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Illustrations and Poetry by William Blake, 2005.
A literary analysis of the poem 'The Echoing Green' by William Blake, showing how Blake used illustrations to help the reader gain a better understanding of his poetry.
900 words (approx. 3.6 pages), 1 source, £ 24.95
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Abstract
In this paper, the two illustrations for the poem 'The Echoing Green' reflect the story that Blake is telling about the human life cycle. However, as this paper reports, he deviates from the text in the second illustration to tell the point of view of the Old John or of the symbolic Tree of Life, which could not be adequately explained within the last verse. By using illustrations to give a deeper beauty to the poem, Blake uses his drawings and paintings to help tell other aspects of his stories through visual presentation that reside outside of the written text.
From the Paper
"The aim of this literary study is to analyze the accompanying art for the poem: "The Echoing Green" by William Blake. By understanding how Blake used his skills in the lithographic arts, one can realize how the pictures alongside this poem help to give vitality and plot support for the written text. In essence, William Blake uses two illustrations to help give this poem greater meaning, and correctly accentuates the limitations that words alone may not offer. In "The Echoing Green" one can see a great variety of natural symbols, which can help the viewer realize that Blake is seeking immortality through youth. The poem takes place on a green lawn or sward, which has children playing about with their mothers."
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God and the Human Spirit in the Poetry of William Blake, 2001.
A look at the big themes of William Blake's poems.
2,470 words (approx. 9.9 pages), 4 sources, £ 53.95
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Abstract
An explication of the role of God and the human spirit in salvation as expressed in the poetry of William Blake, with comparison to similar attempts by other poets.
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The Poetry of William Blake, 2004.
An analysis of William Blake?s poems ?The Echoing Green? and ?London?.
1,967 words (approx. 7.9 pages), 2 sources, MLA, £ 44.95
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Abstract
This paper deals with the political, social and religious issues that faced and concerned William Blake and the common themes which are often expressed through his poetry. In particular, it examines ?The Echoing Green? and ?London?, poems taken from Blake?s ?Songs of Innocence and of Experience? and uses them to discuss Blake?s attitudes towards the changes taking place. It looks at how in ?The Echoing Green? Blake addresses a part of life that was rapidly disappearing during his time, due to the rapid social advances that affected rural life. It also analyses how ?London? provides a clear example of Blake?s disapproval of changes that occurred during his time and can be seen to encapsulate several of the implications from ?Songs of Experience?.
From the Paper
"William Blake lived in a world of massive transition; in a world that was developing at a speed unparalleled in British history and where changes were occurring in almost every aspect of society. The Industrial Revolution propelled developments, but although it made Britain the most technically advanced country in the world, these advances were paradoxical since many people became poorer than before, as manufacturing moved from cottage to factory, and many workers were no longer required. William Blake also witnessed both the American War of Independence and the French Revolution and he was greatly affected by both these events and their surrounding ideologies."
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The Poetry of William Blake, 2005.
This paper analyzes several of Blake's poems in an effort to explain Blake's conception of mankind and his relationship with God.
1,311 words (approx. 5.2 pages), 7 sources, MLA, £ 31.95
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Abstract
This paper examines the poems from Blake?s ?Songs of Innocence and Songs of Experience?, including ?The Lamb?, ?The Tyger?, ?The Chimney Sweeper?, ?Infant Joy?, ?Infant Sorrow?, and ?Holy Thursday?. The author points out that the fall into division, which separates man from God, should be something all men strive to overcome. The paper relates that Blake?s poems illustrate these contrasting states of life and illustrate the difficulty involved with attaining our state of resurrection.
From the Paper
"In ?The Lamb,? the lamb becomes a symbol that represents the Christian faith. The poet is speaking with a childlike voice in this poem, which illustrates the innocence that we all have as children. Religious overtones are obvious as the poet connects the lamb with the Lamb of God. We are told, ?He is meek and he is mild,/He became a little child:/I a child and thou a lamb,/We are called by his name? The poet?s pastoral poem closes with a blessing. The childlike quality of the lamb is our ultimate goal as we learn to let go of our ego and seek unity with our creator."
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William Blake's Poetry, 2002.
An analysis of four contrasting William Blake poems from "Songs of Innocence and Songs of Experience", demonstrating both the contrary states of innocence and experience and Blake's social criticism.
2,870 words (approx. 11.5 pages), 6 sources, MLA, £ 60.95
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Abstract
A paper contrasting "The Chimney Sweeper" poems from William Blake's "Songs of Innocence and Songs of Experience" with "The Ecchoing Green" and "London". The paper focuses on the portrayal of the contrary states of innocence and experience, but the paper suggests that in a greater thematic sense all poems carry Blakes social criticism of the hypocritical Romantic society.
From the Paper
"William Blake, from a young age, displayed a vivid imagination which was not looked upon favourably during the pre Romantic period. He continued throughout his writing to radically question religion and politics, especially critical of the church, putting forth his views on the world. Perhaps what Blake is most famous for are his contrasting Songs of Experience and Songs of Innocence poems, which have either been paired by Blake himself, or by critics in their interpretations. In plate three of ?The Marriage of Heaven and Hell? Blake wrote, ?Without contraries is no progression?, this statement defining the contrary states of Innocence and Experience, regarded as necessary to both human existence and human progress."
