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Historical Accounts of India from Renaissance Travelers, 2002.
Examines how India was perceived by travelers returning from the East during the Renaissance.
8,212 words (approx. 32.8 pages), 23 sources, MLA, £ 124.95
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Abstract
European accounts of travels in India during the Renaissance period fueled an enormous amount of interest in further expeditions, which ultimately changed the course of history. This paper provides a review and discussion of the historical writings from the Renaissance period to provide some insight into how this mysterious continent was perceived by those in the West, followed by a summary of the research in the conclusion.
From the Paper
"The pardon hints that Camoes would go to India in the king's service, but none of his wanderings for nearly 17 years there has been documented. He was certainly in India judging from references in his works which seem to reveal an intimate knowledge of the area's social conditions. Nevertheless, Camoes certainly did not make his fortune there, since he complains often in his poetry about his bad luck and the injustices he encountered."
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The Harlem Renaissance, 2008.
This paper discusses the Harlem Renaissance as a period of changing times, especially for African Americans.
990 words (approx. 4.0 pages), 5 sources, MLA, £ 24.95
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Abstract
This paper explains that the Harlem Renaissance, also known as the Black Literary Renaissance and The New Negro Movement, began in the neighborhood of Harlem in New York City. The author points out that the Harlem Renaissance promoted changes in music, literature, poetry and architecture. The paper relates that these changes started in the black community following the abolition of slavery and were quickened as a consequence of World War I. The author underscores that the Harlem Renaissance can be seen as the African-American cultural response to the great social and cultural changes taking place in America in the early twentieth century under the influence of industrialization and the start of a new mass culture. The paper describes Georgia Douglas Johnson, who wrote poetry and plays as an important player in this literary and cultural movement.
Outline:
I. The History of the Harlem Renaissance
A. The way the Harlem Renaissance started
B. How the Harlem Renaissance got its name
II. The changes that were made
A. The change in politics
B. The changes in the arts
III. Georgia Douglas Johnson
A. A brief biography
B. Her influence on the Harlem Renaissance
From the Paper
"The Harlem Renaissance was a time of excitement and change for all of those who participated. It took many people to change the things that these people changed. Everything changed from music, art, movies, and politics. Many African- Americans from the southern states moved to Harlem during this time. The African- American community had established a middle class in many cities, with New York City being one. This time of movement can be referred to as the Great Migration. The Great Migration brought thousands of African- Americans to the northern cities like Cleveland, Chicago, and Philadelphia."
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The U.S. Current Accounts Deficit, 2007.
A review of the causes of the U.S. current accounts deficit and a possible solution to the deficit.
1,060 words (approx. 4.2 pages), 7 sources, MLA, £ 26.95
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Abstract
This paper reviews and discusses the problem and causes of the U.S. current accounts deficit. According to the paper, the U.S. current account tracks the trade balance, income payments and unilateral transfers. The paper reports that the current account deficit now accounts for about seven percent of the GDP. The paper concludes with possible solutions to the problem.
Outline:
Background
The Causes of the U.S. Current Account Deficit
Risks of the U.S. Current Account Deficit
Possible Solutions for the U.S. Current Account Deficit
From the Paper
"Since 2000, however, the increase in the current account deficit has reflected mostly a decline in public sector saving because of the growing fiscal deficit and even more decline in an already low household savings rate (Rajan, 2005). Beginning in 2001, there has been larger public dis-savings in the U.S. with growing fiscal deficits caused by a weak economy, lower taxes and increased government spending, especially on the Iraq war (The United States current account deficit and world markets). And, personal savings rates in the U.S. have trended down strongly since 1991 and reached an average of only one percent in 2000 (The United States current account deficit and world markets). Personal saving rate in the U.S. are now substantially lower than the rest of the world. For example, they are 13 percent in Japan, 12 percent in Germany, and 15 percent in France. "
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Accounts Of North America, 1610-1835, 1999.
Examines the accuracy and biases of European travelers' reports and their impact on Old World and New World perceptions. Discusses exploration, politics, economics, settlements, American-Indians, melting pot and institutions.
1,800 words (approx. 7.2 pages), 11 sources, £ 44.95
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Abstract
This research will examine the value of accounts of North America produced by Old World visitors from 1610 to 1835. The research will set forth the context in which European travelers produced such accounts and then discuss the impact that the writing had in shaping Old World perceptions of America as well as New World views of the emerging American culture.
From the Paper
"This research will examine the value of accounts of North America produced by Old World visitors from 1610 to 1835. The research will set forth the context in which European travelers produced such accounts and then discuss the impact that the writing had in shaping Old World perceptions of America as well as New World views of the emerging American culture.
