| Papers [1-14] of 63 :: [Page 1 of 5] | | Go to page : 1 2 3 4 5 —> | Search results on "MAILER NORMAN": |
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Norman Mailer's "Harlot's Ghost", 1994.
This paper discusses Norman Mailer's "Harlot's Ghost": Plot, characters, themes of complex political novel exploring global espionage and intrigue, CIA, FBI, Castro and Kennedys.
2,700 words (approx. 10.8 pages), 1 source, £ 49.95
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From the Paper
"Two-time Pulitzer Prize winner Norman Mailer's bestseller, Harlot's Ghost, opens with the narrator, Harry Hubbard, describing his surroundings in Maine. Above the first chapter are the words Omega 1, which refer to a secret autobiographical manuscript that Harry had begun years before (9). When the book begins, Harry is living with his wife, Kittredge, at a place they call the Keep (5). The Keep once belonged to Harry's father, Cal Hubbard, who sold it to his second cousin, Rodman Knowles Gardiner (7). Ironically, Rodman Gardiner is Kittredge's father, and Kittredge gained possession of the Keep on her first marriage (7).
The novel begins innocently enough, with Harry describing his wife's eyes as having "the blue of the sea" and saying that her white skin becomes "luminous in any pale meadow" (5). ... "
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"The Naked and the Dead" by Norman Mailer and " I, the Jury" by Mickey Spillane, 1994.
A comparison of Mailer's character Croft (evil and sadistic) and Spillane's Hammer (tough but with a heart).
1,350 words (approx. 5.4 pages), 2 sources, £ 24.95
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From the Paper
"Sam Croft in Norman Mailer's The Naked and the Dead and Mike Hammer in Mickey Spillane's I, The Jury are both macho characters, but there are great differences between the two. Croft is a sadistic man without a heart while Hammer is simply a man who can be tough when he needs to be, but can also be gentle and loving. This study will show that Mailer has created an evil and violent fascist in Croft, while Spillane has created in Hammer a hard-nosed private detective with a heart. Croft is out to do damage wherever he can, while Hammer is out to serve justice, especially in terms of avenging his cruelly murdered friend Jack Williams. Hammer is shown to care about other people
---including the person who murdered his friend, while Croft cares about nothing and nobody but himself.
Mickey Spillane leaves no doubt in the reader's head that..."
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Norman Augustine, 2004.
This paper discusses Norman R. Augustine, born in 1935, who has played an influential role in the world of engineering and in the Office of the Secretary of Defense.
2,465 words (approx. 9.9 pages), 10 sources, APA, £ 39.95
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Abstract
This paper explains that Augustine made numerous contributions to the American Defense Department, especially his theory that the industrial base of the Defense Department would become too dependent upon foreign suppliers for essential components, such as semi-conductors and semi conductor technology. The author points out that, when he was CEO of Lockheed Martin, Augustine was in favor of mergers because he believed that they were more cost effective and that mergers between defense companies would increase productivity and save the Department of Defense millions of dollars each year. The paper relates that one of Augustine's theories asserted that products that were once used for matters of defense could not be converted to civilian work.
Table of Contents
Introduction
Norman Augustine Biography
Career Accomplishments
Theories and Augustine's Laws
Conclusion
From the Paper
"Norman Augustine was born in 1935 in Denver Colorado and grew up during World War II. He was an exceptional student, entered Princeton in 1953, and received his bachelors of science in engineering in 1957. Augustine also received a master's degree from Princeton in 1959. He has also received several honorary doctorates in Engineering and Science from several institutions of learning throughout the country. In 1958, while still obtaining his masters at Princeton he worked for the Douglas Aircraft Company where he became a Chief Engineer and a Program Manager. According to the American Institute of Electrical Engineers Augustine began working at the Office of the Secretary of DefenseWhile there he served as the Assistant Director of Defense Research and Engineering. In 1970 he became part of the LTV Missiles and Space Company, where he was the Vice President of Advanced programs and marketing."
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Icon Norman Bethune, 2005.
A discuss of Norman Bethune who was a Chinese Revolutionary icon.
2,250 words (approx. 9.0 pages), 7 sources, £ 46.95
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Abstract
This paper discusses how a Canadian doctor Norman Bethune became a Chinese Communist revolutionary hero. The writer shows that as a cadre, he worked side by side with the revolutionary soldiers and he imparted his medical knowledge to the peasants. The writer points out that Mao cited Bethune as a true spirit of the People's Revolutionary Struggle. Further the writer notes that Bethune became known throughout China as a martyr to the revolution and a war hero.
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Norman Rockwell, 2002.
A biography of artist Norman Rockwell.
900 words (approx. 3.6 pages), 7 sources, £ 18.95
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Abstract
A paper based on Norman Rockwell---who was scorned by the critics but adored by the public.
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Norman Rockwell, 2002.
A review of the artistic work of Norman Rockwell.
