| Papers [1-14] of 100 :: [Page 1 of 8] | | Go to page : 1 2 3 4 5 6 7 8 —> | Search results on "ALAN RESNAIS NIGHT FOG": |
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Alan Resnais' "Night and Fog", 2004.
A discussion and analysis of Alan Resnais documentary work on the Holocaust, "Night and Fog".
1,575 words (approx. 6.3 pages), 10 sources, MLA, £ 38.95
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Abstract
This paper examines filmmaker Alain Resnais' documentary approach to recounting memories of the Holocaust with a warning never to forget. The paper includes a list of the sources used by the filmmaker and an annotated bibliography.
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The Holocaust, 2004.
An argumentative essay which compares Spielberg's film "Schindler's List" and Resnais' film "Night and Fog".
1,350 words (approx. 5.4 pages), 2 sources, MLA, £ 33.95
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Abstract
This paper argues that the main theme in both Resnais' film "Night and Fog" and Spielberg's film "Schindler's List" is to remind individuals of their responsibility to ensure that such atrocities as the Holocaust never occur again.
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Night Terrors, 2008.
This paper explores the symptoms and treatments of night terrors as well as research on this disorder.
1,292 words (approx. 5.2 pages), 4 sources, MLA, £ 30.95
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Abstract
The paper describes night terrors as panicked awakenings that could turn very violent. The paper looks at how to handle a situation when someone is experiencing night terrors, the symptoms of someone experiencing night terrors, the cause of these night terrors and how to prevent them from happening again. The paper then examines an experiment on night terrors and its interesting results.
From the Paper
"A night terror, also known as sleep terror or pavor nocturnus, is a parasomnia sleep disorder. A night terror occurs in stage 3 or 4 sleep. A stage four night terror causes the "greatest heart rate acceleration possible in man" (Kahn, 533). Episodes are most common in the first third of the night and may last 10 to 20 minutes, and then normal sleep returns. Contrary to what most believe, a terror it is not a dream or night mare. Dreams occur during R.E.M, rapid eye movement sleep, while night terrors occur in N.R.E.M. sleep, non-rapid eye movement."
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"A Night to Remember": Book Review, 2008.
A review of "A Night to Remember", Walter Lord's 1955 work about what happened the night the RMS Titanic sunk.
756 words (approx. 3.0 pages), 1 source, MLA, £ 18.95
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Abstract
This paper favorably reviews Walter Lord's 1955 non-fiction work, "A Night to Remember", explaining that it is a heart-rendering account of the Titanic's deadly collision with an iceberg. The paper further relates that the book is a compilation of survivors' recollections of the disaster and that the major theme of the book is the good and evil of human nature that is revealed in life threatening situations. The paper concludes that Lord's book is a critical expose of one of the most tragic events in the history of travel on the seas.
From the Paper
"Walter Lord gives his reader an authentic sense of what it was like to be a passenger onboard the boat that dreadful night. He describes the night of the crash as being calm, clear, and bitterly cold. He details the passengers' formal attire to help demonstrate just how shocking and unexpected the sinking was. He depicts their dress as an odd mixture of bathrobes, fur coats, turtleneck sweaters, and tuxedos to emphasize the bitter irony of the sinking."
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Night Vision Goggles, 2005.
An analysis of the operational effectiveness of night vision goggles (NVGs) training during initial aircrew qualification.
5,378 words (approx. 21.5 pages), 13 sources, APA, £ 92.95
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Abstract
This paper proposes a research to determine what role night flight, night vision goggles (NVGs), and aircrew inexperience play in spatial disorientation during initial aircrew qualification training in the F-15E. Recent research showed a causal link in each area. It looks at how a survey was conducted among F-15E aircrew to determine their opinions on how each area related to spatial disorientation and how survey responses revealed an agreement that night flight, NVGs, and inexperience play a key role in spatial disorientation. Several tables and graphs are included with the paper.
