| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "GOODFELLAS MARTIN SCORCESE": |
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"Goodfellas" by Martin Scorcese, 1994.
An analysis of the 1990 film with style, characters, narration, violence and critical views.
1,350 words (approx. 5.4 pages), 5 sources, £ 33.95
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From the Paper
"Martin Scorsese's film GoodFellas is an examination of the criminal lifestyle in America, and director Scorsese uses the techniques of film to good advantage in shaping the story to keep every element fresh, to build an overall impression of the activities of organized crime, and to shape a different film experience in a genre that has been addressed many times with varying results by other filmmakers in the past. Critic John Simon states of the film,
GoodFellas, with a script by [Nicholas] Pileggi and Scorsese, is a testimonial to the banality of evil as compelling as Eichmann's story and far closer to home (Simon 63).
The film uses the story of this one particular criminal to comment on the whole criminal enterprise and in a larger sense to..."
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Martin Scorcese?s film "Gangs of New York", 2005.
This paper discusses Martin Scorcese's film "Gangs of New York", a drama, opening in 1846, depicting violent incivility in the Five Points area of New York City.
1,490 words (approx. 6.0 pages), 2 sources, MLA, £ 35.95
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Abstract
This paper explains that Martin Scorcese's film "Gangs of New York", a drama depicting America as a political community, represents three potentially discordant elements in Americans' souls: Social passions directed toward one's own group, rational concern for the common good and rational submission to a common law. The author describes the opening of the in 1846 in New York City's infamous Five Points district as two rival gangs, the Natives and the Irish Catholics, organize to scuffle; there is speechifying on both sides, which gives the event a strangely formal tone and then suddenly the screen erupts in an orgy of blood and screams, which dramatizes the chaos beneath the orderly surface. The paper relates that the conflation of distinct time periods in the film is confusing as it jumps between the Irish famine migration, a decade later during the Civil War when Irish immigrants, sanitary reformers battling cholera and--most outrageous--the competing political parties of the Democrats and the anti-immigrant Know-Nothings plus a central plot thread involving the politically powerful William Marcy Tweed and his Tammany Hall cronies.
From the Paper
"In the film, the narrative of Amsterdam's vendetta against Bill--and of ethnic strife in 1860s Manhattan--is constituted deeply by the past. Accordingly, the film shows a prelude, a rumble in the Five Points in 1846. However, this struggle is portray in primordial imagery that suggests a time almost beyond any recognized era. The Dead Rabbits and other Irish gangs--commanded by Amsterdam's father, "Priest" Vallon--and their native counterparts--led by Bill "the Butcher"--wield crude weapons (clubs, axes) and fight in an bare field between shacks and dilapidated buildings. The battle appears not only before civilization but also for it. Bill declares, "On my challenge, by the ancient laws of combat, we are met at this chosen ground to settle for good and all who holds influence over the Five Points--us natives, born right wise to this fine land, or the foreign hordes defiling it." A sense of divine mission on the part of both natives and immigrants powerfully highlight the spirited and primal character of the struggle."
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"Mean Streets" ( Martin Scorcese ), 1999.
Examines this 1973 film's critical and artistic success, cost, distribution, style, technique, script and characters.
1,125 words (approx. 4.5 pages), 3 sources, £ 28.95
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From the Paper
"Martin Scorsese achieved critical acclaim with his feature Mean Streets (1973), a film which also began his long collaboration with actor Robert De Niro. The film was an independent production in an era when that meant something different than it does today. It first meant that the film was low budget, and director Scorsese overcame this with strong performances and creative and powerful visuals. The film was also produced in the early 1970s when this sort of socially relevant, dramatically developed film was more the norm than it is today, and independent films had the aura of a counter-culture statement even when they dealt with more mainstream subjects. This film shows how a filmmaker could take what actually was a mainstream subject--the gangster film--and recreate it as a character study that extended beyond what was normal for this..."
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" The Age of Innocence" ( Martin Scorcese ), 1999.
Analyzes techniques of the director in the opening sequence of 1993 film - casting, theme and relationships.
