| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "HYBRID CINEMA": |
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Hybrid Cinema, 2005.
This paper discusses Peter Weir's films and his techniques.
3,375 words (approx. 13.5 pages), 6 sources, £ 94.95
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Abstract
The paper is for a third year film dealing with Australian and New Zealand Cinema. The topic of the paper is the films of Peter Weir. The paper suggests that Weir uses a hybrid style of film making and because his technique is so distinctively Australian it has become an important part of the Australian national identity.
From the Paper
"Countries are always worried about their national identities. Nations that feel that they lack a strong national identity spend a great deal of time, energy and money trying to create a national culture that is truly distinctive. For example, in Australian Cinema, Elizabeth Jacka states, "For them 'patriotism' is not a love of country (in the sense of nation) of a sentiment of 'my country (nation) right or wrong', but rather a love of country in the sense of a locality, a place (not just geographically but cultural)"(Jacka 111)."
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Cinema du Look, 2003.
An overview of the key features of the cinema movement known as Cinema du look.
1,652 words (approx. 6.6 pages), 6 sources, MLA, £ 37.95
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Abstract
The paper examines how snubbed by French film academics, lovingly received (generally) by the audiences, Cinema du look at first appears as a triumph of style over substance. It systematically identifies the main features of the cinema movementby referencing the works of three main directors (Besson, Beineix and Carax) and demonstrates how the movement is not simply a triumph of style over substance. It shows how beneath the surface of these films (and these directors) is an interconnected postmodern reflection of contemporary society.
From the Paper
"Cinema du look, to some extent, can also be viewed as a return to the early days of cinema, where the spectacle of the movies was paramount. The ?cinema of attractions? as it is known. What is on the screen is there to amaze and astound the viewer, to be pleasing to her eye. Science fiction movies and other spectacle movies like The Fifth Element (1997), which I would argue definitely shares qualities with other cinema du look texts (fantastic colours, the ?Diva? who sings an operatic number, the lack of attention to characterisation and a wafer thin story) are viewed as being in a formulaic genre. The history of French cinema, and accordingly the attitudes of French establishment film critics, is the history of the auteur, and may go some way to explaining the hostility met by cinema du look amongst the French critics of the time."
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Rebellion in Canadian Cinema, 2007.
An analysis of the representation of rebellion in Canadian cinema as compared to American and British cinema.
1,911 words (approx. 7.6 pages), 0 sources, MLA, £ 43.95
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Abstract
This paper argues that Canadian films such as "Goin' Down the Road"(1970), directed by Donald Shebib and "Nobody Waved Goodbye"(1964), directed by Donald Owen, ultimately suggest that Canada has not yet found its solution to the problems of societal rebellion and tension and neither adolescents nor adults can articulate an ideology of meaningful resistance.
From the Paper
" The film's jerky camera motions, overlapping dialogue, and clumsy scene splicing highlights this unfinished nature as well. Peter is an unfinished person, isolated even from other people his own age, and the only coherent windows on his life are provided by the jumps and jerks of the confined black-and-white cinematic lens. Unlike the delinquents of America who gleefully flee to the open road with a sense of possibility, to Peter the nation of Canada is so vast, so isolate and rural, that he feels he has nowhere to go within its borders, even when he is driving in a (stolen) car. "
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Iranian Cinema, 2005.
This paper discusses the history of Iranian cinema especially the period after the revolution.
1,790 words (approx. 7.2 pages), 6 sources, APA, £ 40.95
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Abstract
This paper discusses that, although cinema has not always been a part of Iranian culture, its growth was slow yet steady in a country ruled by Islamic rules and regulations. The author points out that the Islamic Revolution of 1979 brought an end to the already slowing cinema industry of Iran; theatres were destroyed believing they were symbolic of moral decay that had plagued the society. The paper relates that, after the revolution, the situation of the Iranian cinema gradually improved especially as women began to experience more freedom and interaction rules were relaxed; women became directors resulting in some famous movies including "Rakhshan Bani'etemad's Kharej AZ mahdudeh" ('Off Limits', 1987) and Nargess' "Tahmineh Milani's Tazeh cheh khabar" ('What's New?' 1992).
