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"The Member of the Wedding" by Carson McCullers, 2006.
This paper focuses on the symbolic use of music in Carson McCullers' novel "The Member of the Wedding."
1,507 words (approx. 6.0 pages), 3 sources, APA, £ 34.95
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Abstract
This paper centers on the character of Frankie Adams' incomplete development and the symbolic use of music in Carson McCullers' classic novel "The Member of the Wedding." One of the most important examples of how the author uses music to signify Frankie's development is illustrated through the jazz horn in part one of the book while in part two the music of the piano foreshadows her progression towards maturity. This paper also examines how music signifies Frankie's instability within herself and the world around her.
From the Paper
"In part two of the novella, the music of the piano also foreshadows Frankie's progression towards maturity. As the neighbor's piano is being tuned, it carries out the sound of interrupted music. With every repeated stop and start, it shows the music is out of Frankie's control. Because the music is disoriented, it represents the unpredictable ways of Frankie not finishing her transition to young adulthood. The musical references symbolize the confusion and chaos Frankie associates with her transition in the world."
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McCullers' "The Member of the Wedding" and Donofrio's "Riding In Cars With Boys", 1994.
This study analyzes the misbehavior of adolescent girls as exemplified by the character of Frankie Addams in Carson McCullers' "The Member of the Wedding" and by the character of Beverly Ann Donofrio in her autobiographical "Riding in Cars With Boys".
1,350 words (approx. 5.4 pages), 2 sources, £ 33.95
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From the Paper
"This study will analyze the misbehavior of adolescent girls as exemplified by the character of Frankie Addams in Carson McCullers' "The Member of the Wedding" and by the character of Beverly Ann Donofrio in her autobiographical "Riding in Cars With Boys". The study will consider what makes an adolescent girl a "bad girl" or a "good girl," what leads them to misbehave, how each of the two girls sees herself, how each girl's culture judges her, and how this reader sees each of them.
There are similarities and differences between the two girls in terms of why they are "bad" in the eyes of those around them. They come from very different socioeconomic backgrounds, Beverly from a poor neighborhood, Frankie from a wealthier family with a cook and other conveniences. They live in different era---Frankie in the 1940s of World War II, Beverly in the 1960s, but both eras ... "
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"The Member of the Wedding", 2005.
An analysis of the symbolic use of music in "The Member of the Wedding" by Carson McCullers.
1,500 words (approx. 6.0 pages), 3 sources, MLA, £ 34.95
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Abstract
Carson McCullers' classic novel, "The Member of the Wedding', tells the story of a lonely 12 year old girl, Frankie Adams, suffering from typical adolescence crisis. In the course of being disconnected from the world, she reveals her frustration by not being a member of anything. This paper examines how Carson McCullers throughout the novella uses music to signify Frankie's incomplete development. It looks at how the many versions of music in the novella indicate Frankie's special burden of childhood, ultimately revealing her position of not being ready to become a teenager.
From the Paper
"One of the most important examples of how McCullers uses music to signify Frankie's incomplete development is illustrated through the jazz horn in part one of the novella. When Frankie is visiting John Henry, she overhears someone playing blues on a horn. Her first notion about the tune takes her back to the spring, when all kinds of things began to hurt her. It was known as the season that troubled her: "it was like the telling of that long season of trouble" thought Frankie (44). The sadness of the tune reminds her of her disturbed childhood days. She is able to relate to the grieving tune. Then in a sudden moment the horn plays a wild jazz and Frankie is swept away by the off beat rhythm. "
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Ghosts in "The Member of the Wedding", 2002.
An analysis of how the theme of ghosts is included in Carson McCullers's "The Member of the Wedding".
2,476 words (approx. 9.9 pages), 2 sources, MLA, £ 53.95
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Abstract
This paper analyzes the role of ghosts in the plot, themes, and language of Carson McCullers's novel, "The Member of the Wedding." Using Judith Butler's theories on kinship and queer relationality in "Antigone's Claim," the paper argues that ghosts help the novel to present an expanded vision of the field of human love.
From the Paper
Carson McCullers? The Member of the Wedding is, essentially, the story of a twelve-yeard-old girl named Frankie Addams searching for love and connection in a lonely world. Frankie?s world is frightening, even nightmarish at times, and it is filled with the ghosts that inhabit her imagination and described in the textually ghostly terms of the unknown, the secret, and the unnameable. The figure of the ?ghost? ? as imagined by Frankie and as a primary descriptive device in McCullers? prose ? quite literally haunts the novel, complicating its conceptions of human relationality and connection. The ghosts enable the novel to posit a tenuous definition of what it is to be a living human being; every living figure in the novel is not only deeply aware of the presence of non-living figures but is in constant danger of falling out of the realm of the living, of becoming a ghost, and every relationship between the living is negotiated over the presence of the dead. Ultimately, the novel?s ? and its characters ? ghosts allow for the at once terrifying and redemptive possibility of relationships and identities that transgress not only normative societal boundaries but the boundaries between the living and the dead.
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"The Member of the Wedding", 2007.
An analysis of the importance of family in Carson McCullers' "The Member of the Wedding".