1,350 words (approx. 5.4 pages), 1 source, £ 33.95
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From the Paper
" In Martin Scorsese's film The Age of Innocence (1993), Edith Wharton's novel is the source for a story about a time very different form our own. The Age of innocence referred to in the title was over long before Wharton wrote her book, and by the term she means the latter part of the nineteenth century when the richest families in New York intermarried and controlled the social milieu in a variety of ways while enforcing a certain vision of social mores and behavior. The film is set in the 1870s, and the tightly-knit upper-class community in New York city enforces morality by gossip, so that anyone who becomes the object of gossip is scandalized and perhaps ostracized from the group. Personal desires and needs matter less than the cohesion of the group. The cinematic style of this film evokes the sumptuousness of this wealthy class and evokes a sense of the.."
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"Martin Scorcesse" ( Goodfellas ), 1999.
Examines this 1990 film on organized crime, focusing on the depiction of drug use. Discusses style, narrative, criticism, theme and characters.
1,125 words (approx. 4.5 pages), 1 source, £ 28.95
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Abstract
"Martin Scorsese's film GoodFellas (1990) is an examination of the criminal lifestyle in America. Director Scorsese uses the techniques of film to good advantage in shaping the story to keep every element fresh.
From the Paper
"Martin Scorsese's film GoodFellas (1990) is an examination of the criminal lifestyle in America. Director Scorsese uses the techniques of film to good advantage in shaping the story to keep every element fresh. He builds an overall impression of the activities of organized crime, and shapes a different film experience in a genre that has been addressed many times with varying results by other filmmakers in the past. Drugs are part of the criminal lifestyle presented in the film both as a commodity to be distributed and sold and as a substance used by the criminals themselves. They may use drugs in order to flout convention, make themselves feel good, or deaden their fears about the world they have created. The film uses the story of one particular criminal to comment on the whole criminal enterprise and in a larger sense to comment on aspects of ..."
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"Goodfellas" and Crime, 2005.
This paper analyzes the social impact of the film "Goodfellas" (1990) by Martin Scorsese.
675 words (approx. 2.7 pages), 1 source, £ 18.95
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Abstract
The paper examines the film "Goodfellas" (1990) by Martin Scorsese that offers a sympathetic view of class struggle, romanticism, humor and organized crime, which the American public can observe, fully knowing what to expect in the plot. The paper portrays how in this manner, the outdated criminal archetype of the mobster portrays a harsh, yet exhilarating view of the violent life of normal men trying to get access to a higher-class sphere of American society.
From the Paper
"The film "Goodfellas" (1990), directed by Martin Scorsese, reflects a common held mafia stereotype that made a massive impression on American society. The archetype of the criminal is exploited in this film, since it propagates the violence and mystery of how mafia members live. Scorsese provides an inside look into the dangerous life of the organized criminal, which many Americans can relate to being immigrants or those that had to "work their way to the top" in a corrupt economic and political system. The general plot outline for this film revolves around Henry Hill (Ray Liotta) who partakes in a crime alongside two other criminals: Jimmy Conway (Robert Deniro) and Tommy Devito (Joe Pesci). The success of the crime helps to bring about a deadly series of murders, which Tommy and Jimmy initiate to build their careers in organized crime."
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?The Godfather? and ?Goodfellas?, 2002.
Shows the common elements of Francis Ford Coppola?s 1972 crime drama "The Godfather" and Martin Scorsese?s 1990 film "Goodfellas".
859 words (approx. 3.4 pages), 2 sources, MLA, £ 21.95
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Abstract
"The Godfather" (Francis Ford Coppola, 1972) and "Goodfellas" (Martin Scorsese, 1990) share common elements of theme and characterization; however, the two films differ in regards to tone, direction, and cinematography. The paper shows how both movies address the nuances and complexities of Italian Mafia life from the perspectives of the criminals. It examines how the directors of each of these films portray concepts of family, tradition, culture and religion without neglecting to graphically display the insensitivity, violence, greed and corruption that pervade Mafia life.
From the Paper
"Coppola and Scorsese employ vastly different camera and filming techniques. The Godfather is famous for its large, panoramic images like that at the beginning of the film during the wedding. Moreover, the director pans the camera in scenes like the only in which Sonny is shot. In The Godfather, camera angles are instrumental in providing perspective, as in the first scene with Don Corleone behind his desk in his home, as well as the scene in which Michael shoots the crooked cop in the restaurant. Goodfellas contains more close-up shots, especially of Henry Hill."