Table of Contents
An Introduction to Iran
Brief Overview of Cinema in Iran
Iranian Cinema after the Revolution
From the Paper
"The first film ever made in Iran was a silent movie produced in 1921 and talkies came later in 1933 when first sound movie Dokhtar-e-Lur came out. This marked the beginning of Iranian industry which was technically inferior to many advanced film industries of the world. While the industry was suffering because of lack of technical expertise, audience's appetite for foreign films didn't help the situation either. Most theaters therefore screened foreign films only and Iran rarely produced any movies for first fifty years. By 1947, Iran had produced only 2 films, in 1952 the number reached 20, by 1962 it increased to 30 and in 1971, Iran had produced 88 films. In 1977, the number of domestic films came down to 50 while foreign films during that period totaled 504."
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Third Cinema, 2003.
A summary of Scott Cooper's article on third cinema in the United States.
920 words (approx. 3.7 pages), 1 source, MLA, £ 22.95
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Abstract
This paper summarizes Scott Cooper's 1989 article third cinema in the United States". It emphasizes the need for disenfranchised peoples to tell their stories from their own perspectives. The author discusses the problems of ideology. The paper also explores common characteristics of Third Cinema and Third World Cinema.
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Brazilian Cinema, 2008.
Presents a history of Brazilian cinema with a focus on traditional Latin American themes seen within this history.
9,145 words (approx. 36.6 pages), 9 sources, MLA, £ 133.95
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Abstract
This paper relates that the major cinematic areas of tradition in Brazilian cinema include cannibalism, hunger, vera cruz and other areas of social and political significance. The paper then takes a look at each of these
Latin American traditions and in an effort to provide an understanding of each tradition in Brazilian filmmaking history. The paper juxtaposes these traditions to the events of the eras in which they emerged and the dual dichotomy of Brazil's political impact on filmmaking, and cinema as an impact on Brazilian society.
Table of Contents:
Introduction
Literature Review
The Early Years
Cinema Novo
"Vidas Secas"
"The Guns"
"Garota de Ipanema" (Girl From Ipanema", 1967)
"Terra em Transe" ("Lang in Anguish", 1967)
Third Cinema
Amacio Mazzaropi
1980s - 1990s: A Shift In Brazilian Filmmaking
"At Play in the Fields of the Lord"
Conclusion
From the Paper
"The earlier works between 1930 and 1959 were creative, although the costumes relied largely on the actor's own sense of style and resources. This cinema reflected the development that the country was going through, and investment by foreign markets and banks. Between 1956 and 1961 the country experienced growth in economic output and production. Not so different than in America, where this period represented what has often been referred to as the good years for the nuclear family; in Brazil the Brazilian president, Kubitschek promised 50 years of progress in five, and he made good on his promise."
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Hybrid Cars, 2004.
A research paper about hybrid cars.
1,743 words (approx. 7.0 pages), 9 sources, MLA, £ 39.95
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Abstract
This paper argues that hybrids are a more possible than not solution for the future. It explains how they offer many unique features including a better fuel economy and cleaner emissions. This contributes to the hybrids' growing popularity and, as a consequence, major automakers are producing their own hybrid models which include sedans, trucks and SUVs. The writer states that currently, these vehicles are more realistic than using fuel cells or diesel. The writer summarizes by claiming that all of these reasons point to the conclusion of hybrids as a definite part in the future of cars.
From the Paper
""If everyone in the US drove a hybrid instead of a traditional car, we could save roughly 1.6 billion barrels of oil a year" (Mihm 1). In the quest for cheaper gasoline and a cleaner environment, the one answer that comes to mind is the hybrid. The hybrid, a gasoline-electric car, seems to be the solution for the future. With lower emissions and better fuel economy, hybrids are thrilling consumers and environmentalists. Because of the unique features of these cars and its popularity among owners, several major automakers are following Toyota and Honda by producing their own hybrid model. This is starting a hybrid revolution whether it's for a sedan, SUV, or truck. With other fuel options such as diesel, all-electric, and fuel cells falling short, hybrids may have a secure spot in our future."