Any discussion of Old World visitors' accounts of North America that predates the American Revolution must begin with the observation that until the successful completion of the Revolution the measure taken of the new land was not necessarily the measure of America but rather of Europe in America. The priorities of European geopolitics, culture, and economics, specifically Europe's needs that the New World could fill and Europe's values that the New World could receive, were almost ..."
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Renaissance, 2007.
This paper provides an examination of the Renaissance period.
1,730 words (approx. 6.9 pages), 3 sources, MLA, £ 39.95
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Abstract
In this article, the writer notes that for most historians and scholars, determining exactly when the Renaissance Period began has proven to be very difficult, but the majority believe that the embryo of the Renaissance era began in the early 15th century. The writer discusses the Renaissance period when the most influential men and women were those who, as a combined force, literally changed the way that humans think about the natural world and their existence within it. The writer maintains that the Renaissance period was indeed a time of triumph and artistic mastery and greatly shaped and convoluted the then known world. Further, the writer relates that it witnessed the growth and development of architecture, sculpture and painting as never before in the history of Western civilization. The writer concludes that the masters of the Renaissance created what today is called fine art.
From the Paper
"The grandson of Cosimo de Medici was Lorenzo the Magnificent who went far beyond his grandfather in regards to accumulating masterpieces of art and the men who created them. As a poet, Lorenzo gathered about him an immense plethora of artists from all fields of study and extended his grandfather's library at Florence which helped to establish one of the first European centers for academic instruction in the arts, known as the Platonic Academy of Philosophy. Lorenzo also spend huge sums of money on the refurbishment of buildings and festivals dedicated to the arts."
"Thus, through the combined power and influence of the de Medici, the city of Florence became one of great beauty and stood as the capital of all the arts in Europe for more than two hundred years. Also, this flourishing of the arts in Florence resulted in tremendous growth in other European cities and extended well into the northern regions of Europe to create what is known as the Northern Renaissance."
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High Renaissance, 2004.
An insight into the High Renaissance era of art history.
1,168 words (approx. 4.7 pages), 10 sources, MLA, £ 28.95
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Abstract
This paper discusses the Renaissance movement, which took place in Europe from the early 14th to late 16th century, and witnessed a revival of interest in the values and artistic styles of classical antiquity, especially in Italy. In particular, it looks at how the culmination of the artistic revolution of the Early Renaissance led to what is now known as the High Renaissance to signify the period of explosion of creative genius, producing as it did the work of great artists, such as Leonardo da Vinci, Raphael, and Michelangelo. It examines how High Renaissance Art touched unparalleled heights of creative expression because it brought the artist?s personal expression into well-established techniques and style, thereby increasing the dramatic force and physical presence of a work of art . It also shows how an essential characteristic of High Renaissance Art is seen as its unified balance between technical skill and the artist?s intuition or personal expression.
From the Paper
"Leonardo da Vinci?s The Madonna of the Rocks exists in two, nearly identical versions; one, entirely credited to Leonardo, in the Louvre, Paris and the second, considered a collaboration because of its distinctly sixteenth century characteristics of larger figures, in London?s National Gallery. Both versions depict a supposed meeting of the Christ Child and the infant saint John. The painting shows the infant Baptist, sheltering under Mary?s cloak, venerating the Christ Child in a cool, watery wilderness. The figures, grouped in a pyramid, are glimpsed in a dimly lit grotto setting of rocks and water, a setting that inspired the work?s name."
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The Renaissance Man and Woman, 2007.
This paper defines the qualities of the ideal Renaissance man or woman.
1,162 words (approx. 4.6 pages), 2 sources, MLA, £ 28.95
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Abstract
This paper examines the qualities deemed necessary for one to be considered a renaissance man or woman. These characteristics are taken from literary sources of the Renaissance. The features of the Renaissance man and woman suggest at once a superficial concern with appearances and at the same time an appreciation for the innate talents and abilities of every human being. The author takes issue with the lack of morality placed on the Renaissance man or women.
From the Paper
"Physical prowess and mastery of weaponry are essential skills for Castiglione's Renaissance man. Both men and woman are victims of their physical endowments. According to Castiglione, being too tall or too short can hinder the development of a man's athletic skills (p. 34). The Renaissance man is also literally well-rounded: he should be agile and strong, with "shapely" limbs (Castiglione, p. 30, line 26). Renaissance women must also fulfill specific requirements. Though they should develop their bodies as well as their minds, Renaissance women should not undertake strenuous activities, as even dancing too energetically can impede her "womanly sweetness," (Castiglione, p. 35, line 192). Neither men nor women should take sport--or anything else--too seriously because being well-rounded is more important than being a specialist. At the same time, both Castiglione and Alberti infer an appreciation for the diligent development of specific talents and skills, whether tennis, dancing, or archery. Therefore, the ideal person is not a dilettante. When the Renaissance man or woman becomes proficient at something, he or she can show that skill off in polite company, though without conceit. Being what modern people would call "cool" is a key component of the Renaissance ideal. Castiglione calls that feature "nonchalance," and the Renaissance man and woman should be talented and modest at the same time."
