Gregor longs for his sister to help him but she has gone to fetch the doctor."
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Kafka's 'Metamorphosis', 2002.
A discussion on Kafka's 'Metamorphosis' focusing on his emphasis on the metamorphosis of relationships - familial and societal.
1,570 words (approx. 6.3 pages), 6 sources, MLA, £ 36.95
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Abstract
The following paper discusses the way in which Kafka through the character of Gregor Samsa, attempts to resolve his conflicts with a patriarchal and overbearing father, conflicts that plagued him all his life. The writer argues that Franz spent his whole life in his father?s shadow and 'Metamorphosis' thus is argued to be an expression of his relationship with his father.
From the Paper
"Franz?s father?s chronic cruelty is also evident in the guise of Gregor Samsa?s father. While his mother and sister demonstrate concern and despair, Gregor?s father?s interaction with his now metamorphosed son are acts that could potentially kill Gregor. The first instance is the initial reaction the father has: he grabs the nearby broom and sweeps Gregor who tumbles back into the room slamming into a wall; the second instance is even more murderous: the father flings apples with the intention of killing ?this bug? (Kafka, p. 122); Gregor manages to evade them all, except one. The apple lies lodged (rotting) in his back; and the resulting injuries may have been the cause of Gregor?s death.
One can imagine Franz?s sensitive being always plagued by guilt and conflict. The physical burden of being at the mercy of his father?s cruelty and ridicule, the burden of maintaining the integrity of being himself, and the burden of being like his father. While Franz does succeed in becoming alpha male in the story, it is possible that he did not particularly relish this role?he did not derive his identity from his malenes."
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Metamorphosis, 2008.
A review of the book "Metamorphosis" by Franz Kafka.
1,738 words (approx. 7.0 pages), 4 sources, MLA, £ 39.95
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Abstract
The paper discusses Franz Kafka's "Metamorphosis", a tale verging on science fiction, that weaves the idea of industry and learned helplessness into one family's lives. The paper explains that "Metamorphosis" expresses the need to allow metamorphosis to engage you and help you create a better way for yourself, without relying blindly on others to do so for you, no matter their good intentions. The paper also states that all of the characters in the work experience a metamorphosis of sorts, allowing them to re-engage in the industry of life. The paper comments that Kafka's book expresses the need to allow metamorphosis to engage you and help you improve yourself, without relying blindly on others to do so for you.
From the Paper
"If one were seeking to understand this work, solely on the metamorphosis of Gregor, there would be confusion and oversimplification. In a sense the dramatic nature of Gregor's position is a literary device possibly an illusion to what might happen to such a family if Gregor where to become an invalid in any other manner, and yet the dramatic and complete transformation of Gregor into an insect instead is far more engaging and holds an element of the need for the reader to suspend disbelief."
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Madame Butterfly, 2001.
Sight and blindness, reality and constructions in Hwang's "M. Butterfly".
2,255 words (approx. 9.0 pages), 1 source, £ 49.95
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Abstract
The paper discusses figures of sight and blindness used in the play "M Butterfly" examining Gallimard and Song's relationship in the greatest detail. A look at the Western depiction of Eastern women.
From the paper:
"David Henry Hwang uses figures of seeing and not-seeing to depict the relationship between the East and the West in his play M. Butterfly, an inversion of Puccini?s opera Madame Butterfly. Gallimard can turn a blind eye to the fact that Song is a man in disguise because of his deeply-ingrained, stereotypically Western fantasy of Eastern women as submissive, fragile ?Madame Butterflies.? Gallimard is so enamored of the Madame Butterfly fantasy that he cannot see past it, and he is blinded to the obvious fact that his ?Butterfly? is a far cry from the original."
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"M. Butterfly", 2007.
A discussion on the exotic, feminine Orient in the Western imagination, as depicted in David Henry Hwang's drama "M. Butterfly".
1,228 words (approx. 4.9 pages), 5 sources, MLA, £ 29.95
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Abstract
The paper discusses how "M. Butterfly" is a play about the power of stereotypes to do harm, both to the person and the culture they are inflicted against, and also against the people who hold such stereotypes. The paper describes how, at the end of the play, Gallimard is destroyed because he realizes his life was based upon a lie, just as China was harmed by the lies and exploitation of Western colonialism. The paper examines how the conflict of gender, national, and identity issues are dramatically depicted in David Hwang's "M. Butterfly," when the French diplomat Rene Gallimard falls in love with a feminine image of the East, in the persona of the actress Song Liling.