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Challenges in a Hybridized World, 2008.
An analysis of hybrid vehicles in terms of fuel-economy, servicing, safety and environmental-friendliness.
2,927 words (approx. 11.7 pages), 7 sources, APA, £ 61.95
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Abstract
This paper researches and examines the hybrid vehicle in relation to safety, features, fuel economy and the environment. It first examines a number of factors that may affect the individual's decision in making a purchase of a hybrid vehicle rather than a traditional gasoline powered vehicle. The paper also discusses the fuel-economy and the environmental-friendliness of the hybrid, as well as drawbacks relating to servicing safety of the hybrid vehicle. The paper contains an annotated bibliography, figures and graphs.
Table of Contents:
Abstract
Objective
Introduction
Summary and Conclusion
From the Paper
"The battery for the hybrid vehicle consists of 250 individual cells that are similar to the shape of a size battery generally used for flashlights. Each of these individual battery cells are housed in a stainless steel case and each cell has 1.3 volts. These cells are "welded and wrapped together in groups of 5 to form a module." (FMC, 2007) Each battery pack has 50 modules with the total voltage of the battery pack is 300 volts DC. The batteries are NI-MH (Nickel-Metal Hydride) The battery pack includes sealed batteries that are much like the batteries in radio control toys, cell phones and laptop computers. Within each battery cell is a base electrolyte that consists of potassium hydroxide as the dominant active ingredient which special paper absorbs. The electrolyte will generally not leak from the battery unless it is crush and then only a few drops will generally leak. One important concern related to the hybrid vehicle is the high-voltage system in these vehicles and the dangers associated with being electrocuted."
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Cinema- Voice for Political and Social Issues., 2006.
An examination of cinema as a means to voice political and social issues.
3,690 words (approx. 14.8 pages), 5 sources, MLA, £ 72.95
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Abstract
In this paper the author highlights many of the uses of cinema as a means to political and social communication. He cites many examples of where politics have been affected by the use of cinema and social trends have been established as a result.The author also centres on cases where American movies have been banned due to political issues and influences. The paper concludes by stating that cinema is not the only influence on the changes that have occurred in politics and society.
From the Paper
"A lot of Canadians seem to be loyal to Canadian art, Canadian music, orchestras perform works by Canadian composers, and theatres that perform Canadian plays. But at the same time there are movies that are being now produced and shot in Canada when once they sued to be shot and filmed in the US. Although a lot of Canadians say that they would prefer to be distinctive of their own culture and society at the end of it seems like if they were given a choice they would rather opt for the American way of living."
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Hybrid Vehicles, 2008.
A look at the advantages of driving hybrid vehicles.
1,971 words (approx. 7.9 pages), 7 sources, MLA, £ 44.95
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Abstract
This paper contends that the advanced technology of the hybrid automobile brings an abundance of delight and benefit to environmentalist and consumers. It discusses how the impact hybrids will have on global warming may be hard to define, but some improvement will be better than none. It also argues that the consumer benefits far outweigh the initial price of the vehicle and maintenance expense and how US state governments offer generous tax incentives and reward programs to hybrid owners. The paper includes illustrations and diagrams.
From the Paper
"What makes a hybrid vehicle better than a traditional gas guzzler? According to Halliday, hybrids are very similar to traditional cars except that there are two main differences. The first major difference is that hybrids have two sources of energy: an internal combustion engine and a battery that powers an electric motor. The gas engine is used during acceleration and shuts off when not needed. However, it restarts automatically after stepping on the gas when the vehicle needs more power (Halliday 2007). After the gas engine gets the car going, the electric motor takes over. This connects to the electric transaxle which powers the drive train whenever in motion. Another use of the electric power from the car is to provide energy for lights, heating accessories, and the radio. "
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Hybrid Cars, 2007.
