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An Analysis of Two Paintings by Edgar Degas and Charles Peale., 2002.
This paper analyzes "The Peale Family" painted by Charles Wilson Peale (1773 &1809. The New York Historical Society) and "The Bellini Family" painted by Edgar Degas (1859. Musee d'Orsay).
900 words (approx. 3.6 pages), 2 sources, £ 18.95
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Abstract
This paper uses the strategies that are part of critiquing in the book "Humanities through the Arts" by F. David Martin and Lee Jacobus. Paris). The author praises "The Peale Family" painted by Charles Wilson Peale, but "The Bellini Family" painted by Edgar Degas, although beautiful in its own way, is subjected to conflicting criticism. The paper explains that, by observing the line, color, and artistic agenda of each of these painters, we can critique them along the guidelines offered by Martin in his book.
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Edgar Degas, 2002.
A review of the work of the Impressionist painter Edgar Degas.
898 words (approx. 3.6 pages), 2 sources, MLA, £ 16.95
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Abstract
This paper examines the art of Edgar Degas, a French Impressionist painter noted most for his ability to portray motion and sponteity in his work. It discusses how one of his favorite subjects to paint was dance and how his obsession with the female form drove him to become more skilled at painting dancing woman than anyone before or since. It looks at how none of his paintings were ever comissioned and he preferred to paint women going through the moments of daily life, unaware of the candid insights of voyeuristic beauty to be gained from their skilled observation.
From the Paper
"Degas has captured young ballerinas of the Paris opera house at their most natural, when they are practicing unselfconsciously behind the scenes, not performing for the public. The ballet dancers resemble a sequence in a movie, all of the same fascinating for their totally innovating cuts, for the decentralized pagination, for the unusual angularity: in this sense, it is evident the influence from the orientalism, highly fashionable at his time, and from Japanese prints, of which Degas was a fond collector. "
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Burne-Jones And Edgar Degas' Paintings, 2002.
A comparison of two paintings by artists Burne-Jones (pre-Raphaelite) and Edgar Degas (realist).
900 words (approx. 3.6 pages), 7 sources, £ 18.95
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Abstract
This paper compares a painting by Pre-Raphaelite British artist Burne-Jones with an important work by Realist, Edgar Degas. Both paintings appeared in 1860-1970 decade and have something important to say about that era and the two painters.
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Edgar Degas, 2002.
This paper discusses Edgar Degas, an impressionist artist whose artwork revealed a concern for the psychology of movement, expression, harmony of line and continuity of curves that distinguished him from all the other impressionist painters.
855 words (approx. 3.4 pages), 5 sources, MLA, £ 15.95
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Abstract
This paper explains that, although Deges was connected with the impressionists, he never was fascinated like others were by the influence of natural light and thus did most of his work inside his studio only. The paper continues that his paintings depicted ballet, horse racing, the theater and circuses, which gave the idea that his work stemmed from the humanistic experience. The author points out that Degas' favorite subjects were scenes from the world of entertainment, the daily life of women, ballet dancers, horse races and young ballerinas.
From the Paper
"Degas was captivated and influenced by a study of Japanese prints of which style appeared to be in his later work. He drew on the Japanese idea of asymmetrical design as an object to set the subject to the side of a painting. For example, one of his paintings made in 1865, depicted a Woman with Chrysanthemums (exhibited at Metropolitan Museum of Art, New York City) where the female subject is pushed into one side by a bouquet of flowers."
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Edgar Degas and Mary Cassatt, 1994.
An evaluation of the Impressionist works and personalities in a cultural context with gender biases, styles and influences.
1,350 words (approx. 5.4 pages), 5 sources, £ 24.95
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From the Paper
"Mary Cassatt is one of the less well-known of the Impressionist painters. Edgar Degas, her mentor, was one of the most important of the artists who participated in the Impressionist movement and who exhibited his paintings at Impressionist exhibitions. In many ways both were very different from other artists identifying themselves with this movement. Degas was one of the most helpful to other painters, including Cassatt, whom he also painted. The careers of these two painters are each somewhat out of the ordinary for the time and reflect different experiences, in part with differences based on gender.
There were four women classified as Impressionists--Berthe Morisot, Marie Bracquemond, Eva Gonzales, and Mary Cassatt. These four were very different artists, each of whom related to the artistic and political debates of her time in her own..."
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Degas and Hyper-sensuality, 2006.
This paper discusses the aspect of hyper-sensuality present in Edgar Degas' work.
1,125 words (approx. 4.5 pages), 2 sources, £ 22.95
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Abstract
In this article, the writer looks at the concept of hyper-sensuality as it is portrayed in the artistic work of Edgar Degas. The writer refers to Degas' famous painting 'Le Etoile' and describes a variety of possible responses from the audience. As this essay argues, the erotics of hyper-sensuality are central to an appreciation of Degas' achievement in this work.