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Vitruvius and his Historical Relevance, 2005.
An exploration of the composition, content, reception and influence of Vitruvius's "Ten Books on Architecture," from antiquity to today, with special attention on the Middle Ages and Renaissance.
1,916 words (approx. 7.7 pages), 4 sources, MLA, £ 43.95
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Abstract
This paper examines the first and most influential treatise on architecture, Vitruvius's "Ten Books on Architecture." First the content is considered, including Vitruvius's account of architecture as the mother of all arts followed by his outline of the ideal education for architects and his theory of architecture. It also discusses the transmission and reception of Vitruvius in the Middle Ages and the Renaissance. Particular attention is paid to Alberti and his reaction to Vitruvius in his own "Ten Books" on architecture. Finally, the historical significance of Vitruvius's treatise is examined-both from the point of view of today and of when the treatise was composed.
From the Paper
"In the first chapter of Book II, Vitruvius gives his account of architecture, or rather, the story of civilization as the history of architecture. His synopsis is certainly simplistic, and at times humourously so, but on the whole it accords with common sense. To his mind, architecture, born of necessity, is mother to all the arts, and though he is not as explicit on this issue as later writers would be, he clearly holds the field in the highest regard. He sets out his ambitious "Education of the Architect" in the first chapter of the treatise, and explains the necessity of each branch of study-drawing, geometry, history, philosophy, music, medicine, law, astronomy. The application to any of these fields to architecture is obvious enough, but Vitruvius defends the others. History, for example, is useful in understanding the origin of particular styles. He uses the famous example of caryatides and the Persian porch."
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Italian Renaissance and Artists, 2004.
An examination of the influence that Leonardo da Vinci, Michelangelo, and Raphael had on the European culture during the Renaissance.
2,508 words (approx. 10.0 pages), 9 sources, MLA, £ 53.95
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Abstract
Renaissance (?Rebirth?) refers to the period after the Middle Ages when a series of dynamic intellectual, cultural, and artistic movements, from the 14th to 16th century, catapulted Europe towards rapid development, leading to the Age of Enlightenment, the Industrial Revolution and modern times. During this rich period of exciting developments in arts, sciences, and politics, Italy was the major catalyst and became the cultural leader of Europe. It also produced several outstanding artists, such as Leonardo da Vinci, Michelangelo, and Raphael, who changed the face of European art forever and are worthy representatives of the Renaissance era. This paper is about the Italian Renaissance and the impact of the three great artists on European culture.
Outline
Background
Italian Renaissance and its Emphasis on Art
Leonardo da Vinci (1452-1519)
Michelangelo Buonarroti (1475-1564)
Raphael (1483-1520)
Conclusion
From the Paper
"The period following the eclipse of the Roman Empire around 500 AD until the start of the ?Renaissance? at the start of the 14th century is known in history as the Middle Ages of Europe. The period saw the rise of Christianity and the power of the Church that became a major influence in culture as well as politics. The Christian doctrine focused on salvation and the life hereafter and de-emphasized the worldly life and possessions. The period also saw the rise and spread of Islam, although most of Europe remained under the Byzantine Empire and a fragmented West. Italy?s cities and towns in general became largely depopulated and the country, as a whole, became a rural society after the fall of the Roman Empire. This situation lasted until the 11th-12th century when Italy?s strategic location on the trade routes between Western Europe and the Muslim world and Asia helped revive commercial and trade activity in the region."
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Music and Performing Arts, Renaissance to Today, 2007.
A discussion of music and drama, from the Renaissance era until today.
984 words (approx. 3.9 pages), 4 sources, MLA, £ 24.95
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Abstract
This paper examines the influence that music and performing arts have had on human culture and society, focusing on the Renaissance period. The paper explains that in the early part of the Renaissance, the role of music was tremendously important as polyphony became more simplified in the Renaissance, generally "smoother" and more harmonious overall. The paper notes that there is no doubt that the technological impact of recording technologies, beginning with the phonograph and leading up to today's CDs and DVDs, has had an impact upon the individual enjoyment and distribution of music and dramatic art forms (especially film), unprecedented since the invention of the printing press in the Renaissance. In conclusion, the paper shows that today, the Internet has hugely assisted in enabling individuals to share such work among themselves, though not to the point of alleviating the isolating influence of technology or to creating a new form of communal experience.