A discussion on the emerging technology of a hybrid car, combining the technology of the electric and the gasoline-powered car.
1,239 words (approx. 5.0 pages), 3 sources, MLA, £ 29.95
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Abstract
The paper discusses how, in an era when oil prices are rising rapidly and the public is especially concerned about the added cost this imposes on the family budget, the hybrid car is getting a new impetus in the marketplace. The paper examines how the hybrid car offers the unified features of the gasoline-powered engine and the electric car, without the added problem the electric car brings of a limited range, while at the same time cutting down on the use of gasoline. The paper explores how the hybrid engine is being promoted both as a cost-saving device and as a more environmentally-friendly type of automobile.
From the Paper
"The electric car offers advantages but also has certain disadvantages. Still, some form of electric car might become accepted and would help reduce reliance on oil and help with environmental problems at the same time. The target market will grow exponentially once the electric car has a longer range, but for the time being the commuter market is quite large and ready to be drawn into a vehicle that can be shown to be economical, non-polluting, safe, and relatively inexpensive."
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Hybrid Cars, 2006.
A discussion on hybrid cars and their technology.
690 words (approx. 2.8 pages), 3 sources, APA, £ 16.95
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Abstract
This paper provides a technical overview of the series and parallel hybrid system that powers the Toyota Prius. It describes a hybrid car that uses Total-Hybrid System II technology to reduce emissions by up to 90 percent and achieve 50 or more miles per gallon of fuel. The paper also includes diagrams of the Prius' technology.
From the Paper
"The advent of hybrid cars that use a combination of gasoline and electric engines are becoming more popular among consumers as new technologies enable hybrid vehicles to reduce harmful emissions by up to ..."
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Classic Cinema, 2004.
A look at the definition of classic cinema and some older movies that deserve the title.
2,766 words (approx. 11.1 pages), 8 sources, MLA, £ 58.95
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Abstract
This paper discusses how classic cinema doesn?t simply happen and how it takes time, dedication, and a certain ?Je ne sait quoi? to create a theme, method, or a wave of influence that can be seen and felt years after its initial pass. It examines how classic cinema goes above and beyond the call of simple entertainment and how it creates a benchmark and platform, which future filmmakers will use to create new and interesting ways to tell a same story over and over again. In particular, it analyzes how films, such as "Birth of a Nation" (1915), "The Cabinet of Doctor Caligari" (1920), and "Battleship Potemkin" (1925) ,through their unique, pioneer, or innovative approach to the film medium, created ideas and methods that are still in use today and how they have bestowed upon themselves the right to carry the title of classic cinema.
From the Paper
"In the film "The Cabinet of Doctor Caligari" (1920) the most obvious image is that of surrealism. This movie is an eerie look into issues that revolve around insanity and hideousness. The set itself is incredibly expressionistic and offers the viewer many elusive and vague images. This fits in well with the location, which is, through most of the movie, an insane asylum. The doctor has hypnotic powers, which is depicted as the ultimate power over the bourgeois, violence and the fragile qualities of love. The film's background is also incredibly surrealistic, and for the time is was created this would be incredibly frightening."
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Hybrid Vehicles, 2003.
A discussion on hybrid vehicles.
1,380 words (approx. 5.5 pages), 7 sources, APA, £ 33.95
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Abstract
This paper begins with a definition of hybrid vehicles and how they operate. The paper includes examples of such cars, namely, Honda Civic, Ford Escape and Toyota Prius. It continues to show evidence of reduced air pollution levels and decreased emissions from the production and running of hybrid vehicles. In conclusion, the author discusses why hybrid vehicles are becoming more popular.
From the Paper
"The conventional gasoline engine provides appropriate power meets emission and fuel economy standards and provides a smooth quiet reliable and relatively inexpensive form of transportation."
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