Outline:
Abstract
List of Tables
List of Figures
Chapter 1
Introduction
Background
Researcher's Work Setting and Role
Statement of the Problem
Definition of Terms
Limitations and Assumptions
II Review of Relevant Literature and Research
Understanding Spatial Disorientation
Spatial Disorientation and Night Flying
Spatial Disorientation and NAGs
Spatial Disorientation and Inexperience
Statement of the Hypothesis
III Research Methodology
Research Design
Survey Population
The Data Gathering Device
Distribution Methods
Instrument Reliability
Instrument Validity
Treatment of Data And Procedures
Results
Discussion
Conclusions
Recommendations
References
From the Paper
"Ever since Orville and Wilber Wright's first flight in December of 1903, the human body has been thrust into an environment for which it is not biologically prepared. The complex interactions of human physiology and the flight environment can cause a deadly phenomenon known as spatial disorientation. Spatial disorientation can occur in almost any flight condition but is most deadly when encountered during instrument meteorological conditions (IMC) or at night. Many factors such as diet, rest, training, and experience play a role in increasing or decreasing the likelihood of spatial disorientation. Additional stressors such as initial qualification training or night vision goggles (NVGs) only exacerbate the situation aircrew experience in flight."
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Night Shift and Cancer, 2004.
This paper discusses the causes and effects of working night shifts as related to breast cancer.
2,555 words (approx. 10.2 pages), 11 sources, APA, £ 54.95
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Abstract
This paper explains that only a few studies examine the direct relationship of working night shifts and breast cancer; but, based on the several studies that used different methods, medical researches have hypothesized that working night shifts puts women at greater risk of breast cancer. The author points out that the most common cause cited is the decrease in the level of melatonin and the exposure to bright artificial lights at night. The paper relates that the lack of melatonin as a risk factor to breast cancer is linked to the
overproduction of estrogen, another breast cancer-causing hormone. According to studies, melatonin regulates a hormone system?s production of estrogen; therefore, a decrease in melatonin can cause a reproductive system to produce more estrogen, thus allowing a higher risk of breast cancer.
Table of Contents
Introduction
Epidemiological Studies on Working Night Shift and Cancer
Links to Working Night Shift and Breast Cancer
Other Links to Working Night Shift and Breast Cancer
Conclusion
Policies to Address the Issue
From the Paper
"Melatonin is a hormone that is essential for the body. It acts as a protection against the growth and development of tumors. According to studies, during sleep at night is the peak time when melatonin is produced, specifically between 1 am to 2 am. Because working night shift deprives an individual from a night sleep, production of the right amount of melatonin is also being deprived. Thus, allowing a higher risk of developing cancer tissues. Daniel DeNoon, in his Hormone Melatonin Slows Breast Cancer, indicates the following report of David E. Blask of Bassett Research Institute in Cooperstown, N.Y. about the relationship of melatonin to growth of breast cancer."
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?Long Day?s Journey Into Night?, 2002.
Examines the imagery of fog in Eugene O'Neill's play.
2,293 words (approx. 9.2 pages), 6 sources, APA, £ 49.95
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Abstract
In the play ?A Long Day?s Journey Into Night,? Eugene O?Neill uses fog imagery to suggest that motivations and secret (offstage) lives of each character is partially obscured because each character refuses to really see or hear the others? stories. The paper shows that this refusal to pay attention symbolizes the repeated blame, contempt and self-deception each character practices to deny his or her own complicity in the failure of his or her dreams. Fog is an apt metaphor for this family trait because through fog one can see the general shapes or outlines of things, but the details and the substance of things is mostly hidden. In the paper, the themes of inability to empathize and blame are also explored to varying degrees in O?Neill?s plays ?Desire Under the Elms? and ?Strange Interlude?, but arguably the literary techniques employed by O?Neill in ?Long Day?s Journey? more effectively exploit the dramatic tension these themes create.
From the Paper
"By Act III, fog has rolled in and a foghorn sounds offstage. In response to Mary?s complaint about the foghorn, Cathleen agrees that it sounds like a ?banshee.? (98). The Oxford English Dictionary defines a banshee is a supernatural being supposed by Irish peasantry to wail under the windows of a house where ?one of the inmates is about to die.? With the metaphorical equation of foghorn (which is heard off-stage) and banshee, O?Neill foreshadows the literal death by consumption of Edmund and probably of Mary?s whose morphine addiction returns by the end of the day. Both of these deaths will occur offstage, somewhere outside the scope of the play."
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Elie Wiesel's "Night", 2007.
A look at the deconstruction of Elie Wiesel in his autobiographical book "Night".
1,383 words (approx. 5.5 pages), 0 sources, £ 32.95
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Abstract
"Night", by Elie Wiesel, is an autobiographical book about the survival of a young Jew, Wiesel himself, in the utmost degradation of the human soul. This paper dicusses how, in Weisel's book, "Night", the images of night and fire, the themes of brutality against children, the loss of spiritual faith, the idea of death, the inversion of the father-son relationship between the protagonist and his father, Shlomo Wiesel, all substantiate the degradation of the human soul from civilization and faith to savagery and loss in faith.
