| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "GREEK ROMAN ART ARCHITECTURE": |
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Greek and Roman Architecture, 2007.
This paper discusses and compares Greek and Roman architecture.
1,559 words (approx. 6.2 pages), 6 sources, APA, £ 36.95
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Abstract
In this article, the writer notes that Greek architecture has long been identified with the creation of the three classic architectural orders, the Doric, Ionic and Corinthian. The writer points out that Greek temples were not directly linked to the orders but show basic features that are much alike. The writer then discusses that Roman architecture reflects a way of public and private life, borrowing elements from the Greeks and the Etruscans. The writer concludes that Greek architecture is more limited in scope and adheres more closely to ideas of unity and symmetry, more like chamber music. The writer maintains that Roman architecture is more expansive and more inclusive, balancing different elements in the manner of the symphony.
From the Paper
"The Greeks studied proportions to secure a general harmony in the relative massiveness or slenderness of all the parts as well as a mathematical relation between their dimensions. This process could be likened to that involved in chamber music, where harmony among the elements is controllable with the limited number of instruments and the unity of musical elements."
"R.W. Livingstone cites some of the differences between the Greek and Roman approaches to architecture in terms of the Greek dedication to the architectural order as the vocabulary of Greek architecture, stating ... "
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Greek & Roman Art & Architecture, 1989.
Discusses Greek form vs. Roman space in architecture and idealism vs. realism in sculpture.
1,350 words (approx. 5.4 pages), 9 sources, £ 33.95
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From the Paper
"Greek and Roman art and architecture were both innovative and distinguished by features which can be compared and contrasted. In both cultures the major trends in art and architecture were set in their respective archaic periods. However, the comparison and contrasting of both are best restrained to the more mature periods of each society.
Classical Greek art begins around the Fifth Century B.C. During this time the Greeks had consolidated their military victories by ousting the Persian invaders, reduced civil unrest by removing the old kingships and replacing them with oligarchies and democracies, and limited the mercantilism of the Greek poli or city.states (Greer 66-69). In terms of art and architecture, however, it should be remembered that Greek art was largely commissioned by the demos of relatively small cities (...)"
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| Essay # 58644 |
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Greek Art, Architecture and Literature, 2002.
A look Greek culture as effected by art, architecture and literature.
650 words (approx. 2.6 pages), 3 sources, £ 18.95
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Abstract
This paper discusses the basic themes of Greek artistic endeavors, such as individualism, rationalism, and humanism, and analyzes how Greek art, architecture, and literature reflected the society in which they were created.
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Greek Art and Architecture, 2002.
Discusses the changes which took place in funerary art and architecture of the ancient Greeks.
900 words (approx. 3.6 pages), 2 sources, £ 25.95
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Abstract
In funerary art, the Greeks from the Geometric period in the 8th century through Hellenistic times seem to go from the heroic and noble to the sentimental and mawkish. Is funerary art a clue to the emotional development of a people?
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Golden Mean in Art and Architecture, 2005.
This paper discusses Greek culture and beliefs and looks at the Golden Mean in art and architecture.
2,025 words (approx. 8.1 pages), 4 sources, £ 57.95
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Abstract
This paper briefly looks at Greek art and architecture to determine the relationship between them and broad cultural and/or philosophical currents animating Greek society and culture. Specifically, this paper examines the relationship of the Greek concept of the "golden mean" to art and architecture in the classical world and suggests that there are interesting manifestations of the Golden Mean in Greek art and architecture.
From the Paper
"The culture and beliefs of the ancient Greeks clearly manifested themselves in the artwork they produced. This paper examines the relationship of the "Golden Mean" to the art and architecture of the Greeks. What should become apparent is that the "Golden Mean" - which in the world of art meant an emphasis upon harmony, balance, symmetry and austere beauty - was an animating factor in the vase work and architecture of the Greeks. This paper examines the above-mentioned relationship by looking first at examples of the "Golden Mean" in Greek pottery. From there, the paper examines the presence of the "Golden Mean" in Greek architecture. Specifically, because of its pre-eminent place in the architecture of the ancient world, special attention is devoted to the design of the Parthenon."
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Greek And Roman Revival In Public Buildings In America, 2004.
A paper discussing the Greek and Roman Revival in American Architecture.
904 words (approx. 3.6 pages), 4 sources, MLA, £ 22.95
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Abstract
The purpose of this paper is to discuss the Greek and Roman Revival in public buildings, its background, history and development, and to provide an understanding of why it was appropriate for the time and how its popularity has waned and has given way to more egalitarian and user-friendly civic buildings.
From the Paper
"The purpose of this paper is to discuss the Greek and Roman Revival in public buildings, its background, history and development, and to provide an understanding of why it was appropriate for the time, but its popularity has waned, and it has given way to more egalitarian and user-friendly civic buildings. During the 20th century, architects were very much on the lookout for the next new thing. This was a period of great change and advancement in society..."