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William Blake?s Poetry, 2004.
Analyzes the themes in three of William Blake's poems:"The Lamb", "The Chimney Sweeper", and "Little Black Boy".
981 words (approx. 3.9 pages), 1 source, MLA, £ 24.95
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Abstract
This paper uses examples and quotations from Blake's poems to illustrate his theme of childlike innocence and naivete, as well as his use of irony to express these themes. The paper concludes by suggesting that this theme of innocence is Blake's way of showing his readers that the world is not as innocent as the speakers in the poems believe.
From the Paper
"Blake?s thesis reflects the simplistic and happy view that children have in regards to life regardless of their situation. This is clear in ?The Little Black Boy? and ?The Chimney Sweeper.? In ?The Lamb,? Blake is using the lamb as a symbol of the Christian faith. Blake speaks in all the poems with a childlike voice. The underlying theme of innocence in each poem is obvious because the subjects in these poems accept the only world they know and they do not know the true condition of the world."
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William Blake and the Romantic Period of Poetry, 2004.
Examines the life and times of poet William Blake and how his work influenced the Romantic period of poetry.
1,591 words (approx. 6.4 pages), 8 sources, MLA, £ 36.95
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Abstract
In addition to describing Blake's artistic and creative life, this paper reviews two of Blake's greatest poems, "Laughing Song" and "The Lamb". The paper explains the different approach to each poem that Blake took and analyzes his use of literary elements, such as metaphors, similes, alliterations, allusion, apostrophe, analogy, assonance, hyperbole, irony, paradox, and personification in both writings. The paper also attempts to explain how and why Blake used the style, themes, ideas, and topics that contributed to his work being associated to the Romantic period.
From the Paper
"William Blake?s life spanned from 1757 to 1827. In that period, Blake was known as a successful English poet and artist throughout London circles. ?In the visionary imagination of William Blake there is no birth and no death, no beginning and no end, only the perpetual pilgrimage within time toward eternity'' (Ackroyd) Blake was known to have had a great influence on the English romanticism period. But he went beyond any such school, movement, or period. Blake?s poetry was an insight into the realities of human condition of the time. William Blake was born in London November 28 and as was the custom of the time christened around the eleventh of December of the same year at a local church called St. James?s Church."
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William Blake and William Wordsworth, 2005.
A look at how the poetry of William Wordsworth and William Blake is effective in challenging the morality of society during their time.
1,643 words (approx. 6.6 pages), 5 sources, MLA, £ 37.95
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Abstract
This paper examines how William Blake and William Wordsworth are two authors who effectively incorporate the issues of their time into their poetry. It looks at how social problems and the dilemma of moral responsibility in society are integrated into poems such as Blake's "Holy Thursday" poems, "London," and "The Chimney Sweeper," as well as Wordsworth's "London" and "We are Seven." It also discusses how a popular theme for Blake and Wordsworth within their works is to take notice of the problems within society, questioning what is commonly accepted for their time period.
From the Paper
"Blake's "Holy Thursday" poems are very interesting because each one captures the same day in a different light. It helps the reader to get an idea of the condition of both the people and the Church. The first "Holy Thursday" poem seems to capture the positive light of the ceremony, noting the children with the "innocent faces clean." Blake captures the innocence of these children being led by their parish officers, describing the children as "thousands of little boys and girls raising their innocent hands." While Blake uses the idea of innocence, he also could be suggesting ignorance. In his time, many of the poor children had no choice but to follow the Church. Blake describes the children in a pure and innocent way, yet also unknowing, like a flock of sheep. "
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Romanticism in William Blake and Tennessee Williams, 2008.
This paper compares similar themes of romanticism in William Blake's epic poem 'The Marriage of Heaven and Hell' to Tennessee Williams' southern drama "A Streetcar Named Desire".
1,950 words (approx. 7.8 pages), 7 sources, MLA, £ 44.95
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Abstract
This paper explains that the multifaceted romantic movement is ripe with variety and reach with decidedly similar "romantic" characteristics and qualities interwoven throughout otherwise vastly different texts. The author points out that, despite their distinctive literary identities, countries of origin and time frames, William Blake and Tennessee Williams share a place in the artistically and timelessly transcendent Romantic epoch. The paper relates that one of the themes of the romantic movement in William Blake's 1793 poem 'The Marriage of Heaven and Hell', which was written against the tumultuous historical backdrop of the American and French Revolution, is the duality of human nature. The author stresses that the Tennessee Williams' 1947 drama "A Streetcar Named Desire", like "Marriage", has the themes of personal confliction and social confinement.
