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Amy Tan's "The Joy Luck Club", 2005.
This paper discusses the use of two forms of vision--mirrors and storytelling--in Amy Tan's "The Joy Luck Club" in relationship to the mother-daughter legacy.
1,390 words (approx. 5.6 pages), 3 sources, MLA, £ 32.95
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Abstract
This paper explains that, in Amy Tan's "The Joy Luck Club", the mothers use the oral tradition of story-telling to cement, ameliorate or transform the trauma of their past lives in China to their daughters as a method for rewriting these stories of oppression and victimization into parables of self-affirmation and individual empowerment. The author points out that the motif of the mirror is a form of vision used often by Tan to allow the mothers and daughter to communicate. The paper concludes that this novel clearly demonstrates the usage of storytelling and mirrors as effective tools in creating bonds between mothers and daughter of each generation, which is self-perpetuating, even if unintentional.
From the Paper
"In another story involving a mirror, mother is shocked to see that her married daughter has placed a mirrored armoire at the foot of the bed. This is bad feng shui. In feng shui, the Eastern art of placement, harmony must be created in an environment and any bad angles must be "cured". Sleeping with a mirror at the foot of your bed is said to frighten your essence and create bad energy. She is certain that the mirror will deflect all happiness from her daughter's marriage, so she "cures" the situation by giving her daughter a mirror to hang above the bed. This will reverse the bad luck and bring good "peach-blossom luck," the mother says. Such luck, she adds, will ensure a grandchild."
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Suyuan and Jing-mei in Amy Tan?s ?The Joy Luck Club?, 2000.
A look at the relationship between a Chinese-born mother and her American-born daughter as portrayed by Amy Tan in "The Joy Luck Club."
850 words (approx. 3.4 pages), 1 source, £ 20.95
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From the Paper
"The Joy Luck Club by Amy Tan contains sixteen stories that focus on the relationship among four Chinese born mothers and their American born daughters live their lives. Throughout The Joy Luck Club, Tan emphasizes the different ways of showing their love and respect towards each other; especially, how daughters do not seem to understand or appreciate their mothers? intentions and love hidden their actions. Tan does a wonderful job on portraying the different points of view the mothers and daughters have and different ways of loving each other into her masterpiece."
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Amy Tan's "The Joy Luck Club"., 1995.
This paper analyzes the generational conflict and continuity in relationship between Jing-mei "June" Woo and her mother Suyuan Woo in Amy Tan's novel "The Joy Luck Club".
1,350 words (approx. 5.4 pages), 4 sources, £ 32.95
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From the Paper
"This study will analyze the relationship between Jing-mei "June" Woo and her mother Suyuan Woo in Amy Tan's novel "The Joy Luck Club". Specifically, the study will describe how Tan brings the generational and cultural conflicts into focus through the use of characterization, point of view, and symbolism. The relationship between June and Suyuan will be shown to be based on the awakening of the daughter to the true worth of her mother's life. This awakening is meant by Tan to honor Suyuan and the other mothers and to have the reader appreciate their humanity, heritage, courage and culture. The generational and cultural conflicts are ultimately transformed into generational and cultural continuity and endurance in June's eyes.
The brief opening tale sets the stage for the exploration and appreciation of this theme. A Chinese woman has brought a ... "
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?The Joy Luck Club? by Amy Tan, 2002.
This paper analyzes Amy Tan's "The Joy Luck Club" as it sets its narrative against the backdrop of the key historical events of the middle of the 20th century.
1,526 words (approx. 6.1 pages), 4 sources, MLA, £ 34.95
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Abstract
This paper examines the ways in which the mother-child relationship is negotiated and continually reconstructed in "The Joy Luck Club" and the endlessly complex ways in which mothers and daughters love each other and can so easily destroy each other. All of this takes place in the context of families of Chinese-Americans in California.
From the Paper
"When political barriers began to fall in the 1970's, older emigrants welcomed the chance to end their long and agonizing exiles. But their children looked with a deep ambivalence on the idea of having to awaken a dormant Chinese side in themselves. And so, as the exterior world went about recognizing China, re-establishing diplomatic relations and initiating trade and cultural exchanges, these young Chinese-Americans found themselves wrestling with a very different and infinitely more complicated interior problem: how to recognize a country to which they were inextricably bound by heritage, but to which they had never been. For Tan?s daughters, this meant coming to terms with themselves as independent of their mothers and yet inextricably a part of the same heritage."
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"The Color Purple" (Alice Walker) and "The Joy Luck Club" (Amy Tan)., 1992.
Compares gender and cultural roles and biases in the two novels.
1,125 words (approx. 4.5 pages), 4 sources, £ 27.95
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From the Paper
"Alice Walker's The Color Purple depicts a world where masculinity is maintained at the expense of women. Maleness is defined by brutish acts of violence, emotional cruelty, callous disregard for others, and denial of basic education to women. As the book progresses, however, male displays of strength no longer cause fear but loathing. The male characters become impotent emotionally until they virtually disappear altogether. Amy Tan's series of vignettes in The Joy Luck Club depicts a world where men are already invisible, even impotent. The Chinese matriarchal society has all but suffocated outward displays of masculinity. Women, particularly older women, have the control and power though they deny their control. Only in present day America where the Chinese and American cultures clash, do we see a glimmer of the war between the sexes churning beneath the surface."
