| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "AMERICAN WOMEN FASHION": |
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Women's Fashion, 2002.
A history of women's fashion in America from 1900 to the present.
3,251 words (approx. 13.0 pages), 10 sources, MLA, £ 64.95
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Abstract
This paper looks at the different styles of fashion worn by American women in the past 100 years. It describes decade by decade of the twentieth century, styles, materials, influences and key designers of the main fashions of the time.
Outline
Introduction
Portrait of the American Woman as a Fashion Plate
Passage
The American Dress through the Years ? Evolution
1990-La Belle Epocque ? Era of the Beautiful
1910-The Eastern Touch and the Paul Poirot
1930-Despair and Fantasy
1940-Sporting the New Look
1950-Flamboyant and Ultra Feminine
1960-Gearing Up for a Revolution
1970-Hippies in Polyester
1980 to present
Fashion in Search of Identity
Fashion without Boundaries
The Academician Digs into a Woman?s Fashion
Ford Search for a Supermodel
A Media Prediction of a Fashion Event
Quotes from a Popular Press
From the Paper
"Day and evening clothes had unusual cuts with odd puffs and fitted sleeves. Evening dresses were bias-cut and high waisted. For day wear, 2-piece suits were popular with square pockets, large buttons and narrow, lean skirts done in thin materials. Fabrics used were of natural fibers sometimes linen but mostly cotton, wool or silk, acetate, rayon, light to medium weights in velvet, georgette, crepe, organdy, satin for both day and evening wear. Colors were often muted or of deeper hues; florals, geometric or abstract designs were used, quirky designs flourished. Because of the influence of Salvador Dali who designed textile for designers, surrealism thrived in prints."
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American Women's Fashion, 2005.
This paper discusses the changing world of American women's fashions as an aspect of the various women's reform movements from the 19th and early 20th centuries.
8,060 words (approx. 32.2 pages), 15 sources, MLA, £ 120.95
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Abstract
This paper explains that dress was an outward indication of ones wealth and social standing; however, changes within society were often directly reflected in attire. The author points out that the layers of uncomfortable and restrictive clothing were both a symbolic and a physical tool which kept women from being active participants in man's world. The paper relates that the invention of the sewing machine allowed the general public access to fashion as they could make their own clothing and contributed to the "Ready to Wear" industry, which forever changed the face of clothing in America and established New York City as the country's fashion capitol. 2 Illustrations.
Table of Contents
Introduction
Women's Lives
Reform
The Victorian Era
After the Civil War and the Corset
Magazines and Fashion
Women's New Roles
The Work Force and Fashion
Sewing Machine
Immigrants
Textile Mills
New Thinking
Consumer Influence of Cosmetics as Fashion
After the War
Conclusion
From the Paper
"The Victorian Era was a period in the eighteenth and nineteenth centuries that was largely recognized as a period of rigid and unyielding conservatism. Even though it was celebrated as a time that maintained a high standard of morality, beauty, and social grace, the overall Victorian society actually tended to be rather oppressive -- especially regarding women and their position within the society. This was a time when people owned few clothes. A typical country woman might own only three or four dresses with one being dedicated to church and social events. Men also were conservative during this period. A husband would usually only own two or three shirts with one or two of summer and winter trousers. Shoes were even very scarce compared with items of clothing and were only common for men that worked outdoors. Women and children would definitely be the last to receive shoes. Thus fashion can be thought of as very limited at this juncture."
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History of Women's Fashion (1900-1950), 2004.
The history of women's fashion in America from 1900 to the 1950s.
2,057 words (approx. 8.2 pages), 7 sources, MLA, £ 44.95
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Abstract
This paper explains the history of women's fashion from the 1900s through the 1950s and how the economy and popular culture affected fashion. It explains in detail how the fashion industry was affected by such things as World War I, the Great Depression, and World War II. It tells about the "roaring twenties" and the flapper style of Coco Chanel, along with Dior's "new look" of the 1940s.
From the Paper
"American women?s fashion throughout the twentieth century has undergone drastic changes as the years passed. All through the century, fashion was influenced by the economy and popular culture. Women?s fashion especially exemplifies the changes of hair, makeup, dresses, pants, shoes, hats, and so many other things which have all gone through massive modifications. The American women of this century have been especially mindful of their fashion, and their concerns have been brought out through what they wear. Each decade has had their own fashion revolutions and disasters, but each has also brought about revolutionary changes in style, that still affects us today and will for many years ahead."