From the Paper
"Gallimard has a psychological as well as a national and gender based need to see Song as feminine. Thus, the gender disguises of the play do not merely invert stereotypes of male and female, Asian and West. They also destroy the security of Gallimard's own identity as a strong, male Westerner with power. Song Liling is not only a man. Song uses Gallimard's own cultural stereotypes to exploit the Frenchman. Gallimard begins the play thinking he is the Western, White man taking advantage of the virginal 'Oriental' maiden. But like the opera's "Madam Butterfly," Gallimard ends the play abandoned, disgraced, cut off from his countrymen and finally suicidal. Thus Gallimard's own secure identity as a powerful man has been so undercut, he cannot live with himself, because he no longer knows who he is as a person."
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"Metamorphosis", 2002.
A literary review of "Metamorphosis" by Frank Kafka.
1,400 words (approx. 5.6 pages), 9 sources, £ 37.95
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Abstract
A paper about the story of "Metamorphosis" by Frank Kafka. The breadwinner of the family becomes the unwanted, the abominable, and the unforgivable member of the family through the process of metamorphosis into a bug, a cockroach, or insect.
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Franz Kafka's "Metamorphosis", 2002.
An analysis of Gregor Samsa?s struggles in "The Metamorphosis".
1,590 words (approx. 6.4 pages), 4 sources, MLA, £ 36.95
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Abstract
An exploration of how Gregor's metamorphosis into a giant insect in Franz Kafka's "The Metamorphosis" parallels the process that the elderly go through when they lose their independence. It contains extensive and specific references to the text which are used throughout the paper, as well as quotes from outside sources which are used to back up the main points.
From the Paper
"Gregor Samsa?s life changes drastically one morning when he awakens to discover that he has been turned into a giant bug in Franz Kafka?s The Metamorphosis. The metamorphosis he goes through is not only physical, but also mental, emotional, and social as he takes on many of the characteristics of someone who has grown old and has become a burden to their family. All the characters in this story are transformed in one way or another throughout the course of the novella, but Gregor?s transformation is the most obvious and extensive in all aspects. When the roles of the family are reversed and Gregor is the one being taken care of, we get to see the true nature of the rest of his family and, one might argue, an aspect of human nature that may not be particularly pleasant."
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"The Metamorphosis" and "A Rose for Miss Emily", 2006.
This essay compares the similarities between the protagonists in Kafka's "The Metamorphosis" and Faulkner's "A Rose for Miss Emily."
1,168 words (approx. 4.7 pages), 2 sources, MLA, £ 28.95
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Abstract
In this paper, the author compares and contrasts the protagonists in Kafka's "The Metamorphosis" and Faulkner's "A Rose for Miss Emily." Although the stories are quite different, neither protagonist deals with real life particularly well. A major contrast, however, is the way these characters deal with their challenges. Miss Emily gets away with her crime by becoming more and more rigidly what the townspeople expect her to be. Gregor from "The Metamorphosis" copes with turning into a cockroach by accepting it and learning to live life as a bug. Both characters have to cope with unacceptable circumstances, but do it in markedly different ways.
From the Paper
""The Metamorphosis" is not only about a man's difficulty facing a bizarre reality. It tells a remarkable story of personal alienation from society. It also makes a political statement: Kafka's character is a salesman, but Kafka was a socialist. The story could be interpreted to suggest that it was the character's job, working for a man who treated him more like a cog in a machine than a human being, a job that caused his metamorphosis into something non-human. The fact that the character doesn't fully recognize how much he has changed suggests that the character is still an extension of humankind. This metamorphosis suggests that as a human or a bug, the main character was of no real importance except for what he could produce for the capitalist system in which he worked. He sold goods for his company and paid off his parents' debts with his earnings.
Miss Emily was in an opposite situation: she was viewed as such a significant person that laws were waived for her, with disastrous results. No one realized her dead suitor lay in bed in one of her upper rooms until Miss Emily herself died. Ironically, both person's circumstances allowed them to hold on to delusional beliefs. In Kafka, the character goes straight from turning into a cockroach to attempting to figure out how to live as a giant bug. In Faulkner's story, Miss Emily deludes herself that it was acceptable for her to murder her suitor. The implication is that Miss Emily sleeps in the same bed as the dead man. Society expectations in both stories have allowed both characters to think quite irrationally."