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"Life and Death Of Martin Luther King, Jr" ( James Haskins ) and "Martin Luther King, Jr" ( Adam Fairclough ), 1999.
Compares content, biases and sources of biographies of the civil rights leader.
1,350 words (approx. 5.4 pages), 2 sources, £ 33.95
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Abstract
"The Civil Rights Movement in its contemporary form started in 1955 with an act of mild disobedience by a black woman on a bus in the Deep South. Black leaders developed several strategies over the next few years, strategies that would be successful in changing laws and in getting some of the long-standing discriminatory institutions of the South changed.
From the Paper
"The Civil Rights Movement in its contemporary form started in 1955 with an act of mild disobedience by a black woman on a bus in the Deep South. Black leaders developed several strategies over the next few years, strategies that would be successful in changing laws and in getting some of the long-standing discriminatory institutions of the South changed. Between 1954 and 1965, the Civil Rights Movement developed into a major movement for social justice, societal change, and self-determination for millions of black Americans. The tactics undertaken by the movement have ranged from violent to nonviolent, with nonviolent predominating under the direction of Martin Luther King Jr. and his followers. The movement started first around the busing issue in Montgomery, Alabama, but it was also the culmination of decades of frustration nearly a century ..."
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"The Last Temptation of Christ", 2008.
An analysis of the role of Mary Magdalene in the film "The Last Temptation of Christ," by Martin Scorcese.
1,582 words (approx. 6.3 pages), 7 sources, MLA, £ 36.95
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Abstract
This paper examines the dualistic roles of spirituality and sensuality for Mary Magdalene in the film "The Last Temptation of Christ," by Martin Scorcese. It shows how the central role of Mary Magdalene provides a realistic balance of spiritual and sensual in the male characters of this film, uniting the human and divine elements within the male characters of Scorcese's controversial film.
From the Paper
"In conclusion, the character Mary Magdalene provides the key link to dualistic roles of sensuality and spirituality in Martin Scorcese's The Last Temptation of Christ. Throughout the film Scorcese constructs Mary's character as a symbol of earthly desire and the inner workings of spirituality that unite man with God. By advocating the realities of Christ's desire for Mary, the film portrays her as a woman that has seen the horrors of sexual sublimation, but it is tempered through Christ's equally excessive spirituality. This is the unity between man and woman that is made possible by Mary's major role in the film as the balance between heaven and Earth. This is how Mary represents the balance of Sensuality and spirituality within the last Temptation of Christ by martin Scorcese."
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"The Wife of Martin Guerre", 2005.
A discussion on the cruelty of Martin in "The Wife of Martin Guerre" by Janet Lewis.
977 words (approx. 3.9 pages), 1 source, MLA, £ 24.95
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Abstract
This paper examines how, in Janet Lewis's "The Wife of Martin Guerre", the character of Martin possesses a cold and unforgiving nature and how his cruelty is evident in the pain he causes his wife, Bertrande, in both his absence and his presence.
From the Paper
"Martin's presence is commonly regarded as a blessed time in Bertrand's tortured existence, with the vivid descriptions of there happiness together, "she kissed him on both cheeks feeling the warmth of the sun upon his flesh", overpowering the earlier descriptions of Martin's cruelty towards Bertrande, the displays of his cruel nature; "he cuffed Bertrande soundly upon the ears". The beautiful imagery used to describe the village of Artigues and the later happiness of Martin and Bertrande causes the reader to forget the coldness of Martin towards Bertrande earlier in the book, his first signs of affection towards his wife do not occur until she earnestly defends his rebellious acts against his father, then becoming his only confidant."
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Martin Luther, 2001.
This paper offers a unique view on Martin Luther 's accomplishments .
3,855 words (approx. 15.4 pages), 8 sources, £ 75.95
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Abstract
This paper examines the life of Martin Luther who was a catalyst of the Reformation of the Church and instrumental in the rise of Protestantism. The author explains how Martin Luther changed the ideas of the common man, gave him power of knowledge and self-righteousness and helped transform the peasant class. He examines the ideas that we are responsible for our own, self-will and individualism.
