| Papers [1-14] of 51 :: [Page 1 of 4] | | Go to page : 1 2 3 4 —> | Search results on "HISTORY PIANO": |
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The History of the Piano, 2004.
A discussion of the history of the piano, including some articles on the subject.
1,517 words (approx. 6.1 pages), 8 sources, MLA, £ 35.95
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Abstract
The purpose of this paper is to introduce, discuss, and analyze the topic of the piano in history. Specifically, the paper discusses the three-hundred-year history of the piano. The piano is a fascinating instrument with a long history that includes many transformations. Today, the piano is still one of the most popular instruments for composers and musicians alike.
Contents
Introduction
The History of the Piano
The History and Construction of the Piano
Small Pianos in Europe and America, 1770-1795
Curators Who Keep Scores
From the Paper
"The piano is one of our most popular instruments, and it enjoys a long and varied history. The piano we know and play today is far different from the first pianos, which resembled organs with pipes, and even stringed instruments. As one author writes, "To some the piano is merely a piece of furniture, to others it is a musical instrument. But this amazing machine is much more than just a large, wooden object: it is an intricate mechanical device designed to produce a vast range of musical tones" (Crombie). It seems the very first keyboard instruments were types of organs found as far back as Egypt in the second century B.C. (Wier 1). Initially, the keys were plucked, as on a harp or a harpsichord, and later, the keys were struck with a hammer or mallet, such as today's dulcimer."
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The Piano, 2002.
A look at the history of the piano and in particular its use in Chopin's 19th century piece "Nocturne No.2".
1,150 words (approx. 4.6 pages), 3 sources, £ 31.95
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Abstract
This essay will examine the history of the European instrument the piano, with particular reference to its use in the Romantic period of the 19th century in Chopin's Nocturne No.2. As will be seen, Chopin's use of the piano reflects the evolutionary history of this remarkably versatile instrument which is, at least in part, responsible for its enduring popularity in Western music.
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Piano Pedagogy, 2001.
This paper examines teaching methods for the teaching of piano and their reflection on society.
2,695 words (approx. 10.8 pages), 11 sources, MLA, £ 57.95
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Abstract
This paper is an in-depth look at the history of piano pedagogy and how it has evolved throughout history. It gives many examples of different philosophies of piano pedagogy and uses many different composers styles. This paper examines many different cultures and how they each have much in common, but their own distinct styles.
From the Paper
"Piano pedagogy is the basis of any pianist's education and future. Throughout music history, the approach to attain a proper piano education has varied. Different schools of thought have influenced the ways pianists are trained in both technique and repertoire. The differences in piano pedagogy depend on both the pianist's and pedagogue's nationality and what type of literature is composed and heard during that time period."
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?The Piano Lesson?, 2004.
Examines the importance of the piano in August Wilson's play.
1,071 words (approx. 4.3 pages), 1 source, MLA, £ 26.95
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Abstract
At the heart of August Wilson's Pulitzer Prize winning play, "The Piano Lesson", is the piano itself. This paper interprets the 'character' of the piano and discusses its importance in the overall drama of the play. The piano is a pivotal piece of the action and climax, and it reappears throughout the play as a source of friction and healing.
From the Paper
"The piano does not breath, but it seems to have a life of its own and without it, the play could not possibly exist, or have the impact it does. The piano's "lesson" is clear, family is more important than money, and sentimentality is often the only way to exorcise the demons of the past so that one can move along to the future. The play's dramatic impact lies in the climax of Berniece playing the piano, and the resolution that follows. The piano is the center of the drama, and used as another character by the author, it makes perfect sense that an inanimate object could be so important."
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"The Piano Lesson", 2002.
A review of the play "The Piano Lesson" by the African-American playwright August Wilson.