From the Paper
"The creation of hyper-sensuality in artistic media can take many forms depending upon the medium and the interests of the artist. In the case of Edgar Degas' celebrated painting L'Etoile or "Star" (1876-1877) the artist stimulates an array of multiple sensual responses ranging from the primary visual nature of the image, to its auditory musical resonances, to the intense eroticism of the female form for its presumably male audience."
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Degas: A Study of Focus on Gender and Class, 2002.
This paper discusses the interaction between two themes in the paintings and drawings of Edgar Degas. The first is the study of form and shape, primarily of women. The second is his attitude towards the socioeconomic class of his subjects.
1,053 words (approx. 4.2 pages), 5 sources, MLA, £ 18.95
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Abstract
The writer argues that, because of Degas' upbringing in a family attempting to appear as nobility, he became interested in "class." Commentary on class structure was a deeply engrained part of the art world at the time that Degas was in the forefront of the field.
From the Paper
"The later work of Degas began to concentrate on women in the bath, either actually washing, or getting in and out of various tubs. This was a focus on the female body in its most pure form. The fascination he had always shown with women was now given free reign, without clothing or background to complicate his work. It is interesting, though, to note that his interest in class, as well as gender, was still represented. The bathing woman has been separated from most of the social and cultural cues that give the viewer information as to her background. This is another way that Degas demonstrated that his interest in the female form cut across class boundaries."
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"The Oblong Box" by Edgar Allan Poe, 2008.
A review of Edgar Allan Poe's short story, "The Oblong Box".
830 words (approx. 3.3 pages), 1 source, MLA, £ 15.95
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Abstract
This paper examines the importance of the setting in the book, "The Oblong Box", by Edgar Allan Poe. The paper first explains that when considering the settings in any story, it is important to consider the geographical location, the time, weather conditions, social conditions, and the mood. The paper then looks at how all of these parts of the setting play an important role in the story written by Edgar Allan Poe. The paper also points out that time of the story is important because it helps to build the suspense of the story as time (in the short story) is delayed without explanation.
From the Paper
"First, consider the place where the story takes place. The place is the packet-ship called, Independence. Poe tells how the ship would have many passengers and one of the passengers is a man called Mr. Cornelius Wyatt who is an artist and having been a fellow-student with him at the C--- University. This is an important part of the setting that will lead the story from one point to another as the narrator tries to find out why Wyatt is not friendly and even to the death of Wyatt in the last section of the story. Included in the setting is the fact that Mr. Wyatt having three state rooms with these rooms being roomy."
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J. Edgar Hoover, 2002.
This essay is a look at the life and legacy of FBI director, J. Edgar Hoover.
2,600 words (approx. 10.4 pages), 6 sources, £ 40.95
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Abstract
This paper is a biographical overview of J. Edgar Hoover and his role as director of the FBI. The author details his five decades of reform, power and how he abused it. The paper also examines his controversial personality and lifestyle.
From the paper:
"The life and legacy of J. Edgar Hoover is a subject of countless books, files and theories. Rumors surrounding this man run rampant. He single-handedly created the FBI we know today, but through a scheme of illegal and amoral activities. Hoover was the most effective and powerful director of the FBI, from 1924 to 1972. He created the FBI as a separate and distinct faction of the Department of Justice, and garnered public support for his activities. He fought communism, espionage, foreign sabotage, and organized crime. Ruthless in his ways, cunning in his schemes, Hoover's influence on past and current laws and enforcement goes unchecked and unmatched by any other."
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Edgar Allen Poe's Tales, 2007.
This paper examines Edgar Allan Poe's style of writing, with a focus on "The Black Cat" and "The Masque of the Red Death".
1,002 words (approx. 4.0 pages), 1 source, MLA, £ 18.95
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Abstract
The paper discusses themes employed by Edgar Allan Poe, such as reincarnation, perversity and retribution and/or revenge. The paper shows how Poe was fascinated with the mysterious and the macabre and knew about human psychology. The paper conveys the descriptive narration in "The Black Cat" and "The Masque of the Red Death". The paper discusses how these two tales represent the genius of Edgar Allan Poe as a writer and master of the supernatural, the strange and the bizarre.
