| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "CONNOR FLANNERY": |
|
|
Alexander Pushkin and Flannery O'Connor, 2002.
A discussion of why the authors Alexander Pushkin and Flannery O'Connor deserve to be considered as icons of world literature.
1,800 words (approx. 7.2 pages), 8 sources, MLA, £ 29.95
»
Click here to show/hide summary
Abstract
This paper examines how although an age and several thousand miles separated Russian Alexander Pushkin and American Flannery O'Connor, they should be acclaimed for the sheer genius in their writing, styles the different themes and narrative qualities that have kept readers and audiences spellbound for generations. It looks at how Pushkin's body of works spans poetry-romantic and political, essays and novels and how influential music composers like Rimsky Korsakov and Tchaikovsky adapted the lyrical and dramatic elements of Pushkin's works. Flannery O'Connor's work, on the other hand, was largely restricted to short stories. It evaluates how the profundity of her work lies in its uniqueness-not volume and how her stories combine gruesomeness, truth and religious thought.
From the Paper
"The short-story "The Queen of Spades," while not necessarily representative of all of Pushkin's work gives us an idea of the narrative skills that keep the reader on edge. (Pushkin, 1834) The twists in the story combine elements of fantasy. But at heart this is a story of evil getting its comeuppance. Good survives and flourishes. The plot of "The Queen of Spades" begins with a talk among gamblers. Tomsky, the grandson of a countess Anna Fedorovna relates a story of a secret his grandmother possessed-a secret to winning at a guessing game at cards. Hermann, the son of German expatriate and a man of sober habits, hears the story. "
| |
|
Comparison of Two Stories by Flannery O'Connor, 2006.
A comparison of Flannery O'Connor's stories, "A Good Man Is Hard To Find" and "Revelation".
1,822 words (approx. 7.3 pages), 2 sources, MLA, £ 30.95
»
Click here to show/hide summary
Abstract
This paper compares the plots, theme and characters in two stories written by Flannery O'Connor. The paper summarizes and analyzes the stories, "A Good Man is Hard to Find" and "Revelation", and then explains that both stories are character studies with serious statements about the human condition at the heart of the plot and that both present samples of the eloquence and style that gave Flannery O'Conner's prose a grace that transformed it into poetry.
From the Paper
"The grandmother is afraid to travel to Florida because of a recently escaped convict, nicknamed "The Misfit," who has been on a killing rampage in that state. This is the subject of conversation between the family and the proprietors of a roadside cafe, who seem to relish the grim details of the murderer. Nevertheless the trip progresses in the manner that most family car trips do, with the grandmother trying to entertain the children with stories from her youth."
| |
|
Flannery O'Connor, 2005.
Examines how author Flannery O'Connor uses the themes of grace and sin in her short stories.
1,570 words (approx. 6.3 pages), 3 sources, MLA, £ 26.95
»
Click here to show/hide summary
Abstract
Virtually all of Flannery O'Connor's short stories contain the receiving of grace by an unworthy protagonist at the tale's climatic moment. The hero of "Parker's Back" gets a Catholic, Byzantine tattoo of Christ on his back to please (unsuccessfully) his fundamentalist Protestant wife. The grandmother of "A Good Man is Hard to find" sees the face of the divine in the escaped convict known only as the 'misfit.' Even in the hearts of the most sinful of O'Connor's characters, it is possible for human beings, the author suggests, to receive grace. This paper shows how grace comes unexpectedly to these characters, as it does to all human beings in O'Connor's theological understanding of the world, but it does come, blessedly and however briefly, and the human heart is changed for the better as a result.
From the Paper
"Grace is sudden, democratic and traumatic, in O'Connor's terms. Even the epileptic girl who attacks Mrs. Turpin in "Revelation," is a catalyst "in the process of spiritual redemption." (Bernardo, "Flannery O'Connor," 2003) Like her counterparts in other O'Connor stories, she jars Mrs. Turpin out of her easy assumptions about life, and catapults Mrs. Turpin into a newer and more profound relationship with the Divine power of God to work miracles in the world, that the woman previously and smugly assumed as a given, something she already knew and was well versed in because of her superior lifestyle and economic gifts. (Bernardo, "Flannery O'Connor," 2003)"
| |
|
Flannery O'Connor: "A Good Man is Hard to Find", 2002.