990 words (approx. 4.0 pages), 0 sources, £ 25.95
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Abstract
This paper examines the play "The Piano Lesson" by August Wilson set in 1936 which looks into the worldly affairs of a black family that struggles to maintain the family heritage. It analyzes how the piano ,which is central to the story, serves as a potential metaphor for the history of the past pertaining to the enslavement of those ancestors that were chained in slavery. It looks at how the play is based on the legacy of the piano and what the protagonists Boy Willie and Berniece decide to do with it.
From the Paper
"From the title of this learned victory by August Wilson, it is evident that there comes a profound understanding of the sense of family values, morals and cohesiveness of the black Americans along with the title of the play. Every scholarly effort is geared towards conveying a message appended with an insightful moral and The Piano Lesson is no exception. The soul-searching lesson that we have learned all along is that past injustices and tormenting experiences leave a strong adverse impact on the lives of the people who suffer the blow of racial discrimination and other prejudices. "
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"Piano Man", 2004.
A review of Billy Joel's song, "Piano Man".
934 words (approx. 3.7 pages), 1 source, MLA, £ 23.95
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Abstract
This paper examines how Billy Joel's "Piano Man" gives us a glimpse into the life of a struggling performer who has earned fame on a small scale playing the piano and singing at a bar in a small town. The song is timeless because it is a story about many characters making their way through life. It looks at how the music and lyrics of this song operate together to create a comfortable atmosphere, which reflects the atmosphere of the small bar in which the story is taking place.
From the Paper
"This song is also popular because it reflects on a certain melancholy that people often encounter when they feel life may be slipping away from them before they have a chance to achieve their dream. This is clear because we know that John would rather be somewhere acting and the waitress is ?practicing politics? on the businessmen who are slowly getting drunk. In addition, ?Paul is a real estate novelist? and Davy may stay in the Navy forever. The images we discover in this song are of people who are trying to find their way in life and discovering along the way that life can sometimes be difficult."
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"The Piano Lesson", 2002.
An introduction to and analysis of the play "The Piano Lesson," by August Wilson.
734 words (approx. 2.9 pages), 0 sources, £ 18.95
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Abstract
This paper introduces, discusses and analyzes the play "The Piano Lesson," by August Wilson, who won a Pulitzer Prize for the work in 1990. Specifically, it addresses the form of the play and analyzes the characters of Boy Willy and Berniece.
From the Paper
"Boy Willie is trying desperately to be equal with the white people ? one reason he wants to buy the land. He does not have time for the sentimentality of Berniece, he can only see the land as something concrete that can make him money, and make him a "man." He is also the character who changes the most at the end of the play. Berniece may begin playing the piano again, but Boy Willie gives up the piano, and his dream of owning the land. He has shifted 360 degrees by the end of the play."
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"The Piano Lesson", 2002.
A comparative analysis of the novel "The Piano Lesson" with its subsequent film version.
1,150 words (approx. 4.6 pages), 2 sources, £ 31.95
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Abstract
This paper analyzes "The Piano Lesson" and discusses the differences between the play version and the film version. The differences are then analyzed in terms of which is more effective in presenting the theme, and why.
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Supernatural in ?The Piano Lesson? and ?Sweet Whispers?, 2002.
A discussion of the presence and significance of supernatural forces in "The Piano Lesson" by August Wilson and "Sweet Whispers, Brother Rush" by Virginia Hamilton.
1,463 words (approx. 5.9 pages), 2 sources, MLA, £ 34.95
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Abstract
This paper studys the element of supernatural in the two books ?The Piano Lesson? by August Wilson and ?Sweet Whispers, Brother Rush? by Virginia Hamilton and how supernatural elements exist in two different forms in these texts. It shows that while there are the ordinary ghosts figures in these stories, there are also ghosts which represent the past conflicts and bitterness thus giving a new dimension to apparitions and use of supernatural. It reviews each book in turn, paying close attention to the instances where a reference is made to supernatural elements to see how they affect the plot and why their presence is important.