Topics covered:
Birth and family
Martin becomes a monk
Martin prepares for reformation of the church
Action is taken with his ninety-five theses
Martins trial in Worms
Martins influence and change of the peasant class (Black Forest)
Other great works authored by Martin
Luther supports the marriage of monks and nuns in the order
Martin marries a nun
Luther?s Children
Luther?s influence on the future, conclusion supporting above thesis
Bibliography
From the Paper
"In the days of Martin?s theological studies as a monk, he studied the bible rigorously. One passage in the bible stood out in his mind: ?The just shall live by faith.? One of Luther?s first assignments as a monk was to join another monk in a trip to Rome. In Martin Luther?s mind Rome was a sacred place. Instead of a sacred place Luther saw a place of wickedness, greed, crime and corruption (Harper). Luther states: ?Where God builds a church, the Devil puts a chapel next door.? He also stated: ?The closer to Rome,the worse the Christians.? "
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Martin Luther King, 2008.
An examination of how Martin Luther King's philosophies can be better understood through the lenses of love and faith.
2,554 words (approx. 10.2 pages), 8 sources, MLA, £ 55.95
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Abstract
This paper discusses how Martin Luther King's nonviolent message is often misunderstood by those fully embroiled in black politics. It examines how the lenses of faith and love can help us better to understand the message and philosophy of Martin Luther King. The paper also briefly compares and contrasts Martin Luther King and Malcolm X.
Table of Contents:
Why Martin Luther King is Misunderstood
What is Love?
How did Martin Luther King evoke Fear?
How did Martin Luther King transform Society?
Conclusion
From the Paper
"When one examines Martin Luther King's actions and methods through the lens of love and faith it is easier to understand his philosophy. He was not a complete pacifist as many believe and was appalled at the atrocities that blacks had to endure. He felt that it was acceptable to defend yourself, especially when one's loved ones were threatened. His underlying reason for pursuing his dream was out of love for the black people. His faith gave him the ability to exude a confidence that was transferred to the crowd. It was love and faith that plummeted Mr., King to develop his plan that would help change the image of black Americans. Malcolm X saw the differences that King made with his philosophy based on faith and love,. Martin Luther King's methods taught the world that they could live together in a less colorblind world."
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Pharaoh Akhenaten and Martin Luther, 2003.
Compares the religious positions/doctrines/innovations of Pharaoh Akhenaten of the 18th Egyptian dynasty, with those of the Protestant reformer, Martin Luther.
2,597 words (approx. 10.4 pages), 9 sources, MLA, £ 55.95
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Abstract
The introductory paragraph offers a general background of the terms reformation and reformer. A list of several reformers and their reformations are also listed to give the reader a general background of the research paper as it relates to Martin Luther and Pharaoh Akhenaton. The second paragraph explores the position/doctrines/innovation of Pharaoh Akhenaton. Akhenaton is best known as one of the first rulers during his era to engage in monotheism, the act of acknowledging one God. The third paragraph explores the position/doctrines/innovations of one of the most prevalent reformers to ever live, Martin Luther. Numerous historians rightly regard Martin Luther as the founder of the sixteenth century Protestant Reformation. In the concluding body, the writer presents similarities and differences between Martin Luther and Pharaoh Akhenaton. Subsequently, it concludes the entire research paper with an illustrative conversation between Martin Luther and Pharaoh Akhenaton about their similarities.
From the Paper
"There have been several reformers in history. Akhenaton, Pharaoh of the 18th Egyptian Dynasty began a reformation concerning his spiritual and religious beliefs. In the biblical period John the Baptist and Jesus led reformations to change the hearts of men. Most prevalent among reformers is Martin Luther; a persistent reformer who revolutionized the Christian church concerning its beliefs and rituals. Lastly, Dr. Martin Luther King Jr., one of the greatest reformers in American history, led a reformation to increase equality for all mankind. Rebellion against tradition and orthodox perspectives inspired these great reformers to bring about change."
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"The Return of Martin Guerre", 2002.
Analysis of the documentary about Martin Guerre and his return to his wife and family after having abandoned them for many years.
1,150 words (approx. 4.6 pages), 1 source, £ 31.95
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Abstract
"The Return of Martin Guerre" documents a strange sixteenth-century court case that has fascinated people ever since. A peasant Martin Guerre abandoned his wife and family and disappeared. Years later a man claiming to be Martin Guerre returned and resumed Martin's life. Later he was accused of being an imposter. On the point of winning his trial the real Martin Guerre appeared. This review analyzes this volume's revelations regarding masculinity, gender and marriage in the sixteenth century.
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