This paper analyzes Flannery O'Connor's short story "A Good Man is Hard to Find".
980 words (approx. 3.9 pages), 3 sources, MLA, £ 17.95
»
Click here to show/hide summary
Abstract
The author reviews Flannery O'Connor's short story "A Good Man is Hard to Find". She states that O'Connor's writing reflects her southern and Catholic traditions. Although she cannot be read as part of the feminist literary tradition, O'Connor is important to contemporary American fiction.
From the Paper
"The words of the grandmother might seem sentimental, were she not speaking to a man who is a homicidal killer, about to blow her away to 'kingdom come.' "A Good Man is Hard to Find" depicts a rather repulsive young family, including June Star who "wouldn't live in a broken-down place" for a "million bucks" and the rather irritating grandmother. (7) But because the grandmother is able to see some brief snatch of humanity in the 'Misfit' who eventually kills her, O'Connor bestows her with a kind of grace in terms of the narrative's judgment."
| |
|
Flannery O'Connor: "A Good Man is Hard to Find", 2002.
This paper analyzes Flannery O'Connor's short story "A Good Man is Hard to Find".
980 words (approx. 3.9 pages), 3 sources, MLA, £ 17.95
»
Click here to show/hide summary
Abstract
The author reviews Flannery O'Connor's short story "A Good Man is Hard to Find". She states that O'Connor's writing reflects her Southern and Catholic traditions. Although she cannot be read as part of the feminist literary tradition, O'Connor is important to contemporary American fiction.
From the Paper
"The words of the grandmother might seem sentimental, were she not speaking to a man who is a homicidal killer, about to blow her away to 'kingdom come.' "A Good Man is Hard to Find" depicts a rather repulsive young family, including June Star who "wouldn't live in a broken-down place" for a "million bucks" and the rather irritating grandmother. (7) But because the grandmother is able to see some brief snatch of humanity in the 'Misfit' who eventually kills her, O'Connor bestows her with a kind of grace in terms of the narrative's judgment."
| |
|
Flannery O'Connor, 2004.
An analysis of the grotesque, the spiritual, and the human condition as depicted in Flannery O'Connor's literary works.
1,904 words (approx. 7.6 pages), 9 sources, MLA, £ 31.95
»
Click here to show/hide summary
Abstract
This paper discusses various literary works by Flannery O'Connor, claiming that her work is successful because it illustrates the frailty of the human condition in a unique, memorable way. The paper explores how O'Connor uses the grotesque to emphasize man's worst characteristics. Exaggerated characters in humorous situations help O'Connor comment on the hypocrisy, ignorance, bigotry, and evil she finds in society. The paper examines how she incorporates elements from her experiences in living in the South and her Catholic upbringing into these stories to emphasize her points.
From the Paper
"Flannery O'Connor is considered to be one of most successful writers of her time because her stories emphasize many of basic human struggles through grotesque, often exaggerated characters. Her unique style stresses the fact that hypocrisy, ignorance, and bigotry come in all shapes and sizes. Set in the American South, layered with irony and comedy, and flavored with religious tones, O'Connor's stories force us to examine sensitive and difficult issues. From the religiously dead Misfit and Mr. Shiflet to the spiritually blind Mrs. Turpin, O'Connor's characters show us how grace and redemption can be painful aspects of life. Arrogance and ignorance show their true colors with Mrs. Crater and Hulga. All of these characters are grotesque but represent humanity in some of its weakest states. With them, O'Connor successfully illustrates that people are seldom what they seem."
| |
|
The Importance of Flannery O'Connor's Writing, 2002.
An examination of the writing and contribution to literature made by Southern Catholic American author, Flannery O'Connor.