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" The Joy Luck Club" by Amy Tan, 1994.
A critical analysis of the novel of the life-stories of four Chinese women in San Francisco.
1,125 words (approx. 4.5 pages), 1 source, £ 27.95
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From the Paper
"Amy Tan's The Joy Luck Club tells the story of four Chinese women in San Francisco who come together to play mah jong and invest in stocks. They also speak their stories to one another, sharing with the only people they believe will understand. They call their gathering the Joy Luck Club, and in this novel Amy Tan allows these characters to tell their stories. The novel is more complex than this, however, for the daughter of one of the original four replaces her mother upon that mother's death, and she now begins to hear these stories she has not had the privilege to hear until now. The entire experience becomes a melding of generations and the opportunity for understanding across generations, showing the younger woman how she is linked not only to her mother but to the experience of an entire people, her people."
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" The Joy Luck Club" by Amy Tan, 1994.
Explores novel's portrayal of cultural, generational & familial continuity among group of Chinese-Amer. women.
1,350 words (approx. 5.4 pages), 1 source, £ 32.95
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From the Paper
" Amy Tan, in her novel The Joy Luck Club, seeks to portray two generations of Chinese-American women in order to honor their lives, though fictional, and to have the reader appreciate their humanity, heritage, courage and culture. If there is one theme it is the theme of cultural, generational and familial continuity and endurance. Tan wants the reader to understand the profound and intimate connections between the two generations of mothers and daughters and between the two cultures those generations bridge.
The brief opening tale sets the stage for the exploration and appreciation of this theme. A Chinese woman has brought a swan---which she is told was once a duck which stretched it neck trying to become a goose---to America to one day give to her unborn daughter as a symbol of the capacity to become "more than..'
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"The Joy Luck Club" ( Amy Tan ) & "Barrio Boy" ( Ernesto Galarza ), 1997.
Compares novel's & autobiography's portrayals of immigrants' experiences in CA, focusing on cultural & generational continuity.
1,350 words (approx. 5.4 pages), 2 sources, £ 32.95
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From the Paper
"This study will provide a comparative analysis of two books about immigrants' experience in California. Amy Tan's novel, The Joy Luck Club, portrays two generations of Chinese-American women, and Ernesto Galarza's autobiography, Barrio Boy, examines the experiences of Mexican immigrants, especially those of the author as a young male who settled with his family in the barrio of Sacramento. The essence of both works is the authors' intention to honor immigrants' lives, both fictional and factual, and to have the reader appreciate their humanity, heritage, courage and culture. If there is one theme in both works it is the theme of cultural, generational and familial continuity and endurance in the face of clashing cultures and the forces of assimilation. Tan wants the reader to understand the profound and intimate connections between the two generations of mothers and.."
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" The Joy Luck Club" by Amy Tam, 1994.
Examines novel's Chinese-Amer. mother-daughter relationships, and the issues of marriage, symbolism, identity and a comparison of Chinese & American cultures.
1,350 words (approx. 5.4 pages), 1 source, £ 32.95
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From the Paper
" In her The Joy Luck Club, Amy Tan presents stories of four mothers and four daughters. The stories span several decades and bring together elements of Chinese and modern American culture. The depictions of mother/daughter interactions and relationships, tied together with elements of Chinese mysticism and cultural mores, are immediately engaging because we get to look into the deeper meanings of each mother/daughter relationship. In other words, Tan in interested in the deep symbolic and mystical realities of each relationship. Tan believes that the mother-daughter relationships are tested, but ultimately healed, by an acceptance of a natural, mystical force which is tied up in the Chinese identity.
While the daughters' stories usually involve their mothers, the mothers' stories tend to feature a distinct life, involving.."
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"The Joy Luck Club", 2002.
A review of the "The Joy Luck Club" by Amy Tan.
3,210 words (approx. 12.8 pages), 6 sources, MLA, £ 63.95
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Abstract
This paper provides a biography of the novelist Amy Tan born on February 19, 1952, in Oakland, California, to Chinese parents. It examines how her novel, "The Joy Luck Club", is, in many ways, a biography of Tan?s life. It discusses how like the main character, Tan did not learn that she had half-sisters from her mother?s previous marriage until she was older. It evaluates many other parallels between her life and the book such as how she describes her pain from her father and brother?s deaths, through Suyuan Woo?s loss of her twin daughters and her death. It also shows how like the main character of ?The Joy Luck Club?, Tan resented her mother when she was younger for being so controlling.
