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James Scarth Gale, 2008.
An analysis of the life of James Scarth Gale and a review of the biography os his life, "James Scarth Gale and his History of the Korean People," written by Richard Rutt.
718 words (approx. 2.9 pages), 1 source, MLA, £ 13.95
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Abstract
This paper reviews Richard Rutt's biography of James Scarth Gale, entitled "James Scarth Gale and his History of the Korean People." The paper begins by providing a background of James Gale and his development into a missionary to Korea. It then review the style of Rutt's writing and the content of his work and concludes that Rutt's biography of James Scarth Gale makes for interesting reading.
From the Paper
"This book contains some additional vagaries, which in part took away from the overall experience of reading it. For whatever reason, Rutt chooses not to capitalize the names of religions, making them "presbyterian," "catholic," or "buddhist." He also refuses to capitalize the Roman numerals that he uses to identify Bible verses. In addition, after a certain point in the book, Rutt alternately refers to Gale as "Gale" and "Dr Gale." Although these things area all relatively minor, they are distractions that required the reader to adapt to reading Gale's biography, rather than allowing immediate immersion into the text."
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Irony in the Work of James Thurber, 2005.
An analysis of the irony used by James Thurber in his essay "The Secret Life of James Thurber."
675 words (approx. 2.7 pages), 1 source, MLA, £ 11.95
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Abstract
The paper analyzes the irony used by James Thurber in his essay "The Secret Life of James Thurber." The paper discusses how Thurber compares his own common sense with artist Salvador Dali's "nonsense."
From the Paper
"In a play on his most famous story "The Secret Life of Walter Mitty" American humorist James Thurber wrote an essay comparing his own common sense with the nonsense exhibited in the life and manners of Salvador Dali in "The Secret Life of James Thurber." In "The Secret Life of James Thurber" we see clearly demonstrated Thurber's penchant for humor and irony."
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William James, 2005.
This paper discusses the meaning of truth as presented by American psychologist and philosopher William James.
1,300 words (approx. 5.2 pages), 4 sources, MLA, £ 22.95
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Abstract
This paper explains that William James differs from other philosophers throughout history who seem to create a set of criteria for the establishment of truth; instead, James suggests the expediency of a true idea. The author points out that the fact that James discusses doubt and inquiry goes with his own overall pragmatic theories; therefore, any idea that "works" in any desired manner is to that extent true, which dissents from Aristotle's theory of truth. The paper stresses that there is no doubt that James in his own pragmatic and scientific way opened up a Pandora's Box of psychological views of reality, belief and truth.
From the Paper
"James seems to believe that it is the consequences, not past "truths" that determine the truth or falsity of a belief, a theory, or a statement. He contradicts the ages-old concept by arguing that "Those who contend that knowledge results wholly from the experiences of the individual, ignoring as they do the mental evolution which accompanies the autogenous development of the nervous system, fall into an error as great as if they were to ascribe all bodily growths to exercise, forgetting the innate tendency to assume the adult form." Does this mean that as we grow, as our emotions change, our truths change? For instance, if a little boy says his father is tall, but when the boy reaches adulthood and may be taller than his father, does that mean saying his father is tall is now no longer a truth? Perhaps."
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Messages from James and Paul, 2006.
This paper examines the different messages from James and Paul and Paul's ideas of resurrection.
900 words (approx. 3.6 pages), 2 sources, £ 18.95
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Abstract
The paper discusses how the relatively short chapter of James, when compared to the longer writings of Paul to the Romans, appears to illustrate many dividing messages from the early church. The more prolific author, Paul, conveys a much more political agenda, speaking decisively regarding Jews, Gentiles and the Law, while James instead focuses on the importance of actions in faith, writing for "all God's people scattered over the whole world." The paper explains that as these two authors are writing for different audiences, they write with particular purposes. The paper discusses how the letter of James looks closely at specific practices of the Christian beliefs, illustrating how faith is meant to properly be put into action.
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James Meredith and Civil Rights, 2007.
A review of James Meredith's fight for civil rights.
