| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "AMERICAN TRADITIONAL MUSIC": |
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American Traditional Music, 2004.
This paper explores Celtic music as the root of American traditional music.
4,725 words (approx. 18.9 pages), 20 sources, APA, £ 116.95
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Abstract
This paper discusses the history of Celtic music and its migration to the Appalachian region of North America. The author points out the cultural memory embedded in the Celtic tradition. The paper examines the impact of Celtic music on musical styles of the modern period.
From the Paper
"The purpose of this research is to examine connections between Celtic music, which originated in Britain, chiefly Scotland and Ireland, and which migrated to the U.S., chiefly to the Appalachian region of North America and the intergenerational aspects of musical heritage with reference to the human-development theories of Erik Erikson. The plan of the research will be to set forth a history of Celtic music from its origins in Britain and the history of migration of the music to the U.S. and then discuss the resonance that such music ..."
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Twentieth Century American Popular Music, 2007.
This paper analyzes the developmental history of 20th century American popular music from the earliest jazz pioneers to the latest major pop stars of 20th century American music.
2,545 words (approx. 10.2 pages), 9 sources, APA, £ 53.95
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Abstract
This paper explains that all of the musical genres, such as Ragtime, Jazz, Big Band, Blues, Country, Rock 'n' Roll, Folk, Punk, Heavy Metal, Rap and Hip Hop, are linked together into a single unified whole in American music. The author discusses the importance of the development of Rock 'n' Roll and how it crossed over successfully into many earlier forms of the Blues and Country genres. The paper stresses that the contributions of the African-American influence on American music, which is the core element to many American styles that came earlier, are crucial to the latter popularity of Rap and Hip Hop.
Table of Contents:
Introduction
Ragtime and Jazz
The Big Bands and the Blues
The Evolution of Jazz and Growing Popularity of Country Music: 1920-1950
The Rock 'n' Roll Era of the 1950s
The "Psychedelic" Rock 'n' Roll and Folk Music Movements of the 1960s
Punk and Heavy Metal: The 1970s and the 1980s
Rap and Hip Hop
Conclusion
From the Paper
"The first broadcast of the Grand Ole Opry in Nashville, Tennessee in 1925 was a crucial moment for the popularity of Country music to be introduced in American music. Often these fusion of old Bluegrass styles and Folk often helped to build the style of what became known as "Country" by the likes of the Grand Ole Opry. In this manner, Nashville became the center of this genre, helping to introduce country to a major audience. Once again, it was the radio that greatly helped to bring this music to millions of listeners across the United States."
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Latin American Music, 2004.
A look at problems facing the Latin American music industry and recommendations for addressing these problems.
5,644 words (approx. 22.6 pages), 14 sources, APA, £ 94.95
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Abstract
This paper considers three different aspects of the technology and political marketplace that have negatively affected Latin American music sales and, in particular, the effect that pirated music is having on the industry. The paper then looks at the future of Latin American popular music and the Latin American recording industry and presents solutions and recommendations to rebuild, improve, and expand the Latin American industry.
The Future of Latin American Popular Music
The Future of The Latin American Recording Industry
Reconstructing the Industry
Music Delivery
Anti Piracy Efforts
From the Paper
"However, in the music industry, the creation of the internet and the capabilities to deliver individual songs digitally and globally has changed that perspective as well. The creation of a global economy and improved communication systems has facilitated the worldwide dissemination of mass culture. Specifically, trends in Latin America are now becoming part of the Latino population in the central and North American regions. Hence, the market for Latin American music, and the path toward improving the profitability of the Latin American music industry should also consider the North American markets a part of their potential customer base."
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American and Asian Music, 2008.
A comparison of the history and cultural connotations of American and Asian music.
2,770 words (approx. 11.1 pages), 5 sources, MLA, £ 57.95
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Abstract
This paper discusses American music and compares and contrasts it with Asian music. The writer discusses her own understanding of American music and her cultural experiences as an Asian person. The paper considers the history and cultural connotations of both types of music. It then looks at some artists from both music paradigms and how they integrate.
Table of Contents:
Chinese Pop
The American Influence
Environmental Influences
Cantopop and Mandopop
American Music
International Influence
A New Culture
From the Paper
"In conclusion, Chinese and American music share a variety of factors: contemporary forms emerge from existing traditional forms rather than rebelling against them; both of heavily influenced by cultural and political factors. Chinese music is influenced by the country's civil war and the cultural perception of what is acceptable in musical taste, while the American is influenced by the many changes and challenges faced by the new country. In contrast, America has many different musical forms based upon its many different cultures, while Asian music is not as influenced by immigration as it is by internal cultural factors. Whichever music one finds more appealing, expanding one's horizons can be a surprising and interesting adventure."