1,003 words (approx. 4.0 pages), 3 sources, MLA, £ 24.95
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Abstract
This paper discusses how the heroine, Frankie Adams, of Carson McCullers' "The Member of the Wedding" is primarily defined by her familial relationships. It looks at how Frankie seems ostracized from what is left of her biological family, even though she is not consciously aware of this fact. It concludes that Frankie learns that family is not particular to brothers, fathers, or mothers, but can be found within the hearts of anyone who cares enough to listen and understand her needs, thoughts, and feelings.
From the Paper
"Although Frankie does not realize her confusion about growing up until she talks to Bernice, Frankie's childlike status and need for a mother soon becomes clear when the reader leans she is scared to sleep alone. Early on in the book, she demands that her six-year-old cousin stay overnight to keep her company. However, like the twelve-year-old she is, Frankie is also determined to seem like a young woman and conceal her feelings of neediness and desire for protection, as she tries to seem mature before her father when he informs her of her uncle's death. Her family does not see this need for protection and maturity all at once--they are too preoccupied with the wedding. Only Bernice truly understands Frankie's emotional conflict, as a mother should."
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Carson McCullers and Katherine Paterson, 2002.
Discusses the work of Carson McCullers and Katherine Paterson in terms of which writer is more realistic in dealing with adolescent identity problems.
650 words (approx. 2.6 pages), 5 sources, £ 18.95
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Abstract
This three-page undergraduate paper discusses the work of Carson McCullers and Katherine Paterson in terms of which writer is more realistic in dealing with adolescent identity problems. The paper compares their major novels and concludes that Paterson's portrayal of the issue is more realistic than McCullers'.
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Carson McCullers' "The Heart is a Lonely Hunter", 2008.
Investigates the character Dr. Benedict Mady Copeland in Carson McCullers' novel "The Heart is a Lonely Hunter".
1,705 words (approx. 6.8 pages), 3 sources, APA, £ 39.95
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Abstract
This paper explains that, in Carson McCullers' novel "The Heart is a Lonely Hunter", which is set in a small town in the South in the late 1930s, five main characters are isolated from the rest of the society for different reasons. The author relates that Dr. Benedict Mady Copeland, the noblest character in the novel, is isolated because he is alienated from his family and from the other black people of the community. He is well educated and knows what is needed to solve the problems of the black community in his small southern town. The paper concludes that his isolation is because he has a very intellectual approach in explaining his viewpoints through his speeches, which cannot be clearly understood by people who have little or no education.
Table of Contents:
Introduction
Overview of the Story
Dr. Benedict Mady Copeland
Facts
Principles
Conflicts and Isolation of Dr. Copeland
Speeches of Dr. Copeland
Conclusion
From the Paper
"Dr. Benedict Mady Copeland is a man of principles and believes that furthering one's education will further one's standing in life. As a young man, Dr. Copeland went to the North to get a good college education. When he became a doctor, he came back to the South so that he can make use of his education in order to uplift the way of life in the black community of his small southern home town.
Dr. Copeland also believes that blacks are being stereotyped as ignorant because of the way they speak. This is why Dr. Copeland is very cautious on how he speaks."
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"A Tree. A Rock. A Cloud" by Carson McCullers, 2002.
An analysis of the short story "A Tree. A Rock. A Cloud" by Carson McCullers.
1,316 words (approx. 5.3 pages), 0 sources, £ 31.95
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Abstract
This paper reviews the short story "A Tree. A Rock. A Cloud" by Carson McCullers. The writer describes the main characters of the story, their interaction with each other and explains their literary roles as defined by the author.
From the Paper
"There are three central characters, two of whom have minimal dialogue, and only one of whom is given a name. Leo is the owner of the cafe where the story takes place. The newspaper boy who visits the cafe early in the morning while on his rounds is twelve and is never named. The focus is on the drunken man sitting alone at a table, a man who makes a surprising comment to the boy and who then expands on his comment by telling his own story. The situation between the boy and the drunk involves a series of implied contrasts between youth and age, innocence and experience. A secondary contrast is evident between the drunken man and Leo, here between an open and accepting spirit and a closed and angry one. What the drunken man imparts to the boy is a difficult lesson learned, and the rather elliptical way the older man imparts this lesson suggests that the boy will have to learn it for himself, probably through experience, just as the older man has."
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"Sojourner" by Carson Mccullers and "The Lion and The Jewel" by Wole Soyinka, 2000.
An examination of the treatment of the theme of love in the short story by an American and a play by a Nigerian.
2,475 words (approx. 9.9 pages), 2 sources, £ 61.95
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From the Paper
"Love as a theme in literature has a long history, and love can be treated in a variety of ways according to the view of the writer and the nature of the time in which the work is written. Love is treated differently in a short story by the Southern writer Carson McCullers and in a play by Nigerian poet and playwright Wole Soyinka.
In her short story "Sojourner," Carson McCullers presents a character for whom love is a nearly alien concept, though he does not seem aware of the fact. He has failed to find love because he lives on his own, doing what he wants and going where he wants. He selects the name "Sojourner" for himself, meaning a person who stays only temporarily. This is the mode of life selected by John Ferris, a reporter who is also living in Paris. The significance of his designation as sojourner is emphasized..."