2,313 words (approx. 9.3 pages), 11 sources, APA, £ 36.95
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Abstract
This paper introduces, discusses and analyzes the topic of James Meredith. Specifically, the paper discusses James Meredith's role in the Black Student Movement and the Civil Rights Movement. According to the paper, in 1962, James Meredith attempted to enter the University of Mississippi to study law. After a long and very bitter struggle he became the first black student in the history of the school.
From the Paper
"During Meredith's fight to enter Ole Miss, he became more involved in the overall fight for civil rights, as well. In 1966, his first memoir, Three Years in Mississippi was published, and he undertook the Meredith Mississippi March Against Fear from Memphis, Tennessee, to Jackson, Mississippi. After only two days, someone shot him and left him by the side of the road as dead. The attack so angered other black civil rights groups that they banded together and finished the walk in his honor. Stokely Carmichael, one of the marchers, came up with the term "black power" during the march, and this was the beginning of the term associated with the black struggle to end oppression and prejudice. Thus, many credit Meredith as the father of the movement, although he did not coin the phrase. Meredith rejoined the march for a few days, and has always been an outspoken critic of nonviolence. However, his civil rights activities waned after the march. Meredith went on to study and teach abroad for several years. He lectures, has taught, and is now the President of the Meredith Institute, Inc., a non-profit organization that teaches Black Americans the importance of language and how to read, write, and speak the English language. "
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Confederate Outlaw Jesse James, 2005.
An examination of historical outlaw figure Jesse James from both a modern and historical perspective.
1,400 words (approx. 5.6 pages), 4 sources, APA, £ 23.95
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Abstract
This report examines newspaper articles written about Jesse James, from both modern and historical standpoints. The paper also looks at how politics affected the image of James and the cultural myth of James through sources like that of Stiles, author of The Last Rebel of the Civil War. The report also uses other sources, however, including sources that are critical of Stiles' work, to ensure objective perspectives in the paper.
From the Paper
"One newspaper article about Jesse James focuses on the legend and how it is still felt in the area. This shows a modern reflection to an assignment parameter that is perhaps lacking in modern sources for comparison, just to highlight historical sourcing exercises. The real interesting issues about Jesse James aside from the reprints of
secondary-sourced news articles are how the history maintains itself in terms of the present day. In an article in the St. Louis Dispatch, for example, the writer compares eerily the present state of a town called Liberty where James pulled robberies, including the infamous Liberty bank robbery mentioned in Stiles' The Last Rebel of the Civil War and other sources."
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The James Ossuary, 2006.
This paper discusses the James Ossuary and the question of its authenticity.
775 words (approx. 3.1 pages), 4 sources, MLA, £ 14.95
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Abstract
This paper explains that an ossuary is a bone box, which is often used for the purposes of reburial; the James Ossuary, which was found in 2002, bore the inscription "James, son of Joseph, brother of Jesus". The author points out that, from the beginning, there was a great deal of controversy surrounding the discovery of this particular ossuary especially the fact that the James ossuary was not found by qualified archaeologists. The paper concludes that, while it was from the first century, the inscription on the ossuary was a forgery.
From the Paper
"The author [of "Jesus and the Ossuaries"] explains that, since the James ossuary was not found by archaeologists in a properly controlled environment and because of the historic inscription that it bore, there was a great deal of skepticism surrounding its authenticity. The author asserts that initially examinations of the ossuary by epigraphers, geologists, linguists and paleographers, found that the ossuary itself was probably an authentic first century artifact. In addition, they concluded that the inscription was also first century Aramaic."
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Henry James' "The Jolly Corner", 2003.
A look at how Henry James uses literary images of New York in his short story "The Jolly Corner".
2,896 words (approx. 11.6 pages), 8 sources, MLA, £ 44.95
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Abstract
This paper analyzes Henry James' use of literary images of New York in his short story "The Jolly Corner". It combines extracts from the text with other of James' work (particularly "The American Scene") to show that "The Jolly Corner" may be seen as an autobiography of sorts and provides many deep insights into the life and works of James.