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Women's Fashion, 2002.
A comparison between 1920's fashion and today's.
900 words (approx. 3.6 pages), 6 sources, £ 24.95
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Abstract
This paper presents a comparison of women's fashions of the 1920s society with today's society.
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The Self-Fashioning of Renaissance Women, 2005.
This paper studies the concept of the self-fashioning of Renaissance women as portrayed in the works of Christine de Pizan and St Teresa de Avila.
2,250 words (approx. 9.0 pages), 5 sources, £ 61.95
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Abstract
This paper examines the subject of Renaissance women, making use of the literary works of Christine de Pizan and St Teresa de Avila. In this article, the writer discusses that the notion of the fashioning of a feminine self in keeping with the Renaissance ways of thought, may be found in the wroks of de Pizan and de Avila.
From the Paper
"The thesis that the Renaissance developed a new sense of history, resulting in significant changes in writing about past and present lives, assumes particular meaning in application to the roles of biography and autobiography in the works of Christine de Pizan and St. Teresa de Avila. This essay will argue, with respect to the celebratory presentation of female identity in the past and present in the works of de Pizan and de Avila, that their works share a Renaissance preoccupation with the fashioning of a feminine self that may be distinguished from the sexist construction of femininity by other writers of the late medieval and early modern periods."
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Women Mentoring Women, 2000.
A brief historical overview of women and their past legal, as well as an analysis of the unique influential process of mentoring and the problems that have resulted from this process.
6,535 words (approx. 26.1 pages), 52 sources, £ 104.95
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Abstract
This is an exhaustive paper examining the way that women mentor women in modern American professional society. Examines the history of the phenomenon, and gives information on how mentoring should be given and received.
From the Paper
"Women mentoring women in the workplace is a relatively new phenomenon. Woman-to-woman mentoring encompasses circumstances and rules that are specific to a female style and representative of a female culture. The workplace puts demands on our priorities and our energy that bring new factors into woman-to-woman relationships. Our identity as professional women with career responsibilities affects our interactions with other women who are also committed to improving their performance and achieving greater success. Women learning from women at work, women mentoring each other as career professionals with job and personal lives, is an emerging opportunity with enormous potential to change work and women's lives for the future (Duff, 1999, p. xv & xvi). Mentoring begins with an influence that someone has upon another person. It also can help to shape and develop a person's personality and thoughts. In research, it has been proven that women need role models that help them to pursue and conquer future endeavors in the workforce. Discovery into the differences between males and females might be a way to unlock strategies to aid in diversity counseling as well as provide positions in organizations that are solely devoted to mentorship."
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Women's Poetry and Women's Politics, 2002.
A comparison between the poetry of Muriel Ruckeyser and that of Adrienne Rich, and an exploration of their feminist messages.
1,030 words (approx. 4.1 pages), 1 source, MLA, £ 25.95
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Abstract
This paper analyzes the poetry of Muriel Ruckeyser, as found in her book ?The Book of the Dead?, and that of Adrienne Rich, using her work entitled "Twenty-one Love Poems". The paper gives a biographical background on each of the poets, stressing their importance to the contemporary women?s movement and to American poetry. Rich?s poems are explored for their ideas on the relationships between women, and Ruckeyser?s are studied in terms of their comparison to a documentary and in relation to her strong political view.
From the Paper
"To many, Poetry is the voice of women. It is the way in which women can express their inner thoughts and feelings, to write the things that they can not say. Poetry is more than words on paper but someone?s feelings and life poured into the readers mind. Poets let the readers climb inside their heads and taste what the poet feels, sees, and thinks.
Two major women poets that are in the inner ring of American feminist poets are Muriel Ruckeyser and Adrienne Rich. Though their poetry may be different in content, many of their messages are the same: we need to be heard. Ruckeyser?s ?The Book of the Dead? describes conditions and feelings of the Gauley Bridge tragedy through actual courtroom testimonies to words from actual citizens of the town. Adrienne Rich?s ?Twenty-one Love Poems? describes in many ways, her love of her companion as well as their struggles and times together."
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Wallace Stevens and Desire: Woman Lost--Woman Ignored, 2005.
A psychosexual and archetypal study of feminine figures in "Collected Poems of Wallace Stevens".