From the Paper
"The recurring image of night itself and fire are significant. Night falls at the most crucial parts of the book: when Shlomo Wiesel, Elie Wiesel's father first announces the news of the "transports" (13), when Eliezer first observes the shocking vision of death by burning in the crematorium, and when the march from Buna commences. There is a gradual increase in the darkness especially before, during, and after the march: "an even darker night was waiting for us on the other side." (84) Eliezer's pain increases with the darkness and is finally numbed when the night becomes pitch-black. Once the procession reaches the barracks in Gleiwitz, the prevalence of death increases as the night grows longer to the point where "the days resembled the nights and the nights left in [our] souls the dregs of their darkness." (100) "
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"Karaoke Nights", 2006.
A book review of the popular book " Karaoke Nights" by Rob Drew.
966 words (approx. 3.9 pages), 1 source, MLA, £ 24.95
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Abstract
In this book review the author starts with a look at the background behind the writing of the book "Karaoke Nights" by Rob Drew. He highlights how Drew was originally drawn to the topic of his book as a research subject only but as he learned more, he elaborated on the karaoke phenomenon. The paper looks at how "Karaoke Nights" is an observation on the external behavior of deejays, performers, and audiences and an intimate portrait of the emotional roller coaster that is the internal life of a karaoke singer. The author also examines how Drew provides an analysis of the varied roles karaoke plays in popular culture and how karaoke can guide to an understanding of local music and culture. The book review concludes with a summary of how karaoke has had a great impact on the American culture at weekends giving people a motive to act out a part and have fun at the same time, as described in "Karaoke Nights".
Table of Contents
Introduction
History of Karaoke
Karaoke Nights
Conclusion
From the Paper
"Another point that Drew make in his book that American culture relies on a good time Saturday nights so that they relax after a hard week's work. And, ten years ago, karaoke caught on in America after being in Japan for many years before. Drew describes this craze from Japan a great way for people get together and live out some of their fears by singing songs in a public place where others could easily make fun of them. However, everyone in that local karaoke bar is feeling the same fears so they respect the person's feelings and not torment them while they are on stage singing out of tune. Most people do sing out of tune as Drew points out but karaoke is all about having fun and doing something some people would not normally do in front of others."
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Transformations in "A Midsummer Night's Dream", 2002.
This paper examines the recurring changes of the moon and the transformation of the characters in "A Midsummer Night's Dream".
1,465 words (approx. 5.9 pages), 4 sources, £ 33.95
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Abstract
This paper analyzes one of William Shakespeare?s most celebrated comedic plays, "A Midsummer Night?s Dream". The author examines how the throughout the play the characters attempt to find a way to understand the mechanism of love in a rational way and experience self-alterations that they believe to be a dream in the end. The paper also looks at how the recurring reference to the ever-changing moon parallels the transformation of the characters in "A Midsummer Night?s Dream".
From the Paper:
"A Midsummer Night?s Dream" brilliantly expresses the profound human uncertainty about love. Dream world and reality merge undetectably so that the characters are not sure themselves in which sphere they move, nor whether what they have experienced has been imagination or truth. What seems to be a fantasy or a dream for the characters in "A Midsummer Night?s Dream" is actually reality. However, the dreamlike atmosphere of the play accentuates the fact that the lovers appear to be quite removed from any criteria applicable to reality."
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'March of Folly' and 'Fog of War', 2007.
This paper discusses the writer's reaction to Barbara Tuchman's 'March of Folly' and the movie 'Fog of War'.
1,261 words (approx. 5.0 pages), 2 sources, MLA, £ 29.95
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Abstract
In this article, the writer discusses that Barbara Tuchman's 'March of Folly' and the movie 'Fog of War' provide different historical lenses with which to view contemporary problems and issues. The writer explores each of the projects and shares reactions to them in a personal manner. The writer notes that it is important to learn from the past so that society can avoid making the same mistakes in the future and one of the ways that this can be avoided is to understand contemporary issues and how they impact the world. The writer concludes that in Barbara Tuchman's 'March of Folly' and the movie 'Fog of War' one can obtain a sense of contemporary problems as well as the importance of understanding history in the effort to avoid repeating mistakes.
Outline:
Introduction
Fog of War
Conclusion
From the Paper
"This man was brilliant. He was supposed to be someone who could look at a problem and produce the best solution. If that was possible he would have surely advised against the wars that he helped improve."