900 words (approx. 3.6 pages), 3 sources, £ 18.95
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Abstract
This paper is about the artistic work of Norman Rockwell. The paper mainly focuses upon the fact that although he was loved by the public his work was dismissed by most critics as lacking artistic merit and authentic social observation.
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Norman Rockwell, 2003.
A discussion on Norman Rockwell and his work.
1,840 words (approx. 7.4 pages), 5 sources, MLA, £ 32.95
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Abstract
This paper contends that Norman Rockwell's work reveals both his ability as an artisan and his ability to limn the important cultural and social concerns of America during his lifetime. It explains that despite the author's views, art critics dismiss his work as being overly sentimental and overly determined. The paper examines the value of this work not as a form of art but rather as a cultural map of much of American 20th-century life.
From the Paper
"Norman Rockwell's work is dismissed by art critics and members of the high art world as being overly sentimental and overly determined. But a closer examination of his work reveals both his artisanship and his ability to ..."
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An Interview with Norman Rockwell, 2006.
A creative writing paper written as though it were an actual interview with famous American artist Norman Rockwell.
1,458 words (approx. 5.8 pages), 6 sources, MLA, £ 25.95
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Abstract
This paper depicts a fictional interview with Norman Rockwell, with the theme of his paintings, depictions of life experiences, and personality as the subject matter of the interview transcript.
From the Paper
"In an interview with Norman Rockwell, I first asked him to give me a very brief overview of his life and how he decided to begin painting. He stated that he was born in New York City, and transferred from high school at the age of 16 to the Chase Art School. H said he then went on to the National Academy of Design, and finally, to the Art Students League, where he was taught by Thomas Fogerty and George Bridgeman. Norman stated that as a student, he was given smaller, less important jobs, but his major breakthrough came in 1912 with his first book illustration for C.H. Claudy's Tell Me Why: Stories about Mother Nature.
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Norman Rockwell's "Missed!", 2004.
A paper about Norman Rockwell's painting entitled "Missed!"
900 words (approx. 3.6 pages), 3 sources, MLA, £ 16.95
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Abstract
This paper examines one of Norman Rockwell's paintings, entitled "Missed!", which depicts young boys playing golf and missing a putt, as a way of demonstrating both the artisanship that defines Rockwell's work as well as the way in which his images help to create a sort of cultural map of many of the significant events and beliefs of American life in the 20th century.
From the Paper
"Norman Rockwell's work has for years been dismissed by art critics and cognoscenti as being egregiously overly sentimental as well as lacking in all of the nuance and ambiguity that are defining elements of high art in the post-Renaissance West. However, while there is certainly some merit in the former charge, a close examination of Rockwell's work reveals not only a high level of artisanship, something that even his critics admit to being present in his work but also the kind of..."
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William Sumner Appleton and Norman Morrison Isham, 2007.
A look at the legacy of preservationists William Sumner Appleton and Norman Morrison Isham.
2,513 words (approx. 10.1 pages), 5 sources, MLA, £ 39.95
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Abstract
The preservation of historic sites and of vintage architecture has become a major focus for many in the contemporary period. Different theorists have addressed this issue as they have also sought to motivate the movement for the preservation of the worthy and the important. This paper examines how two such theorists with somewhat different approaches to the subject are William Sumner Appleton and Norman Morrison Isham, both of whom left writings on the subject as well as took action in furtherance of their goals and their idea of the need for preservation.
From the Paper
"William Sumner Appleton lived at the end of the nineteenth and beginning of the twentieth centuries in the Boston area, where at the time, preservation was maturing from a string of spontaneous efforts to an institutionalized movement. As this took place, both the aims of preservation aims and its methods were transformed, a process in which Appleton played a key role. In the nineteenth century, Boston did not have an organization dedicated to preservation as such. The Bostonian Society was meant to be such an organization, but the group seemed to be satisfied by the single project of looking after the Old State House. The Trustees of Reservations was also nominally interested in historic structures, but in practice the group refused to accept any such structures for years because they had no means of maintaining them. "
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The Norman Conquest, 2003.
A discussion on how and why the Normans sought to justify their conquest of England.
1,915 words (approx. 7.7 pages), 8 sources, APA, £ 31.95
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Abstract
This paper explores the concept of nationalism in England in 1066, English unity, social make-up and the ferocity of their opposition to the invaders. It looks at how the Normans attempted to justify their conquest of England and, in particular, why. It examines how the 'rightful claimant to the throne' needed to put such an emphasis on the justification of the conquest. It looks at how William of Normandy held a strong claim to the English throne and how the Norman use of propaganda and their emphasis on the 'will of God' suggests there was a seed of doubt somewhere in the Norman establishment concerning legitimacy.