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African-American Music, 2006.
A study of the influences on contemporary African-American music.
1,100 words (approx. 4.4 pages), 3 sources, APA, £ 26.95
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Abstract
This paper studies contemporary African-American music, calling it an amalgam of several music styles of our time. The author explains that with its roots in jazz, African-American music today is taking elements from all over the world to create a tapestry of styles united by one ineffable ingredient: rhythm. That rhythm is being immeasurably influenced by technology -- namely electronic music. However, the author is careful to point out that electronics do not preclude the use of traditional African instruments, but rather enhance their sound.
From the Paper
"Electronic Music is how electronic musical instruments can be used to produce music. The types of instruments this refers to include electronic keyboards, synthesizers, samplers and any other musical instrument, which is largely electric or electronic in nature. This is not however a complete list of the equipment which is used in electronic music as the complete process of generating music electronically also includes the process of recording the music and the processing of sounds using signal processors (effects processors) to produce the required effect."
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The Latin American Music Industry, 2002.
An analysis of the recent decline of the Latin American music industry with proposal of innovative new solutions to re-infuse the market
1,194 words (approx. 4.8 pages), 11 sources, MLA, £ 27.95
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Abstract
This paper assesses the techniques and methodologies that fuel the fire behind a potentially future global leader in the music industry, the Latin American Recording Industry. It evaluates the market considerations that will become increasingly important if the market is to continue to expand successfully. It also proposes solutions to the recent decline in Latin American music sales, following the boom of the nineties.
It presents viable alternatives, solutions and innovations for the Latin American music industry, through a detailed analysis of several market characteristics and considerations, including trends, socioeconomic and ethno-musicological factors.
From the Paper
"Since the 1990?s however, the Latin American recording industry has witnessed a decline in growth. Sales, which during the nineties accounted for as much as 7% of the world market, now only account for approximately 4%. A large majority of the recent decline is due to changing market considerations and global trends, socioeconomic factors and technological advances. As the Latin American music market moves into the global market, the use of the internet becomes increasingly critical to success. One of the difficulties faced not only by the Latin American Market, but by all music entrepreneurs is the growing threat of piracy, which technology has enabled."
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Latin American Music Industry, 2004.
Looks at the rise and decline of the popularity of and demand for Latin American music.
3,369 words (approx. 13.5 pages), 9 sources, MLA, £ 66.95
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Abstract
This paper first outlines the cultural, business, and technological changes that contributed to the rise in popularity of Latin American music. The paper then analyzes the demographic, cultural, and technological influences that contributed to a decline in demand for Latin American music.
From the Paper
"The music industry is undergoing a global technological revolution which has been induced by the introduction of Peer to Peer (P2P) file sharing services, and the proliferation of recordable CD equipment which his now within the financial reach of the average consumer. Any one of these three influences alone could have been absorbed by the recording industry. The presence of a P2P service which was limited only to sharing files between computers would have been convenient and fun. If consumers could only put personal music tracks on portable music devices, the convenience would have expanded the reach of the individual?s music collection, much the same way that personal cassette recorders did in the 1970?s. Although the music industry was worried about personal cassette recording abilities of the past decades, the inherent poor quality of personal recordings meant that the demand for studio recordings remained high."
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African and Black-American Music, 1984.
This paper discusses the influence of African music on the music of B;lack Americans: Spirituals, jazz, folk music, rhythms, scales, instruments, melodies and harmony.
2,475 words (approx. 9.9 pages), 8 sources, £ 60.95
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From the Paper
"OUTLINE
Introduction
Combination of musical strains in black American
music
Modern research
Attitudes of the past towards African culture
Actual contribution of African culture
Black music of today and African music
Relationship
Characteristics that have been retained
melodic concepts
voices
instrumental sound
conflicts with Western scales"
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Traditional vs. Non-traditional Students, 2007.
This paper looks at the achievement goals of traditional vs. non-traditional students.
1,385 words (approx. 5.5 pages), 12 sources, MLA, £ 32.95
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Abstract
In this essay, the writer first presents a definition of the term non-traditional student. The writer notes that while this paper argues for the hypothesis that the non-traditional student is more inclined to have a higher achievement-motivation level than the traditional student, it should also be kept in mind that there are many studies that in fact show the contrary view. The writer points out that in one such study it was found that nontraditional students are less likely to attain their degree goal within 5 years and more likely to leave postsecondary education. However, on the other hand, the writer highlights that the literature tends towards a preponderance of evidence and studies which show that there are significant differences in these two groups of students and many of the these studies suggest that there is a strong indication that non-traditional students are more motivated and achievement orientated. The writer concludes that many of the studies referred to suggests that there is still a large amount of statistical and other research that has to be completed on this topic before any conclusive statement can be made.