940 words (approx. 3.8 pages), 6 sources, APA, £ 17.95
»
Click here to show/hide summary
Abstract
The paper shows that Flannery O'Connor has been acclaimed as well as criticized for merging comedy with brutality and tragedy through her literary work. Although her literary legacy is comprised of only 31 tales, 2 novels and a few letters and speeches, what has distinguished her from other writers is her ability to promote the South's identity and provoke examination of Christian dogma. This paper answers her critics and illustrates her substantial contribution to literature, particularly Christian literature.
From the Paper
"Her work also concentrated on the degenerating South and its condemned citizens (http://www.kirjasto.sci.fi/flannery.html, 1). O'Connor believed that the essence of the South is derived from a fount of faith and attributes "absorbed from the scriptures and from her own history of defeat and violation: a distrust of the abstract, a sense of human dependence on the grace of God, and a knowledge that evil is not simply a problem to be solved, but a mystery to be endured." O'Connor wished to portray the dualism involved in comparisons of grace and nature, the human and the God-like, the corporeal world and Heaven, the spirit/soul and the body - all competing components of Southern religion (Collum, 1995, 1). She presented a different perspective on Catholicism and the South, that no other writer had conveyed previously and which many writers afterwards sought to follow."
| |
|
Flannery O'Connor's "A Good Man is Hard to Find", 2006.
A summary and analysis of Flannery O'Connor's novel, "A Good Man is Hard to Find".
1,178 words (approx. 4.7 pages), 1 source, MLA, £ 20.95
»
Click here to show/hide summary
Abstract
This paper describes the plot and the characters of Flannery O'Connor's novel about a family from Georgia taking a trip together to visit a plantation. The paper analyzes the theme and the characters in the story and tells us that O'Connor's story is a cautionary tale to those of us who live in the present; those who do not live by their words will die by them.
From the Paper
"Within Flannery O'Connor's "A Good Man is Hard to Find" the reader is taken on an emotional trip filled with irony and foreshadowing which ends in tragedy and death. The beginning of the tale starts off as a typical trip with a dull Georgia family. Little sympathy is evoked from the readers through these distasteful characters: an emotionless son and father, a homely mother, and two disrespectful kids. The impact of O'Connor's work comes through her restraint of action in the first part of the story. In the second half of the story all the pieces come together to quicken the story's pace when the reader realizes the implications past events will have on the bearing of future events."
| |
|
Flannery O'Connor, 2002.
An examination of the literary style of the author Flannery O'Connor.
1,126 words (approx. 4.5 pages), 4 sources, MLA, £ 20.95
»
Click here to show/hide summary
Abstract
This paper discusses how Flannery O'Connor's literature has been described as grotesque, Catholic, Southern and even gothic and how her work has also been recognized for its harsh humor and criticism of the south. It looks at how much of her literature reflects the hostilities she experienced against racist southern attitudes, social structures and the southern ways of life. It examines how she employs a descriptive style, which is always effective in evoking the feel of the spoken southern language and how her subject matter typically deals with a breakdown in communication between a member representing traditional southern ideas such as strong and proud family attachments, identification with Southern history and nostalgia for the old plantation.
From the Paper
"James A, Grimshaw, Jr. notes that O'Connor's short story "A View of the Woods" defines the grotesque by Christian terms. The grand father in the story is a man drive by his pride and vanity, which condemn him. The main conflict in the story is between the symbolic spiritual view of the world and the need for material progress. The grandfather can only see the world in terms of progress attributed to him. The family represents nature as they stand in the way of progress to protect the view. The final character, Mary, is his salvation or damnation. Grimshaw explains that O' Connor exemplifies this then Mary tells the grandfather that she is Mary-fortune-Pitts. Mary is the contrast in the story as she is the image of her grandfather, his miniature alter ego, and yet, she shares Pitts' appreciation for natural splendor. Thus, Mary balances the liter and symbolic interpretations of reality."
| |
|
"Revelation" by Flannery O'Connor, 2002.
Examines the theme of physical and spiritual tension in the works of American novelist, Flannery O'Connor, focusing on "Revelation".