From the Paper
"To understand the Norman efforts to justify the conquest it is important to understand the nature of Anglo-Saxon England. How was Duke William of Normandy received? Did he face opposition because he was a foreigner or was it purely political? Anne Williams' provides an insight into English society much earlier than 1066, suggesting that the 'emergence of Englishness' began as early as the 7th century . However, such an expression gives little more than a hint as to how developed and patriotic a society England was in the 11th century. The existence of patriotism in England is hard to identify in this period. Overseas invasions were not uncommon and it was only twenty-four years earlier that the Danish dynasty of Cnut had ruled."
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Norman Maclean's "A River Runs through It", 2004.
A look at the dominant theme in this book about art and the role it has in our lives.
992 words (approx. 4.0 pages), 1 source, MLA, £ 18.95
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Abstract
This paper describes the theme in the book, "A River Runs through It", about art and its importance in our lives and the way the author, Norman Maclean, combines the sport of fly-fishing with this theme as a way of explaining what art means and how it differs from mere competence.
From the Paper
"Norman's father who was a Presbyterian minister believed that art was 'one' way man could clearly understand God and His creation. He advocated creativity because for Norman's father, art was the channel man used to communicate with God and to become a part of His wide universe. In short, it was not competence but mastery of art that helped man establish a direct link with the wider world around him and Art was man's way of showing appreciation for God's universe. This is the reason why Norman's father tells him to create stories because he knows that this is one art form that will bring his son closer to God and nature."
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Vietnam War Literature, 2007.
This paper discuses references to American religious culture in Vietnam War literature using examples from Tim O'Brien, Norman Mailer and Robert Bly.
1,375 words (approx. 5.5 pages), 6 sources, MLA, £ 23.95
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Abstract
This paper explains that Vietnam War literature positions American religion as being a God-fearing culture that seeks to be moral. The author points out works by Tim O'Brien, Norman Mailer and Robert Bly that refer to this everyday American religion and culture and to myths of American power, politicians and industrialists as being insane and immoral and as changing forever how Americans saw their country. The paper relates that these works project the Vietnam conflict as something in which Americans should never have been involved including describing its soldiers as victims or as people responsible for terrible crimes of war. The author stresses that Vietnam was a working-class war rejected by the American bourgeoisie, who did not need to go to combat. The paper concludes that the literature discussed in the paper is the work of Americans with the option not to go to Vietnam and that it needs to be examined along with other literature produced in the next decades, too.
Table of Contents:
Introduction
Damning Literature
Tim O'Brien's "In the Field"
Norman Mailer
Robert Bly Poem: "The Teeth Mother Naked at Last"
Last Remarks
From the Paper
"Norman Mailer's "The Army of the Night" was published in 1968 and is an allegorical description of the March on the Pentagon. The reader is shown the extreme contrast between rather decadent hippies of the anti-Vietnam War movement and the thousands who then fought in Vietnam, ordinary Americans who dealt with every terrible aspect of jungle warfare. The last pages of "A Confrontation by the River" tell of a clash of American popular myths and moral beliefs about America and a "true religious war of Christ against the Communist" in relation to Vietnam towards a "whole crisis of Christianity in America... ""
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The WWII Combat Genre, 2004.
This paper examines Norman Mailer's novel "The Naked and the Dead" in which the author incorporates the symbols, characters and narrative conventions of the WWII combat genre.
2,775 words (approx. 11.1 pages), 2 sources, APA, £ 42.95
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Abstract
This paper details the introduction and perception of the WWII combat genre in both film and literature. The writer of this paper defines genre as an element consisting of a shared set of rules, symbols and story patterns. In Norman Mailer's novel, "The Naked and the Dead," the author engages the symbols, characters and narrative conventions of the combat genre in a complex dialogue, both enmeshing and reinforcing audience expectations. By tracing the minority character of Martinez in "The Naked and the Dead," one can see how Mailer incorporates the genre in a way that reflects both the unique capacities of the novel as a medium separate from that of film. This paper also expands on Mailer's particular view of film as an inadequate representation of the complexities of war and America. The writer of this paper contends that Mailer's novel must be read in the context of the combat film genre, which was well established in the memory of American audiences by 1948 as a frame of reference for understanding and justifying WWII. This paper clearly details the characteristics of Martinez which fits the conventional stereotype evolved from and established within the genre of the World War II combat film. The writer also discusses the significance of various WWII related films that were released in the 1940s including: "Bataan," "GI Joe" and "Home of the Brave."
From the Paper
"The multiracial platoon acts as a symbol of democracy, functioning to distinguish Americans from a racist enemy, the Nazis. At the same time, the visual presence of minorities helps to legitimize 'good' racism (racism against the Japanese) by framing it with images of racial integration. Feigning inclusion of minorities is also a propaganda tactic aiming to harness collective support for the war. In Bataan there are four minorities: a Mexican-American, two Philipinos and a black man. The Philipinos are associated with nature; they are implicitly more primitive and closer to the enemy. The Mexican-American is associated with jazz music and a womanizing past, and the black man is associated with spirituality. All four characters die fairly early on in horrible barbaric deaths. In later movies, some or all of these characteristics may be lumped together into composite minority representatives."
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