5,141 words (approx. 20.6 pages), 33 sources, MLA, £ 88.95
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Abstract
This paper examines the "Collected Poems of Wallace Stevens", America poet. The paper shows that desire and desired denied in this work may be interpreted through the archetypal psychology of Carl Jung to disclose the reason for Stevens' preference for places over people and to explain his ambivalence toward the abstract feminine figures in his poems.
From the Paper
"Feminine archetypes reconstruct the distant attitudes in Stevens' poetry by figuring-forth embedded emotions. First, they provide an archetypal perspective on individual poems. Second, they illustrate how, ranging from Harmonium (1923) to The Rock (1954), clusters of motifs influence the poet-hero's psychic development. Although their appearances change to fit their ambiguous roles, these singular feminine figures determine the poet-hero's canon-long struggle to achieve a regulated unity of self. Two categories need to be distinguished: (a) feminine figures and (b) the interior paramour. Their protean capability makes scrupulous demarcations between exterior feminine figures impossible, but three forms or combinations prevail: the summer maiden (Kore or lover), the universal mother or earth mother, and the maiden-mother (an overlapping maid and mother figure). The interior paramour represents a climax to the poet-hero's experience with exterior feminine figures."
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Perfume Print Advertising In Women's Magazines, 2005.
An analysis of perfume print advertising In women's fashion magazines, in the years 2004-2005.
1,350 words (approx. 5.4 pages), 2 sources, £ 36.95
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Abstract
This essay compares two types of media analysis, semiotic and content, by analyzing twelve perfume ads taken from fashion magazines over a one year period. In this discussion, the hypothesis is that perfume ads focus on the creation of meaning through the combination of defined elements that result in the visual construction of an unreal female image. "
From the Paper
"In Women's Fashion Magazines 2004-2005 While enjoying the guilty pleasure of browsing though magazines, one cannot deny the impulse to pause sometimes and gaze intently at images of the products presented. In fashion magazines in particular, one cannot help but read the intended meaning as it associates to our own selves and even perhaps compare ourselves to the meaning presented. Perfume ads are some of the most evocative ads as a mere bottle cannot often communicate the promised benefit of the product. Therefore in order to communicate to the viewer, meaning is created using images and text."
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Mary Wollstonecraft's "A Vindication of the Rights of Women" and "Maria, or the Wrongs of Woman", 2000.
An examination of the author's feminism and the application of her ideas from non-fictional "Vindication" to fictional Maria and her family in late 18th century England.
2,475 words (approx. 9.9 pages), 2 sources, £ 60.95
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From the Paper
"This study will apply the ideas from Mary Wollstonecraft's A Vindication of the Rights of Woman to its fictional companion Maria, or The Wrongs of Woman, showing how the ideas in Vindication are embedded in Maria. Essentially, Vindication argues that the inferior position of women in British society in the late 18th century is due not to any innate defect or weakness in women, but rather to the fact that men have the power to define and shape relationships, to make the laws, to own the property, and to decide the destiny of the genders socially, economically, and politically. The author does not absolve women of their responsibility for this situation. She first acknowledges the natural physical strength which men have over women, then adds:
But not content with this natural pre-eminence, men..."
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Fashion Models, 2008.
A discussion on how the media influences women to be thin, affecting even those females who are not overweight.
1,326 words (approx. 5.3 pages), 7 sources, MLA, £ 30.95
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Abstract
The paper states that no media outlet strives to influence public perception more than fashion magazines, and in their quest to mold public opinion, fashion magazines have had a negative impact on how women perceive their bodies. The paper comments that the consequences have been frightening. Images of overly-thin fashion models have had a negative effect on the self-esteem of women, and this low self-esteem has led to dangerous conditions, such as eating disorders. The paper highlights that the desire to be thin among American women, which has largely been driven by media influence, affects even the youngest females who are not overweight. The paper concludes that it is time for the fashion magazine industry to stop claiming that it cannot control this problem.
Outline:
Introduction
Fashion and Self Esteem
Wrestling with a Solution
Conclusion
From the Paper
"Is there a way to remedy the hazardous effect that super-thin models have on women's self esteem? It's possible, of course, for women to simply stop purchasing magazines that are making them feel poorly, although they will likely encounter these same models in other media, such as television. Also, some would argue that models should look thinner and more beautiful than the average woman -- they are, after all, models. But turning a blind eye to the problem is to ignore overwhelming research that shows that ultra-thin models are posing a public health risk for America's women, let alone the risks those models are enduring themselves. To solve this problem, the fashion industry should borrow a strategy from high school and college wrestling, which have dealt with dangerous weight problems by requiring wrestlers to maintain a certain level of body fat in order to compete."