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Carson McCullers' "The Ballad of the Sad Caf, 2001.
Discusses subject matter & narrative techniques. Outline.
900 words (approx. 3.6 pages), 0 sources, £ 22.95
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From the Paper
" Carson McCullers' story "The Ballad of the Sad Caf?" is written in a non-sensationalistic style, and its narrative voice is omniscient, objective, and descriptive. The subject matter has sensationalistic elements, including questions of sex and violence, but these are muted through most of the story. What the author does is create a strong sense of doom as well as suspense through a number of narrative techniques that on the one hand withhold information for a time to keep the reader interested while at the same time hinting at what is to come so the reader tries always to see the forces at work, to figure out how they will converge, and to recognize revelations as they are made.
The first element that contributes to this sense of suspense is the fact that the story is structured as something..."
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Wedding Photography, 2004.
An analysis of the changing trends of wedding photography.
5,457 words (approx. 21.8 pages), 18 sources, MLA, £ 94.95
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Abstract
While marriage seems to be exceptionally popular, it is surprising that the primary means of documentation - namely, wedding photography - has received little formal study. To the author's knowledge, no studies exist that indicate the percentage of couples that hire wedding photographers - or in the days before photography, portrait artists. This paper addresses the inception of wedding photography, describes its development and provides a description of recent industry changes including the changes due to digital technology and how other developments have altered the industry.
Outline
Introduction
Inception of Wedding Photography
Traditional Style
Wedding Photojournalism
Black and White Photography
The Artistic Style
Fashion Style
The 35mm Camera Versus the Hasselblad
Digital Photography and the Internet Revolution
The Wedding Album
Conclusion
From the Paper
"Throughout history, the cultural and sacred traditions of marriage have been honored and recorded by most cultures, regardless of religious, political, or geographic differences. It is a relationship that plays an important role in the definition of what a family truly is. Although precise definitions may vary depending on historical era and culture, the concept of marriage typically is a socially sanctioned bond between two people, a bond that unites two people into one ("Marriage", 2004). Given that marriage is universally considered the foundation of family and society, it is not surprising that the documentation of the marriage ceremony and associated celebrations has become an important part of the ritual."
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Wedding Plans, 2002.
How to plan a budget for a wedding.
650 words (approx. 2.6 pages), 2 sources, £ 18.95
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Abstract
This paper discusses the important aspects of a wedding plan and budget. A wedding plan should be prepared well ahead of the special day and it should include every important detail such as the cost, guest list and location. If a couple is on a budget, it is important to decide on the expenses and how the cost would be divided between the bride and the groom.
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Wedding Ring, 2005.
This paper discusses that the meaning of the wedding ring.
1,350 words (approx. 5.4 pages), 8 sources, £ 37.95
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Abstract
This paper explains that the wedding ring is one of the most powerful representations of shared meaning in society. The author points out that the cultural discourse surrounding the ring has a long history going back to the ancient Egyptians. The paper relates that, recently, the wedding ring has taken on an entirely new meaning with the legalization of gay and lesbian marriage.
From the Paper
"It is small, weighs almost nothing, and is easily misplaced, but the wedding ring carries enormous social weight. The wedding ring is one of the most powerful symbols in our society. Its meaning is instantly recognized, which illustrates that "culture is about shared meanings" (Hall, 1997, p. 161). It signifies that the person who wears it is not available to other people, and that he or she is committed to a particular person. The wedding ring at one time meant the person is heterosexual. Recently, the wedding ring took on an entirely new meaning with the legalization of gay and lesbian marriage."
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The Indian Wedding Feast, 2008.
A research paper that illustrates how the caste system, religious beliefs and culture of India perpetuates lavish consumption of the Indian wedding feast.
19,465 words (approx. 77.9 pages), 25 sources, APA, £ 176.95
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Abstract
This research paper attempts to show that the Indian Hindu wedding feast has changed its form and content, but its meanings in terms of family politics, social and religious norms have not changed. The dissertation includes evidence that can prove that, despite globalization, modernization, and import of western ideas and cultures, the function of the weeding feast has not changed despite the changes in the form and content. In other words, while the cuisine elements due to additional foods and spices being introduced have changed, the tradition of the consumption of food and the meanings behind this consumption have continued to remain the same over time.
Table of Contents:
Abstract
Introduction
Research Questions
Significance of the Research
Methodology
Literature Review
The Caste System In India
The Hindu Marriage Ceremony
The Woman in the Society and Family Hierarchy in India
Food, Eating, and the Wedding Feast in India
Review of the Literature Reviewed In this Study
From the Paper
"The work of Bloch, Rao and Desai relates that the marriage of a daughter in India in the costliest event in the life of this family which many times results in the parents of the daughter getting into great debt with interest rates "of over 200 percent." The expenditure on food for a wedding is stated to be "more than six times a family's annual income" and many times forces the family into "destitution and bonded labor, especially when there are several daughters to be married." Gender discrimination that occurs in India has been attributed to this specific economic burden."
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