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The Greek, Roman, and Mayan Religions, 2004.
This paper discusses why the Greek, Roman, and Mayan worlds are of prime interest to Western civilization.
880 words (approx. 3.5 pages), 4 sources, MLA, £ 22.95
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Abstract
This paper explains that the Greek, Roman, and Mayan worlds are of prime interest because of their influence upon the cultural and societal aspects of the civilizations that followed them. The author points out that the Mayan religion has greatly influenced Western thought and culture, although not as predominant as the Greek and Roman systems, because of its perceived origins in a traditional non-Western setting. The paper relates that the Mayan pantheon was very complex. Heaven and Hell were not considered either as reward or punishment for behavior on earth; rather, they were the after-life abodes natural to different classes of people, for one passed on to the sphere appropriate to one?s class and occupation.
From the Paper
"Culturally, the Greek ?polis? or city-state was presided over by a particular god as protector and patron, such as Athena for the city of Athens. Different communities could choose the same deity as their protector; Sparta, for example, also had Athena as its patron god. The members of the ?polis? constituted a religious association obliged to honor the state?s patron deity as well as the community?s other gods. Thus, the central ritual of a ?polis? was the sacrifice of animals to demonstrate to the gods as divine protectors the respect and piety of the members of the ?polis.?"
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Medieval Art and Architecture, 2006.
Examines what influenced medieval art and architecture.
1,522 words (approx. 6.1 pages), 5 sources, MLA, £ 35.95
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Abstract
Arguably Islam was the most influential of the cultural donors to medieval art and architecture, via Armenia as well as the cultures hugging the Mediterranean, but Islam itself had already influenced other cultures (Byzantine) and been influenced by even earlier ones (pre-Islamic Persia and more). This paper shows, therefore, that any tracing of Islamic influence in medieval European art and architecture must include the incorporated remnants of all the earlier inter-cultural donations. It shows that the two most influential contacts though which the cultural iconographies were spread are, arguably, the Crusades and the Moorish subjugation of Spain.
From the Paper
"Of particular importance to medieval life was the abbey and the priory. Particularly important were the Benedictine abbeys. While Benedict was a mid-sixth century cleric, and Islam itself, of course, could not have been influential until at least the start of the seventh century, Benedictine abbeys continued to be built for centuries, reflecting in great degree an Eastern influence. While "the typical plan of Benedictine abbeys and priories evolved out of the Roman country villa of late antiquity"......about 820, a plan for an idea monastery was created (Schuetz-Miller, 2000). It was considered to be the first pattern that took into account the relationship of all the parts to each other and to the whole, assuring geometric harmony; harmony had been a hallmark of Eastern life."
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National Socialist Art and Architecture, 2007.
A look at how the National Socialists in Nazi Germany used art and architecture for political purposes.
2,382 words (approx. 9.5 pages), 10 sources, MLA, £ 52.95
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Abstract
This paper examines how, forming part of the propaganda machine, art and architecture were used largely for the glorification of the Nazi regime and the Aryan race and for the denunciation of Judaism, Bolshevism and what the Nazis thought of as "degeneracy." The paper looks at how, by enforcing changes in the art world and through the use of "new German" architecture, the Nazis sought to cleanse the fatherland of "degenerate art", which was seen as detrimental to the Volk, and to ensure the National Socialist movement's immortality through buildings that would survive to inspire future generations of the thousand year Reich.
From the Paper
"Art held a place of high value in National Socialist ideology. Hitler who was an artist turned politician inspite of himself had said "art is the only truly enduring investment of human labour." Hitler linked artistic styles with race, claiming that the Weimar period's "degenerate art" was a result of "racial decline." The Fuhrer also linked art with politics saying "art has at all times been the expression of an ideological and religious experience and at the same time the expression of political will." According to Nazi ideology, only Aryans were the true bearers of culture, therefore only they could produce true art. The modern styles such as Cubism, Dadaism and Expressionism, which had flourished during the Weimar period were a result of "cultural Bolshevism" and influenced by the Jews. "
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Greek and Roman Philosophy, 2003.
A paper on the influence of Greek philosophy on Roman Republicans.
1,605 words (approx. 6.4 pages), 3 sources, MLA, £ 37.95
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Abstract
This paper discusses how, from the intellectual perspective, the Romans borrowed heavily from the Greeks and founded the Roman Republic on the ideals of Greek philosophy and politics. It discusses the period from around the 4th century BC to the 5th century AD, when the Greece and the Romans dominated the world, one after another. It explains how the period marks the height and decline of ancient Greece and the advent of the Hellenistic period of small states, and then a long history of Rome, first as a Republic and then as the Roman Empire.