Outline
Introduction
A Biography
The Joy Luck Club
Generation Gaps in the Joy Luck Club
Cultural Differences
Chinese American Life
Conclusion
From the Paper
"One of the major themes in Tan?s ? The Joy Luck Club? is a constant quest for identity. Tan?s eight main characters all face the challenge of defining themselves while they are undergoing some sort of personal conflict. Lindo Jong?s early marriage into an unreceptive family caused her to become a stronger woman and made her vow to never forget her roots. Ying-ying St. Clair became a sort of ?ghost? as the result of betrayal and loss in her life. Rose Hsu Jordan repeatedly tried to get her self-confidence back to standup to husband. June Woo narrates much of the story, telling of her quest to China, which was orchestrated by her Joy Luck Club aunties. June tries to understand her mother's tragic past, while realizing her own personal and ethnic identity. "
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Mothers and Daughters: "The Joy Luck Club".
Describes the complex relationship between the mothers and daughters in Amy Tan's novel, "The Joy Luck Club".
1,541 words (approx. 6.2 pages), 4 sources, MLA, £ 34.95
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Abstract
This paper explains the prevailing theme of mother-daughter relationships in Amy Tan's novel, "The Joy Luck Club," and looks at the novel's focus on the need for Asian-born mothers and their daughters to reconcile the past with the present.
From the Paper
"One way Tan came to terms with this was embracing multiple perspectives and dual identities, Chinese and American. "I think that the other reason that I've become a storyteller is that I was raised with so many different conflicting ideas that it posed many questions for me in life, and those questions became a filter for looking at all my experiences and seeing them from different angles. That's what I think that a storyteller does, and underneath the surface of the story is a question or a perspective or a nagging little emotion, and then it grows." (Giles, 1995) The multi-layered narrative structure of The Joy Luck Club generated by this upbringing is striking, as it alternates past and present, between the different perspectives of the members of the club and their daughters."
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"The Joy Luck Club", 2002.
An analysis of Amy Tan's famous novel "The Joy Luck Club".
1,858 words (approx. 7.4 pages), 3 sources, MLA, £ 41.95
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Abstract
This paper focuses on the mother-daughter narratives in "The Joy Luck Club". It focuses in particular on the mothers? side of the narratives. It shows how Tan successfully subverts stereotypes about Chinese and Asian women to reveal a fierce inner strength.
From the Paper
"The Joy Luck Club is a rich lyrical novel that weaves 16 stories and seven viewpoints into a narrative tapestry. This review focuses on the effectiveness of Tan?s multiple viewpoint narrative technique and on her subversions of the submissive Chinese woman stereotype.
One unusual feature of The Joy Luck Club is Tan?s explicit inclusion of the mother?s perspective. Even as the daughters tell their stories, the voices of the mothers shine through. For literary critic Marina Heung, Tan?s depictions of matrilineage include her in the growing canon of writing that addresses the intersections of race, class and gender. This canon includes works by several important women of color, such as Alice Walker and Zora Neale Hurston (Heung)."
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"The Joy Luck Club", 2007.
A discussion of Amy Tan's "The Joy Luck Club".
1,560 words (approx. 6.2 pages), 6 sources, MLA, £ 35.95
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Abstract
This paper discusses the main theme of "The Joy Luck Club", the quest for identity. It explains how the discovery of one's identity may be achieved by exploring the mother and daughter characters in her work. The paper also expands on Tan's unique writing style. The author of the paper offers quotes from the text to quantify points made.
From the Paper
"In the short story, "The Joy Luck Club," we see the mothers change from being passive and meek to confident and strong women. Through remembering, they understand the difference that exists between who they are and who they thought they should be. Xu's example of Suyuan Woo illustrates this point when she forms the joy luck club. Suyuan is firm when it comes to making the best life for herself. Through this type of determination and memory, she copes the best way she can. For instance, she says, "What was worse, we asked among ourselves, to sit and wait for our own deaths with somber faces? Or to choose our own happiness?" (Tan 12). This scene allows us to see that she is taking what she knows from the past and applying it to her present situation to make a decision that will improve her life."
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"The Joy Luck Club", 2005.
An analysis of the mother-daughter relationships in "The Joy Luck Club" by Amy Tan.
1,391 words (approx. 5.6 pages), 1 source, MLA, £ 32.95
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Abstract
This paper examines how "The Joy Luck Club," a novel by Amy Tan, explores the complex, multifaceted relationships between four sets of Chinese-American mothers and daughters. The novel centers on the members of the "Joy Luck Club" and their monthly mahjong games. It looks at how Tan's method of writing and storytelling untangles the messy knot of the relationships, showing readers the differences that divide the characters from one another.
From the Paper
"The first character readers meet is Jing-mei Woo, daughter of Suyuan Woo. Jing-mei, or, by her American name June, begins telling the story of her mother and how she traveled to America so many years ago. The recent death of Jing-mei's mother has caused Jing-mei to reevaluate her life and wonder about what her mother had wanted in her own life. Jing-mei is haunted by a story Suyuan told Jing-mei once, about her life in China and how she came to America. The story told by Suyuan, is the first example of the cultural differences faced by the generations of mothers and daughters."
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