800 words (approx. 3.2 pages), 1 source, £ 14.95
»
Click here to show/hide summary
Abstract
Flannery O'Connor shows a concern with the tension between body and mind, the physical and the spiritual. She presents this tension in the context of an almost allegorical structure in her stories. This paper examines O'Connor's "Revelation", in which events which happen to the main character demonstrate the prevalence of violence and the power it has to bring about change, for good or bad.
From the Paper
"Then, she is attacked, and the girl calls her "an old wart hog from hell" (437), which for Mrs. Turpin this is worse than the physical assault. At the same time, the attack makes her think, opening to her for the first time a sense of her own character that is not flattering. She fails to absorb the full meaning of this message at once, but in time she does rethink her entire worldview. There is something mechanical about Mrs. Turpin's life before the attack as she goes through the same motions, holds the same opinions, speaks to the same people, and never changes. She is jolted back to her own humanity by the attack."
|
| Essay # 71219 |
temporarily unavailable
|
|
|
|
"Revelation" by Flannery O'Connor, 2002.
Insight into the character of Ruby Turpin in the short story "Revelation" by Flannery O'Connor.
1,737 words (approx. 6.9 pages), 0 sources, £ 29.95
»
Click here to show/hide summary
Abstract
In the short story "Revelation," Flannery O'Connor presents a day in the life of Ruby Turpin, as seen from the perspective of Mrs. Turpin. This paper examines using examples from the story how the tables are turned on Ruby Turpin who has always looked at the world from her perspective without any regard to the opinions of others. All of a sudden in one defining moment, Ruby Turpin becomes the object of somebody else's characterization that forces her to look at her own life in a whole new light.
From the Paper
"Ruby Turpin has placed herself on a pedestal and deems herself to be the judge of others. She is by nature very critical. We encounter this part of her nature first at the beginning of the story. Ruby Turpin and her husband Claud enter the doctor's office. Mrs. Turpin accompanies Claud, so that he can have his calf looked at-a nasty bruise from having been kicked by a cow. Mrs. Turpin complains that there are not enough chairs for all patients and those accompanying them to sit down. She is critical of doctors-who being highly educated and rich from charging too much for a visit-cannot provide to the necessary comfort for patients."
| |
|
Flannery O'Connor's "Good Country People", 2002.
This paper describes and analyzes in detail, section by section, the book, "Good Country People" by Flannery O'Connor.
2,695 words (approx. 10.8 pages), 1 source, £ 41.95
»
Click here to show/hide summary
Abstract
The author states "Good Country People" by Flannery O'Connor is a story that illustrates how deceptive appearances can be. The author continues the story line exemplifies that errors are made when people hide behind their own cliched perceptions instead of thinking clearly about situations. The author feels that the plot makes the ending effective and leaves the reader with their eyes open wide, much like Hulga, the main character.
From the Paper
"The story opens with the theme of hiding behind one's own perceptions by introducing the character of Mrs. Freeman. The story begins, not be telling the reader who Mrs. Freeman is, but by describing her two expressions, 'forward and reverse.' Mrs. Freeman is introduced as the character that makes up her mind about something, never reconsiders that opinion and never accepts that she may have been wrong. Opening in this way, establishes the theme of the story, because of the focus on how people appear. It also establishes the theme of how people think and especially, how people can make up their mind about something and then refuse to consider any other option. Finally, by telling the reader how Mrs. Freeman acts, but not whom she is, offers a test for the reader's own perceptions. The reader is forced to take the information given about her appearance and try to determine who she is. The reader then is not only reading about the subject of the story but also is taking part in the subject."
| |
|
Flannery O'Connor and the Cruelty of Redemption, 2002.
Compares two novels by Flannery O'Connor, "Revelation" and "A Good Man is Hard to Find" to show how the female characters deal with the concept of redemption.
1,650 words (approx. 6.6 pages), 3 sources, £ 32.95
»
Click here to show/hide summary
Abstract
Flannery O'Connor's characters, in "Revelation" and "A Good Man is Hard to Find", each represent kinds of perceptions that are hindered with false images. This essay compares and contrasts the two women in these stories as a way to explore the difficult and violent process of redemption. In the end, this essay considers how these explosive events signify an awakening of perception, but at a high cost to those who gain perspective.
|
|
|