From the Paper
"The sense of eeriness that Henry James lets exude in The Jolly Corner is the same that one experiences when comparing it to The American Scene. Unlike Washington Square, where contrasts are much more prevalent than comparisons, The Jolly Corner is very nearly, eerily so, a "fictional mirror" of James' non-fictional travelogue. Comparisons can be made at every level with The American Scene: from the pervading themes to the images of New York. It is the intention of this paper to show that, to a very great extent, Henry James' images of New York in The Jolly Corner share the same style of his late period and, in particular, his work The American Scene. By extension, this paper will also contribute to the ongoing argument that The Jolly Corner may be seen as an autobiography of sorts by James."
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Success and Tragedy in Henry James' Writing, 2001.
An analysis of protagonists in three of Henry James' novels: "The Beast in The Jungle", "The Jolly Corner", and "The Portrait of a Lady".
878 words (approx. 3.5 pages), 4 sources, £ 16.95
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Abstract
This paper compares and contrasts the tendencies of Henry James in his writings. "The Beast in The Jungle", "The Jolly Corner", and "The Portrait of a Lady" are three of James' works that are examined in detail. In particular, this paper focuses on the protagonists of each of the writings respectively. A strong comparison is made between the three protagonists of these writings, and their miserable lives. On the other hand, the protagonist of James' story "The Tragic Muse" is shown to lead a life of happiness and success. The paper notes the clear differences between this story and the others, therefore explaining what leads the character on a different path.
From the Paper
"In contrast, Portrait of a Lady presents Ralph as an invalid who lives vicariously through a woman named Isabel Archer whom he leads to doom. He bestows upon her a large sum of money, despite his father's warning that fortune hunters will target her for it. Ralph replies, "That's a risk, and it has entered into my calculation...I'm prepared to take it" (p. 161). Ralph is financially generous to Isabel not out of love but out of a morbid fascination. He wants to see what she will do with it. When Isabel marries a gold-digger, she fulfills the victim role that Ralph's father had feared. Ralph's fascination with Isabel's life overcomes any concern he might have had for her welfare."
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James Madison, 2005.
This paper examines the role of James Madison in the creation of the U.S. federal government.
1,980 words (approx. 7.9 pages), 13 sources, MLA, £ 32.95
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Abstract
This paper argues that James Madison's role in the creation of the U.S. federal government from the early Continental Congress to the Bill of Rights, including the Annapolis Convention, the Constitutional Convention, the Federalist papers and other contributions, was the most important among the Founding Fathers. The author contends that had it not been for the genius and foresight of James Madison, citizens would not enjoy the protection of several important civil liberties; indeed, without Madison's contributions, the country might not even exist as a sovereign republic today. The paper relates that Madison's constitutional vision of limited government set the base for the American liberty.
Table of Contents
Introduction
Review and Discussion
Background and Overview
Madison's Role at the Annapolis Convention and Continental Congress
Madison's Contributions to the Bill of Rights
Madison and "The Federalist"
Conclusion
From the Paper
"According to one biographer, James Madison was "A giant in intellect, who convinced the squabbling states to send representatives to Philadelphia over 200 years ago to 'form a more perfect union.' For the Constitutional Convention, he prepared a scheme of national government untried in the world." This "untried scheme" was necessary because, on the national level, the Articles of Confederation had made the single-branched Continental Congress responsible for conducting the war, for administering foreign relations, and for handling other matters of national concern; however, they had not entrusted the Congress with the power to tax and provided no power to enforce its decisions. "In other words," McDonald notes, "compliance with its decisions was to be voluntary.""
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James and Oates, 2002.
A comparison of Henry James's novella "The Turn of the Screw" and Joyce Carol Oates' short story "The Accursed Inhabitants of the House of Bly".
1,400 words (approx. 5.6 pages), 0 sources, £ 23.95
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Abstract
This paper discusses how Oates' story is a compressed version of "Turn of the Screw". It explains how the setting and the names (or lack thereof) of the characters in question are the same. However, despite this initial sense of familiarity, the reader emerges with a very different ghost story when reading Oates' vision of James' world. It shows that Oates' story is comic in tone, rather than intent upon creating a sense of horror. Yet Oates' story also has far more subtlety than her predecessor James' story in its understanding of supposed female sexual repression.