From the Paper
"In the early part of the Renaissance, the role of religion, that is to say, the church as an organization and social unifying force, was still prominent above all else. Nation-states had not yet arisen to assert their claim on peoples' loyalty. The church represented stability and social cohesion in a world of uncertainty and danger from many sources: feudal overlords, weak central governments, and unpredictable weather and harvests. The role of music was thus tremendously important too in this period. Polyphony became more simplified in the Renaissance, and generally "smoother" and more harmonious overall."
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Irish Renaissance, 2005.
A look the Irish Renaissance of literature and culture at the end of the nineteenth and beginning of the twentieth centuries.
1,203 words (approx. 4.8 pages), 3 sources, MLA, £ 29.95
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Abstract
This paper explains that many of the writers of the Irish Renaissance often memorialized the new nationalist sentiments arising in Ireland and the increased tensions between Ireland and Britain in their writings. The paper notes that the Irish Renaissance was both a renaissance of Irish themes and a reminder that Ireland was not a full country with full autonomy, creating a tension that many of the writers would explore in their works.
From the Paper
"For example, William Butler Yeats is identified with the mythology of early Ireland, and his works feature the stories of the Irish hero Cuchulain in particular. This mythic background is part of what gives the poet his distinctive voice. At the same time, the poet often chafes against the mythology, as if the truths it shapes for him were false. Yeats made reference to other mythologies as well, notably those of the ancient Greeks and Romans, but he seemed less concerned with those references, perhaps because he knew that those mythic stories were better known to the world at large. He may have feared that his poetry was understandable only to the Irish and not to the world at large. Yeats expresses his love for his country and its people and does so in poetry that elevates nature while finding the other-worldly in that nature at the same time, which is often where the mythology enters as well."
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Korean History: A Comparison of Accounts, 2008.
This paper evaluates competing written accounts of the status of women in a specific period of Korean history.
2,209 words (approx. 8.8 pages), 4 sources, APA, £ 48.95
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Abstract
The paper looks at the perspective of four different authors on the era dating from approximately 892 until around 1592 on the Korean Peninsula, in order to highlight how biased historical explanation actually is. The paper examines a text published by the Korean National Commission for UNESCO in Seoul, Roger Tennant's book "A History of Korea," Martina Deuchler's "The Confucian Transformation of Korea: A Study of Society and Ideology" and Han Hee-sook's journal article "Women's Life during the Choson Dynasty". The paper concludes that Martina Deuchler's book offers the richest analysis and most persuasive historical account of the changing status of Korean women.
Outline:
Introduction
Broadly Comparing Historical Accounts
Complex Accounts of Korean women: Deuchler and Han
Chinyeong
Kyongguk Taejon
Conclusion
From the Paper
"However this project demands a much closer focus in order to be effective as an exercise in historical comparison. Therefore, we will look specifically at the issue of how and why the status of women changed in Korea from Silla times through to early Choson. This examination will not be a simple narrative of the social shifts that impacted the lives of Korean women during this time period. Rather, we will identify different explanations of why that change occurred, and consider different statements about which changes were the most important. It will become clear that various authors bring their own ideological agenda to the telling of history, and that the act of omission constitutes a major tool in shaping the events of the past."
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W.B. Yeats and the Irish Renaissance, 2004.
Discussion of W.B. Yeats's participation in the Irish Renaissance theater movement.
1,415 words (approx. 5.7 pages), 9 sources, MLA, £ 33.95
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Abstract
W.B. Yeats was instrumental in the Irish Renaissance theater and literary movement, but critics claim that much of the movement has more to do with fairies and folklore than the hard reality of Irish history. This paper discusses these issues and concludes that, whether the works from the Irish Renaissance were idealized versions of Ireland's history written by leprechaun fanciers, or whether the literary movement's authors were attempting to bend history to suit their political tastes, the fact remains that the Irish Renaissance did help to reshape the Irish people's view of their past and how they saw themselves in the present.
From the Paper
"Blair-Ewart's argument is twofold. First, he sees the interpreters of Irish mythology and ancient chronicles as having only a superficial, subjective knowledge of Irish history that has no deep understanding of the causes or context of historically significant events. Blair-Ewart argues the Irish Renaissance authors interpreted events out of context with little or no historical evidence. This can be seen in Yeats' gleaning of folktales from peasants and publishing them as genuine Irish mythologies with little substantiation. Second, Blair-Ewart contends that the people behind the Irish Renaissance were attempting to use the past to help solve the problems of the present."
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