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Franz Kafka's "The Metamorphosis", 2007.
Discusses the theme of the importance of the arts in Franz Kafka's "The Metamorphosis".
1,960 words (approx. 7.8 pages), 3 sources, MLA, £ 44.95
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Abstract
This paper explains that Franz Kafka's "The Metamorphosis" illustrates the idea that the love of arts is looked down upon and those that see art as important are ranked no higher than a beetle. The author points out thow the character of Gregor is seen as a parallel to Kafka's own life especially in that Kafka's father disapproved of Kafka's work in literature. The paper compares Kafka's "The Metamorphosis" to Ovid's "Metamorphoses" in that many of the characters undergo a similar transformation giving up their human form. In both works, the characters suffer a punishment at the hands of loving art by caring something so much that such a ordinary place has no choice but to punish them until they can fly above this ordinary pursuing world.
From the Paper
"What Gregor's society, and Kafka's father as well, fail to understand is the beauty and relevance within the artistic disciplines. Just by recognizing this fact and wanting to hold on to it so much makes Gregor, Kafka and characters belonging to Ovid beautiful, even if those around them dehumanize them, literally or physically. The want for art and something more than money leads to Gregor's transformation into a lesser being just as Ovid's characters such as Pyramus and Thisbe transform from beings of the realm of the living to the realm of the un-living."
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"The Metamorphosis", 2008.
This paper looks at Franz Kafka's short story "The Metamorphosis" and analyzes its interpretation.
1,678 words (approx. 6.7 pages), 4 sources, MLA, £ 38.95
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Abstract
The paper discusses how Kafka's story "The Metamorphosis" can be interpreted in a variety of ways. The paper focuses on the central metamorphosis of Gregor into a creature and shows how there are many meanings attached to this event. The paper points out that what is most remarkable is that Gregor's positive feelings towards his family remain unchanged even while everything else changes unrecognizably.
From the Paper
"Kafka's short story, "Metamorphosis", presents a number of interesting obstacles for attempts at interpretation. Some interpreters for example focus on the fact that Kafka never indicates what kind of bug Gregor Samsa becomes. While the maid once refers to him as a "dung beetle", this is never corroborated by the rest of the text. While some hold that the main character is transformed into a cockroach, others note that the description of Gregor's form does not substantiate this. Indeed, Vladimir Nabokov even provides a sketch to illustrate this point in his lecture on Kafka's work. A further problematic issue is that Kafka never directly states the reasons for Gregor's transformation - either in symbolic or in realistic terms. Indeed, the reader is left to his or her own devices in providing a suitable interpretation and reasons for the strange event."
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Symbolism in "The Metamorphosis", 2008.
A discussion of symbolism in "The Metamorphosis" by Franz Kafka.
734 words (approx. 2.9 pages), 1 source, APA, £ 18.95
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Abstract
This paper analyzes how symbolism is used in Franz Kafka's short story "The Metamorphosis". The paper asserts that metaphors are used throughout the story to illustrate the lack of communication among the members of a middle class family. It points out that one overarching symbol, the protagonist's metamorphosis into a giant insect, symbolizes alienation from his parents and sister, who refuse to consider him a member of the family. The paper also maintains that the door is another important metaphor in the story. It concludes that Kafka uses these symbols as tools for expressing feelings of anxiety, isolation and depression.
From the Paper
"Nonetheless, the metaphor of the bug can also be interpreted from a different perspective. Gregor's transformation could in fact be strictly spiritual in the sense that his physical shape might not change. His deadening job and demanding family could be the factors leading to his inner metamorphosis as one can lead the life of a bug without actually being one. We see Gregor with his family's eyes. He does not need to actually transform as his family already sees him as a bug. Communication is scarce; so is emotional connection between Gregor and his parents and sister who regard him as a mere source of income, and not as a human being. Kafka's central metaphor is thus two-sided in the sense that on one hand, Gregor could actually turn into a bug; on the other hand, he might just be made to feel like one by his family and job. This ambiguity is launched in the very beginning of the story by the narrator's words: "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect"."
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