From the Paper
"The Black Cat" appears to contain a number of themes that fascinated its author Edgar Allan Poe, such as reincarnation, perversity (i.e. a form of weirdness) and retribution and/or revenge. In the tale itself, Poe mentions that the main protagonist (an unnamed narrator) has experienced "a series of mere household events" that have "tortured" and destroyed him (234), due to having Pluto, a black cat, as a pet, a most beautiful animal, coal-black all over, taken in by the narrator and his wife. This unknown narrator, perhaps Poe himself, seems to have a serious problem with alcohol, for he states that at times he is driven insane with drink and ends up doing things that go against his morals. He calls alcohol "the Fiend Intemperance" which means that alcohol, at least for the narrator, is like a fiend or a demon that attacks the mind and leads to utter destruction."
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The Case of Edgar Allan Poe, 2004.
A look at the controversy surrounding the life and death of the author, Edgar Allan Poe.
2,085 words (approx. 8.3 pages), 7 sources, MLA, £ 34.95
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Abstract
This paper examines how, since his death, there have been two different people with the name of Edgar Allen Poe. It looks at how many readers now believe Edgar Allan Poe was a drunkard and a drug addict who suffered from insanity. This paper points out why and how Poe's reputation was desecrated after his death and looks into both the falsehoods and truths of his life.
From the Paper
"Griswold and Poe became acquainted in 1841 in connection to an anthology of poetry on which Griswold was working. Poe had given him some advice in regards to poets and works that he felt should be included in the book, but Griswold disregarded Poe's advice. After the book was published, Poe, who was a critic, stated in a review that some of the poets who made their appearance were "too mediocre to entitle them to particular notice". Still, overall the review was a good one, but the negative comment angered Griswold. When a later review that was highly negative of both the book and Griswold's talents was published anonymously, he assumed that Poe was responsible for that review."
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Henry and Edgar Poe: One Poetic Voice, 2001.
A look at Edgar Allan Poe's connection with his brother Henry and how it influenced his poetry.
3,340 words (approx. 13.4 pages), 12 sources, £ 49.95
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Abstract
This paper presents an overview of the poetic relationship between the Edgar Allen Poe and his brother, Henry, and how that is reflected in Edgar Poe's poetry.
From the Paper
In late October of 1829, Edgar Poe wrote one of his most revealing letters to his friend and confidant John Neal, editor of the Yankee magazine of Portland, Maine, in which he declares "there can be no tie more strong than that of brother for brother. . . their affections are always running in the same direction-the same channel and cannot help mingling." These "affections" generally concern the familial ties of Henry and Edgar Poe, but a deeper interpretation lies within the kinship associated with their poetry composed between 1827 and 1831, a consociation infused with states of extreme melancholy, a fascination with the dead and lucid dreaming which conveys "a collaborative attempt to give their kindred feelings a single voice."
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The Darkness Within: Imagining Edgar Allen Poe, 2002.
A review of the theme of darkness in the novels "The Fall of the House of Usher", and "The Pit and the Pendulum" and the poem "For Annie" by Edgar Allen Poe.
2,400 words (approx. 9.6 pages), 13 sources, £ 46.95
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Abstract
This paper explores two stories by Edgar Allen Poe, "The Fall of the House of Usher", and "The Pit and the Pendulum". These stories are considered in relation to a poem Poe wrote called, "For Annie", a verse written for a friend of his, Annie Richmond. The theme of this paper is about "darkness," where darkness is a metaphor that imbues Poe's horror stories with themes of consciousness and experiences with terror. Because Poe was especially interested in the susceptibility of the imagination, this paper attempts to "imagine" Edgar Allen Poe in relation to varying metaphors of darkness that characterize the author's life and literature.
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Edgar Allan Poe: Guilty Conscience, 2006.
An exploration of some of the works of Edgar Allan Poe.
2,120 words (approx. 8.5 pages), 3 sources, MLA, £ 34.95
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Abstract
This paper explores the works of Edgar Allan Poe,by looking at the man behind the book. The author specifically centers on the two most famous works of Poe, "Tell- Tale Heart" and "The Black Cat" by examining the attitudes of the characters and how they are portrayed and what message the books are trying to give.The author concludes that with the similarities and differences between these two main works of Edgar Allan Poe, it is easy to see why Poe is considered one of the most controversial writers of all time and why has been criticized and also had much honor.
From the Paper
"The task of the narrator begins with careful planning, but in the end his guilty conscience creates his downfall. For seven days, the narrator watches the old man while he sleeps. The narrator's comments show his confidence and courage in his plan to kill: "Never before that night had I felt the extent of my own powers - of my sagacity. I could scarcely contain my feelings of triumph" (Poe 810). The narrator's comfort in his evil act continued even when the police came to check on the old man and investigate the loud noises neighbors heard the night before: "I smiled,-for what had I to fear? I bade the gentlemen welcome" (Poe 813). However, the narrator's mind is quickly consumed with guilt, which creates his figment of the imagination of hearing the old man's heartbeat from under the flooring."
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