From the Paper
"Roman philosophy was firmly grounded in the Greek Philosophy and the concepts introduced by Greeks both in ethical philosophy and political philosophy. Initially Roman Republic suffered internal conflicts and wars between the rival leaders and interest in the Greek philosophy first can be seen in 155 BCE in Rome by an Athenian embassy, consisting of the Academic Carneades, the Stoic Diogenes, and the Peripatetic Critolaus. One of the significant work that attracted the attention of Romans noble men was of the Stoic Panaetius, but it can be said that a more widespread and thorough study of Greek philosophy came in the period of Cicero and Varro. Both writers and philosophers not only conducted a deep study of the Greek philosophy and they even translated many of the works and made it available to the public and those who were outside and the literary circles [Hooker, 1996]. The Romans were generally attracted towards the later Greek philosophy which had leaned towards ethical concepts and how to lead a good life in the society. Thus they had little or no interest in the natural philosophy of pre-Socrates and metaphysical philosophy of Plato and Aristotle. Four Greek schools of thought had considerable impact on the Romans namely Epicureanism, Stoicism, Skepticism and Neo-Platonism. Among these the Epicureanism and Stoicism were the most popular and the Romans developed their own versions of these philosophies."
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Greek and Roman Deities, 2004.
Discusses the similarities that existed between ancient Greek and Roman deities.
783 words (approx. 3.1 pages), 3 sources, APA, £ 19.95
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Abstract
In ancient Greece and Rome, traditions, histories, and other elements of society were passed down as oral traditions from one generation to another. While ancient Greek culture predates Roman culture, the two cultures developed a degree of interaction and similarity between the peoples. The mythology of these two cultures reflected many of the ethical issues that were important in that time. This paper shows that it is not surprising, considering their close geographic proximity, that there was a certain degree of mixing of cultures and, consequently, mythology as well. The research explores the similarities and differences between Greek and Roman deities.
From the Paper
"Virgil wrote the Aeneid in the early Roman period, which was based largely on the Greek understanding of the gods and goddesses. However, he wrote characters that would appeal to the Roman social structure and ideology, and ?romanized? the Greek deities. His works were based on the Greek writer Homer, who portrayed Zeus and Hera as petty complainers. The Roman ideals would not allow for a noble complainer, therefore Virgil transformed Zeus and Hera into heroic Jupiter and an angry God Juno, who struck fear in the hearts of men."
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Medieval Art and Architecture, 2004.
An analysis of medieval art and architecture.
1,526 words (approx. 6.1 pages), 5 sources, MLA, £ 35.95
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Abstract
This paper discusses the notion that architects and artists working in medieval Europe borrowed ideas from all the cultures surrounding the Mediterranean or coming across the central European mountain ranges. The paper presents examples of this cross-culturalism, with a focus on Islam being the most influential of the cultural donors to medieval art and architecture. The paper contends that, although these examples do not definitively trace any single aspect of Islam into Western ecclesiastical art, they do serve as an indication that it is impossible to consider any medieval art, no matter how isolated we think Europe of the Middle Ages must have been, without considering the very substantial trade, not to mention wars and incursions, that made the traditions of one culture available to the others.
From the Paper
"In addition, the precursors of Islamic art and architecture?elements that continued to inform their vision throughout their expansion into Spain and later, via their export to ?corporate? Europe by returning Crusaders?cannot be surgically removed from any consideration of so-called Islamic influences on medieval European art and architecture. Rather, they must be viewed as a substrate that upheld the Islamic vision by virtue of continuous adherence in the society in which Islam was born, and therefore as an unbroken line into the monastic traditions of medieval Europe. It was, moreover, the monastic tradition that formed the bedrock on which all other medieval art and architecture achievements were based; the monasteries were the repositories, after all, of the learning that would otherwise have been lost."
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Ancient Greek and Roman Society, 2003.
A discussion of Greek and Roman society.
1,835 words (approx. 7.3 pages), 2 sources, MLA, £ 41.95
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Abstract
This paper explores both the Greek and Roman culture and their far-reaching effects on modern Western thinking. The author explores how Greek philosophers, and their use of logic and insistence on reasons to support claims about the universe and human existence, represent a crucial first step towards science of today. Future civilizations took from the Romans their meaning of honor, patriotism, and unrelenting sense of assured self. The paper continues to discuss that both the Greeks and the Romans used war to gain territory, a negative trait that is still strongly felt in society today.
From the Paper
"Both the Greeks and the Romans exemplified war, which led to their negative legacy. From the begging of Greek history starting with the Mycenaeans, and the Romans starting with the Roman Republic, war has been the patriarchal duty of the male citizen. War became more than just a way to conquer lands, but it embodied the essence of what a man was made of. If a soldier risked his life in war for his civilization and came out a hero because he proved himself to be stronger and fitter than the opposing side, he had almost reached god stature. The idea of fighting to these societies became more of a game than it was a defense. Honor and valor of the male citizen depended on his performance in battle."
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