From the Paper
"Re-envisioning James' story was an ambitious project upon Oates' part. James' story initially seems to completely depend upon its gothic environment and setting to generate its sense of suspense. The governess is anonymous. This is true both from the reader's point of view but also in terms of the way the other characters, except the children, envision her. She is alone. She is unable to articulate her most basic physical desires in her environment. The passions of the dead servants become articulated in the children in her charge. It is as if her own desires have now, against her will, become voiced in the innocent faces of Miles and Flora, whose characters gradually become twisted with an adult sexual awareness. The remoteness of the local and the woman's isolation cause the reader to question her sanity until the very end of the tale. How could someone not go mad in such an environment, in such circumstances? The sexual repression inherent in the narrative's setting seems to be necessary to believe in the ignorant character of the unnamed narrating governess. How could a modern reader believe in a woman who was so innocent to her own sense of sexual knowing and her charges' developing sexualized, alien personas?"
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Henry James' "The Real Thing", 2000.
Discusses Henry James' quest for truth and reality in art and literature.
1,955 words (approx. 7.8 pages), 4 sources, £ 32.95
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Abstract
This paper evaluates James' short story "The Real Thing" and cites arguments by several critics on Henry James' theme of verisimilitude vs. reality in art.
From the Paper
"In a 1915 letter to H. G. Wells, Henry James stated, "It is art that makes life, makes interest, makes importance, for our consideration and application of these things, and I know of no substitute whatever for the force and beauty of its process." James' statement illustrates one side of the artistic question that was prevalent among intellectuals, writers, and artists in James' era: does art imitate life or does life imitate art? In evaluating art and literature, what is more important, verisimilitude or reality? His contemporary John Ruskin states, "That 'great art' is art which represents what is beautiful and good, may not seem a very profound discovery; and the main question may be thought to have all the time lost sight of, namely, 'What is beautiful and what is good?'" (Ruskin 345). These questions form the basis of the theme in James' short story "The Real Thing." James' thesis is the subtle and often deceiving difference between what is genuine and what is dissimulated or disguised in art and literature. The author's theory is illustrated in his characters the Monarchs, Oronte, Miss Churm, and the narrator. Through the use of these characters, James shows that the real thing in real life may not be the most beautiful and convincing element in art or literature."
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Images of New York in the Works of Henry James, 2003.
Explores the literary images of New York used in the works of Henry James.
4,159 words (approx. 16.6 pages), 14 sources, MLA, £ 57.95
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Abstract
This paper aims to study images of New York in the works of Henry James. It uses a non-fictional work ("The American Scene") and four fictional works ("The Jolly Corner", "Washington Square", "Crapy Cornelia" and "An International Episode") to argue that there are discernable patterns to James' images and that they appear to develop over the course of his literary career.
From the Paper
"It is interesting to note that the monster images are applied at a number of levels. First, they are applied at an overall level, where James asks overtly "Had New York, the miscellaneous monster, a heart at all?" Secondly, they are applied at the level of the greedy producer and consumer that James so despises as "monsters of the mere market". Lastly, they are applied at the level of the new immigrants into New York "in their monstrous, presumptuous interest, the aliens, in New York". What these various levels show is the far-reaching range of distrust that James harbored towards all of the various factors undergoing change in New York at that time."
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William James: A Poetic Approach to Consciousness, 2002.
A look at William James, described as a 'psychologist with a poet's soul'.
912 words (approx. 3.6 pages), 2 sources, MLA, £ 16.95
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Abstract
This paper looks at some of William James' works and shows how, within his writings, an entire unofficial school of psychology existed. It shows how James exemplified scientific creativity. He was interested in all facets of psychology, was deeply immersed in his field, and could effectively see the many sides of a single issue. The paper presents some excerpts from his writings to discuss his philosophy.
From the Paper
"Mind engenders truth upon reality. . . .Our minds are not here simply to copy a reality that is already complete. They are here to complete it, to add to its importance by their own remodeling of it, to decant its contents over, so to speak, into a more significant shape. In point of fact, the use of most of our thinking is to help us to change the world" (James in Fadiman & Frager, 1994, p. 299). When William James spoke these words, did he realize that he would embody his words? James' work is eloquent and powerful, poetic and parsimonious. He was a person who possibly thought with both his mind and his heart. James' work on the psychology of consciousness is currently studied and many of the questions he posed are still debated today (Fadiman & Frager, 1994)."
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