From the Paper
"There are also strong indications from a variety of studies that this group of students has a higher achievement and motivational level when compared to traditional students. Motivation is generally seen as a central criterion in obtaining higher achievement levels in all students. These two factors are linked and often seen as concomitant and supporting factors in the literature on this subject. McMenamin and McDevitt have stated that traditional students scored higher on motivation to learn than did the nontraditional students."
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African-American Music, 2002.
Explores the ways in which African-American music, from the days of slavery to the civil rights movement, has been a form of resistance and liberation for the black population.
2,400 words (approx. 9.6 pages), 10 sources, £ 61.95
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Abstract
This essay discusses how music has played a significant role for African Americans from slavery into the civil rights movement. Slave songs, gospel, folk songs, Louis Armstrong's songs, jazz and blues all represent a form of resistance and liberation for Blacks in the face of oppression. Indeed, music drew the Black community together and allowed it to express itself and to form a sense of identity.
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The Merging of European and African Influences in American Popular Music, 2001.
This paper describes how European and African musical sources intertwined in American popular culture.
1,155 words (approx. 4.6 pages), 1 source, MLA, £ 27.95
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Abstract
This paper describes the origins of American popular music in European and African culture. The author claims that In effect, American music is a hybrid of musical movements from blues and spirituals to European folk music.
From the Paper
"Much of American culture bears the mark of the melting pot effect. Essentially a land of immigrants, America has served, in many ways, as a palette from which popular culture draws an innumerable array of shades. As such, popular social trends often are a reflection of the hybrid mainstream instinct. Pop music, in its incubational phases, is highly indicative of that notion. This is particularly evident in ostensibly indigenous musical movements like blues/folk music and spirituals, both of which employ extensive European and African influences, social imports that create a tapestry of globally unique and distinctively American sounds."
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African American Music, 2006.
A review of the contribution Black music has made to the culture of the USA.
675 words (approx. 2.7 pages), 0 sources, £ 18.95
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Abstract
This paper reviews of how and why America is indebted to African-Americans in many ways, whether it is because of statesmen like Frederick Douglass or brilliant scientists like Percy Julian, African Americans have given much to the United States and have not always been recompensed for doing so. This paper looks at one African American contribution (its music) and trace its origins back to West Africa. Along the way, the paper also notes how the abomination of slavery ironically blessed America with a musical tradition that has become an imperishable part of its cultural mosaic.
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African-American Music, 2005.
An analysis of role of music in the 20th century black American community.
1,908 words (approx. 7.6 pages), 8 sources, MLA, £ 41.95
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Abstract
Music, as a man-made artistic form, has always been cited as an interesting form of expression and pastime in civilizations old and new across the globe. Every culture has forms of music they feel closer to, music that they feel is more relevant. This paper discusses the music the black community felt closer to and uses events in the twentieth century such as the Great Depression, civil rights movement and the LA riots to explain why the relationship between black culture and music developed the way it did.
From the Paper
"The market for blues records was almost completely black throughout the twenties and thirties and they eventually came to be known as "race records." ("History of Blues") The success of another black art form that remained black brought about a new change in the white mainstream record companies--they began to market to blacks and actively recruited black blues artists for their labels. ("History of Blues") It wasn't much at the start but it was a good change for the black musical community. It didn't do anything to improve the black standard of living, though, as was later demonstrated."
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Afro-American Music, 2001.
A comparison of two new types of music - Gangsta Rap and Minstrelsy in the African American context.
2,335 words (approx. 9.3 pages), 10 sources, MLA, £ 49.95
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Abstract
This paper compares and contrasts the African American entertainment styles of minstrelsy and gangsta rap. The essay contains a lengthy discussion of the differences and similarities in these styles of music. Finally, it presents a discussion that supports the author's thesis that gangsta rap is the new minstrelsy.
From the Paper
"The development of African American music closely parallels the history of African Americans. African American history is rich and begins with the first slave capture in the 16th century. Decades of slavery followed, until the signing of the 1863 Emancipation Proclamation. Following the proclamation, African Americans were slowly integrated into American society as free people."
In the 21st century, exemplary African Americans like Rosa Parks, Martin Luther King, and Jesse Jackson slowly moved the African American population to greater equality with white Americans. The 21st century saw the end of segregation in schools and public places, the rise of black power, and the continued development of a rich and unique African American culture. "
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