"The one thing the film and the book do have in common is the repeated evidence that history will repeat itself.
McNamara went through World War II and presumably saw from that experience that war should be avoided at most costs, however, he was more than willing to advise during the Vietnam conflict."
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Director Alan Schneider, 2005.
This paper discusses the life and work of director Alan Schneider, American genius of the stage.
3,435 words (approx. 13.7 pages), 1 source, MLA, £ 68.95
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Abstract
This paper explains that Alan Schneider, who was an award winning director, innovator, teacher and mentor, was a major influence in academic commercial, local, regional and amateur theater. The author points out Schneider joined the Arena Stage in Washington D. C. during its formative years in the late 1940s, directed such works as "The Glass Menagerie" in 1951, which propelled the playwright Tennessee Williams into international prominence; the two men became close life-long friends. The paper states that the greatest insight into how Alan Schneider's style of directing can be found in the University of California, San Diego, collection of his papers entitled "Series 3, Production Materials"; the paper lists briefly some of its contents, which give an indication into his directing style for plays fro 1941 to 1979.
Table of Contents
Introduction
Biographical and Background Information
The Balancing of a Career
Correspondence Series of Insights
Alan Schneider Style of Directing and Teaching
From Directing to Teaching - An Easy Transition
Conclusions
From the Paper
"In 1963 Alan Schneider received the Antoinette Perry (Better known as the "Tony") Award for his excellence of direction of "Who's Afraid of Virginia Woolf?" Likewise he's won the Village Voice Off-Broadway (OBIE) Award for his direction of "The Dumbwaiter" and "The Collection." Plus in Washington D. C., the Board of Trade Award "for outstanding contribution to professional Community Theater in the nation's capital and production director of Arena Stage." However Alan Schneider, always a restless and busy person, was never one to rest much, or even dwell long on his laurels. His delight came in helping others attain their goals and aspirations particularly the youth of not only the United States but throughout Europe and England."
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A View of Feminism in "Arabian Nights", 2003.
Analyzes the role of women in Arabian culture as depicted in literature, especially "Arabian Nights".
716 words (approx. 2.9 pages), 1 source, MLA, £ 17.95
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Abstract
Historians have always looked to literature for insight into how a culture functioned, what it valued, and how its people lived. Today, when studying the Middle East, many would not only read the Qu?ran, but also "The Arabian Nights", the folklore. The paper shows that when we read "Arabian Nights" we understand a great deal more of how the Arabic people actually lived. Perhaps the most evident discrepancy between the teachings of the Qu?ran and the "Arabian Nights" tales pertains to the view and treatment of Middle Eastern women.
From the Paper
"This method of seclusion is dramatically illustrated in The Arabian Nights where we hear the story of the demon that locked his wife in a chest and carried her about as if she were his private property. Yet ironically the authors of the Arabian Nights convey in this same story that not even this extreme could prevent a willful woman from knowing other men."
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Madness in "King Lear" and "Twelfth Night", 2002.
Examines the multiple levels of the theme of madness in two plays by William Shakespeare, "King Lear" and "Twelfth Night".
2,150 words (approx. 8.6 pages), 6 sources, £ 55.95
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Abstract
Madness in Shakespearean plays has distinct and multiple meanings and purposes. On one level, the madness of insanity is clearly felt in the tragedies like "Lear". On another, madness is also felt in the frenetic pace of impossible situations and comedic errors in judgment as is found in "Twelfth Night". Madness is, then, both tragic and comedic. But, it is much more than that. Madness represents a loss of control, of being borne by unnatural impulses, drivesa nd, perhaps, voices. Being mad is to not be yourself, it is to have lost touch with humanity, with life and with reality. The mad are excused from the rules of man and at the same time, tragically bound by them. For some, in madness is found freedom. Lear is wrapped, tightly, within a horrible prison created by his inability to see through the duplicitous daughters and embrace the one person in his life that loves him enough to refuse him. His madness, in the end, is what sets him free of the binds that his daughters and his pride had him in. The madness, however, is like the release from an intense and long-term drug addiction, it is horrible to watch, but leaves Lear in a better state afterward, free of poisons. Madness also allows otherwise straight-laced, bound by social rules (which were oppressive in Elizabethan England), to freely express inner passions, make mistakes and be fools in the eyes of others without fear of recourse, as is the case with nearly every character in "Twelfth Night". It is the purpose of this paper to examine the nature of madness in the Shakespearean context, how it plays out in both King Lear and Twelfth Night, and the meaning behind the madness in both works.
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