From the Paper
"In addition to an emotional catharsis, Blanche aims for a physical and spiritual purification as well. She bathes excessively in a hot tub despite the sultry July temperature, refusing to be seen without her powder and perfume and "fancy fox fur pieces". She softens the harsh light in her bedroom with a festive Chinese lantern and even refuses to eat unwashed grapes. She demurs to Mitch that she "can't stand a naked light bulb, any more than a rude remark or a vulgar action", all the while deflecting his physical affection under the pretense of remaining refined."
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The Poetry of William Wordsworth, 2006.
An analysis of the poetry of William Wordsworth and how he invokes redemption and memory to infuse a sense of self within the context of his experiences: both past and present.
1,125 words (approx. 4.5 pages), 1 source, £ 31.95
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Abstract
In this literary study, the poetry of William Wordsworth is examined in relation to his creative evolution and poetic experience through memory. In many ways, Wordsworth uses his poetry to reveal his own emotive reactions to the past, and how his creativity helps to bring forth a new and stronger vision of self in the present.
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William Blake, 2006.
A look at the use of imagery in the poetry of William Blake.
690 words (approx. 2.8 pages), 2 sources, MLA, £ 16.95
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Abstract
This paper discusses the use of images in poems by visionary poet William Blake, with particular reference to the marriage of heaven and hell. It uses several of Blake's poems, including "The Tyger."
From the Paper
"In many of William Blake's poems, images of heaven and hell along with joy and sorrow are combined. This is evident in a number of Blake's most famous poems. For example in The Clod and the Pebble, Blake wrote that love builds a hell ..."
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William Blake's Pantheism, 1990.
This paper examines pantheism in the poetry of William Blake in context of his belief that God is in all things: Mysticism, symbolism and imagination.
2,025 words (approx. 8.1 pages), 6 sources, £ 50.95
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From the Paper
"This study will examine pantheism in the poetry of William Blake. The study will investigate Blake's religious faith in its relationship with the concepts of pantheism.
In "The Marriage of Heaven and Hell," as Lindsay writes, Blake expresses his powerful and mystical views through the filter of pantheism: "Blake merges his persons with natural forces such as fire, wind, cloud, water, light. Man's relation to nature is also his relation to his fellows and to himself. Hunger and filth are 'pestilent fogs round cities of men.' The spectres of religious men are driven out of the abbeys 'by the fiery cloud of Voltaire, and thunderous rocks of Rousseau.' . . . Clouds play a large role in the symbolism. They represent power, they are high and immaterial, emblems of transcendence. But they are also the source and site of storm and darkness. Shadowing ... "
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William Blake, 2002.
This paper shows how William Blake was occupied with many creative projects in his long life including poetry, engraving and art.
1,517 words (approx. 6.1 pages), 3 sources, MLA, £ 34.95
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Abstract
The writer looks at the life of William Blake. Blake is described as a mystic, admitting to experiencing visions and prophecies at a young age. The writer discusses his most famous artistic works --Illustrations/Engravings of the book of Job and his two greatest literary works --"Songs of Innocence" and "Songs of Experience".
From the Paper
"Although Blake is well known for a whole range of poetry and art, there are some works that stand out and have survived the test of time better than others. His most famous artistic works are his Illustrations/Engravings of the book of Job. His two greatest literary works are his Songs of Innocence and Songs of Experience.
It was relatively early in his career that Blake decided to combine visual with written creative expression. Songs of Innocence is Blake's first masterpiece of "illuminated printing." In it the fragile and flowerlike beauty of the lyrics harmonizes with the delicacy and rhythmical subtlety of the designs. Songs of Innocence differs radically from the rather derivative pastoral mode of the Poetical Sketches. In the Songs, Blake took as his models the popular street ballads and rhymes for children of his own time, transmuting these forms by his genius into some of the purest lyric poetry in the English language."
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William Blake's "The Marriage of Heaven and Hell", 2007.
This paper examines William Blake's work "The Marriage of Heaven and Hell" in relationship to the Enlightenment.
1,020 words (approx. 4.1 pages), 5 sources, MLA, £ 25.95
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In this paper, the writer considers William Blake's novel "The Marriage of Heaven and Hell" as a reaction to the Enlightenment. William Blake saw the Enlightenment as favoring the rational over the imaginative and explicitly reacts to this thought process in "The Marriage of Heaven and Hell." The paper discusses how Blake contrasts science, poetry, rationality, and imagination to show the limitations and problems that privileging the rational has had by exploring the imaginative in a diabolic way.
From the Paper
"Blake dismisses the advantage that has been placed upon good over evil by taking on a diabolical voice and condemns the Church, as it has condemned men, by explaining that "All bibles or sacred codes have been the causes of the following Errors:..."6 (Plate 4), then affirming that "the following Contraries to these are true:..."6 (Plate 4). Blake uses this rejection of the bible to point out the misleading notions that the Church has caused, then blatantly writes "Those, who restrain desire, do so because theirs is weak enough to be/ restrained; and the restrainer or reason usurps its place and governs the unwilling."6 (Plate 5) Here, Blake points out the insufficiencies that "conventional moral[ity]"6 (1377) holds while restraining those who do not wish to follow, as a prediction of the breaking away from Church or State governance."
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