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Black Women and Feminism, 2006.
This paper reviews and discusses the historic oppression of black women as well as the existing gap between white and black women as detailed in Bell Hooks' "Ain't I A Woman? Black Women and Feminism."
1,320 words (approx. 5.3 pages), 1 source, MLA, £ 30.95
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Abstract
This paper explores author Bell Hooks' theoretical perspective on blacks and feminism. Hooks claims that the major cause of oppression to black women came from many sources including white women interested in their own personal gain at the expense of black women and the black men interested in keeping them as second class citizens. This paper discusses the exploitation of women during the slave trade as one of the pioneering ways in the continuing devaluation of black women. The writer contends that Hooks' novel contains relevant research and subsequent evidence that clearly details why a gap still exists between black and white women. The writer of this paper stresses Hooks' desire for all women to bond together and for the struggle for equality to end.
From the Paper
"In her research of the exploitation of slaves, Hooks' expertly does not focus on the sexual atrocities committed upon black women. She in fact details the effect brutalizing black women has on the black man, white man, and the white woman. Hooks explores the possibilities of the potential personal gain from dehumanizing black women, some of which include stereotypes/jealousy of the sexuality of a black woman, and "demasculating" the black man (psychological removal of his masculinity) in relation to exploiting 'his' woman. Bell Hooks' research into the hypocrisy of the feminist movement as it relates to white woman is the principal reason why many African American women, myself included, do not want any active participation with the women's movement."
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The Muslim Woman, 2006.
This paper analyzes the culture of Islam, its effect on women and the recent emergence of various women's organizations that deal with specific issues relevant to Muslim women.
1,712 words (approx. 6.8 pages), 9 sources, APA, £ 38.95
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Abstract
This paper examines the various Muslim cultures and their attitudes towards women. Women in Afghanistan suffer from human rights abuses, females are not allowed to work, they receive no education and are often denied health care services. This paper discusses the numerous Muslim women's organizations that have emerged around the world. These organizations have active women participants and deal specifically with issues of relevance to women. Many Muslim women are critical of the ideals of equality formulated in the western world, and question the values of sexual equality. The writer of this paper also delves into the use of the veil which is the hallmark of Islamist women worldwide. Once seen as a symbol of oppression and backwardness in the discourse of colonial domination, the veil was given up by most upper class and middle-class Muslim women in the early part of the 20th century. However, it has recently made a global comeback with the Islamic revival. Islamist discourse portrays a contradictory attitude towards gender. There are still Islamic condoned practices and institutions, which gender activists find difficult to explain and reinterpret. For example, even the most committed gender activists have difficulties in explaining the issue of polygamy.
From the Paper
"Many Muslim women are critical of the ideals of equality formulated in the Western liberation paradigms. They ask whether 'sexual equality' is a good thing after all. Islamist women seem to have opted for complementarity of the sexes and strictly defined gender roles. Many non-Islamist women feel the Islamist 'return to Islam' to be regressive and backward. These non-Islamist women have internalized the popular media image of 'fundamentalism' as being fanatical, irrational, anti-modem and misogynistic. So, is Islamism always opposed to women's rights and autonomy? Does it deny women educational and employment opportunities? Have the movements succeeded in making their 'ideal Muslim woman' (the home-making, self-sacrificing mother and wife) a reality?"
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Married and Unmarried Women, 2002.
Examines the differences in health, sexuality, longevity, lifestyle, employment and other factors between the lives of single women and married women.
2,900 words (approx. 11.6 pages), 19 sources, £ 73.95
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Abstract
It should come as no surprise that single women, whether they are unmarried, divorced, or widowed, live different lives than women who are married. Different, however, does not mean better or worse. Statistics demonstrate that women who are married live a longer average life than women who are not. Women who are married tend to have children earlier and more frequently than women who are not. Women who are married have traditionally held fewer jobs than women who are not. But, these are simply numbers and statistics. There are tangible differences between married and not-married women. It is this very set of differences which prompts this paper.
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