From the Paper
" Sutter?s apparition appears to remind everyone of his or her repulsive past but it also helps the characters fight and ultimately conquers their fears. This means that supernatural is not presented to create fear or horror but to highlight the fears, which resided inside Bernice?s heart and which were to be conquered in order to resolve the conflict that existed between herself and Boy Willie. Apart from that there are various other ways in which supernatural is referred to. For example the death of many white men near the railroad is attributed to Yellow Dog Ghosts who, it is believed, are avenging the death of Willie?s father. "
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"Player Piano", 2002.
A review of Kurt Vonnegut's "Player Piano" with an emphasis on the society portrayed in the novel.
1,150 words (approx. 4.6 pages), 1 source, £ 31.95
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Abstract
This paper examines and analyzes the theme of Kurt Vonnegut's 1952 novel, "Player Piano". The author discusses what themes play out in the life of Paul Proteus, what elements of American politics might lead to the sort of society described in the novel, and what elements might prevent such a society.
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"Raisin in the Sun" and "The Piano Lesson", 2002.
An analysis of the theme of the black experience in Lorraine Hansberry's "A Raisin in the Sun" and August Wilson's "The Piano Lesson".
1,150 words (approx. 4.6 pages), 8 sources, £ 31.95
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Abstract
This analyzes two plays as expressions of the black experience in America, while focusing on the characters and symbolism in these plays. The plays are Lorraine Hansberry's "A Raisin in the Sun" and August Wilson's "The Piano Lesson". The literary work by August Wilson reflects the painful past and anticipated future of the African American race whereas Hansberry's play shows how an African-American family is united in love and pride as they struggle to overcome poverty and harsh living conditions in the midst of the 20th century.
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"The Piano Tuner", 2006.
An analysis of Daniel Mason's "The Piano Tuner".
1,380 words (approx. 5.5 pages), 1 source, MLA, £ 33.95
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Abstract
This paper provides an analysis of how Daniel Mason uses setting, imagery, and foreshadowing to depict Edgar Drake's escape from real world London to the fantasy world of Burma during the Anglo-Burmese wars in the late nineteenth century in "The Piano Tuner".
From the Paper
" In Daniel Mason's The Piano Tuner, the author takes us on the journey of mild-mannered piano tuner Edgar Drake commissioned by British officials to go to Burma to tune a rare piano that has political interest in hostile Burma .."
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"Player Piano", 2002.
A literary review of the book "Player Piano" by Kurt Vonnegut.
1,150 words (approx. 4.6 pages), 1 source, £ 31.95
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Abstract
This is a review of Kurt Vonnegut's book, "Player Piano". The main character is Paul Proteus. Although he may have every thing a person might want, it did not erase the depression about his life. Machines do all the work and people are actually "slaves".
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"The Piano", 2002.
An analysis of the two female characters in the book, "The Piano" by Jane Campion and Kate Pullinger.
1,020 words (approx. 4.1 pages), 6 sources, £ 25.95
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Abstract
The author of the paper shows how the book "The Piano" by Jane Campion and Kate Pullinger is a remarkable tale about love, oppression and release from that oppression. He shows how these themes are conveyed through the interaction of Ada and Flora with the male characters of the piece as well as through the settings. This paper explores the complexities of these two women as they try to seek happiness in a situation they have little control over.
From the Paper
"Ada's imprisonment extends to her piano. The piano becomes her vehicle of communication. When she is angry or feeling passionate, the music that elicits from the piano as her fingers strike the keys, reflects her emotions. The piano also becomes her prison because she becomes dependent on it to communicate. When the piano is left on the beach she feels a sense of loss and restlessness. Baines is also able to use to as a means of blackmail. When she hides her letter to Baines in the piano key and gets Flora to deliver it, she is in effect sacrificing a part of herself by sacrificing a part of her beloved piano in order to courier the message. When Stewart finds out about the letter, he cuts off one of her fingers, in an effort to silence her. She cannot play the type of music she had previously played with ten fingers with nine fingers now. Stewart knows the piano is her vehicle to communicate and delivers his punishment of her infidelity with a cold heart."
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