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'The Aeneid', 2003.
A review of Virgil's 'The Aeneid'.
1,410 words (approx. 5.6 pages), 1 source, MLA, £ 32.95
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Abstract
This paper takes a look at Virgil's epic poem, 'The Aeneid'. According to the paper, 'The Aeneid' is essentially the story of the founding of Rome told through the adventures of Aeneas, the son of a mortal Trojan and the goddess of love, Venus.
From the Paper
"In book eight, preparations of war are described. Aeneas is presented with armor that depicts the future of Rome on the shield. Books nine, ten, and eleven detail the events of the war including a council held by the gods who determine that the mortals' fates are in their own hands because of the bickering caused in the heavens. Book twelve ends with Juno finally giving in to the fate that Aeneas brings, but bargains with Jupiter that the Trojans will at least adopt the Latin language. Turnus, the suitor, is slain by Aeneas in a duel, and the battle, and the epic poem, is finally ended."
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"The Aeneid", 2006.
This paper examines the literary epic "Aeneid" written in Latin during the first century by the poet Virgil.
1,617 words (approx. 6.5 pages), 7 sources, MLA, £ 36.95
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Abstract
The writer of this paper reviews and analyzes the "The Aeneid" by Virgil. The tale of "The Aeneid" centers on Aeneas, a Trojan warrior that transforms from being a victim to becoming the hero that conquers Italy. This paper details how the tale of "The Aeneid" exposes the many factors that influenced Roman life during the first century. The writer examines the literary style of the epic while comparing it to various works of writing by Homer. This paper also touches on the life of the author, Virgil, who was born in Mantua in 70 BC. This paper ponders the impact of Virgil's work of literature which reflects a time of civil conflict and social and political change in Roman history.
Table of Contents:
Introduction
Historical Background
Research
Interpretation
Conclusion
Works Cited
From the Paper
"The literary style of the epic should be noted because unlike the Homeric epics, The Aeneid was didactic in its purpose. Such literary works were often used to express moral and philosophical messages. It is written in dactylic hexameter and, in O'Brian's opinion, it was "perhaps the most technically perfect poet in the history of western literature. It has even suggested that Virgil's perfection exhausted the possibilities of the hexameter at the same time as it created an overwhelming audience expectation for it." Virgil also employs vivid imagery, characterization, and similes to enhance The Aeneid. While it is important to recognize the originality of Virgil's epic, it would be unfair to ignore the outside factor that influenced The Aeneid."
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"Aeneid", 2002.
A study of Virgil?s epic Roman poem "The Aeneid".
1,225 words (approx. 4.9 pages), 0 sources, MLA, £ 28.95
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Abstract
This paper examines heroic Trojan prince, Aeneas, from Virgil?s poem ?The Aeneid?. It provides a summary of the epic tale of a run-away prince searching for a new fatherland, who becomes the ancient founder of Rome. The paper states that Virgil?s Aeneid is a model for all leaders to follow as proven by the historical glory of Rome.
From the Paper
"Aeneas was a Trojan prince who fled from the ruins of Troy to look for Italy as his new fatherland. In his voyage, Aeneas shatters the heart of Dido - the Carthaginian queen, pays a visit to the Underworld, and finds Lavinium, a city on the coast of Italy. His mother is the goddess Venus, and he is a descendant of mighty Jove. According to the mythology, the founder of Troy, Dardanus, was one of the many sons of Jupiter, with females other than Hera. The eventual founders of Rome were the descendants of Aeneas. The Aeneid, in its most basic form, is an epic poem that goes beyond glorifying Rome and her father, taking up the superseding theme of duty pertinent to the people in all societies."
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The Aeneid, 2006.
An analysis of the Aeneid, written by Virgil in the first century.
1,350 words (approx. 5.4 pages), 1 source, £ 36.95
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Abstract
This essay identifies and analyzes the most important elements of the Roman identity portrayed in the Aeneid. The paper discusses the history of the Aeneid, as written by Virgil, as well as the history of the times in which it was written. The paper then discusses the story that Virgil presents of the legendary ancestor of Rome, Aeneas.
From the Paper
"Roman Identity and the Aeneid This essay identifies and analyzes the most important elements of the Roman identity portrayed in the Aeneid. Virgil wrote the Aeneid in the last quarter of the first century BC. It was just after the Roman Republic had collapsed and the Roman Empire began. It tells the story of the legendary ancestor of Rome, Aeneas and his travels to Italy. It is Aeneas who embodies the spirit of "Roman identity". He is show as a hero who is very devoted to his country and goes off on the journey for the better of his people."
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"The Aeneid", 2007.
An analysis of the language in "The Aeneid" by Virgil used to support religious ideas and conduct.
1,477 words (approx. 5.9 pages), 1 source, MLA, £ 33.95
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Abstract
This paper discusses "The Aeneid" by Virgil and the way in which the poetry illustrates that piety is advantageous.The text implies more pros than cons of using poetry as evidence to support religious ideas and conduct. The paper discusses the use of narrative epic poetry. It then discusses the way that in "The Aeneid" positive religious ideas and conduct do not exist in a vacuum, but are attached to a heroic character: Aeneas. The paper then discusses the poetic style, combined with the action to illustrate this point.
From the Paper
"Juno finally desists only when Jupiter points out, for the second time, that Aeneas is quite simply destined by fate to win, whatever her own wishes. Even more so than Turnus, Juno is angry, antagonistic, and defiant - toward a god greater and more important than herself, and toward mortals alike - qualities that are in the end symbolically defeated by the opposite qualities of piety; patience, and humility, as embodied by Aeneas."
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The Opening Sequence of the "Aeneid", 2004.
An analysis of the opening section of Book I of Virgil's "Aeneid".
1,653 words (approx. 6.6 pages), 6 sources, APA, £ 36.95
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Abstract
This paper examines how the opening section of the "Aeneid" sets out the themes and style of the epic, which continue through all twelve books. It looks at how Virgil introduces his themes and characters in this section with great skill, emphasising certain elements of his epic and subtly insinuating others. It explores how there are also many elements in the opening of Book I that signal the importance of the "Aeneid"'s context and the need for Virgil to satisfy his patron Augustus.
From the Paper
"Virgil's mention of the hatred of Juno has more significance attached. Throughout the poem, Aeneas is tested and tortured by the ira Iunonis, and his pietas is set against the manifestations of furor in the various characters. Hence Virgil introduces these opposites in this section, with Juno's mad anger causing a terrible storm, showing the destructive force of furor and its power to overthrow natural order. The other element, which balances out the furor in the poem, is the serenitas of Jupiter and Neptune, displayed in Neptune's calming of the storm and subsequent trip across the sea under a "caelo... aperto" (I.155)."
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"The Odyssey" and "The Aeneid", 2007.
A comparison of the acquisition of power in "The Odyssey" by Homer and "The Aeneid" by Virgil.
1,337 words (approx. 5.3 pages), 2 sources, MLA, £ 30.95
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Abstract
This paper explores the concept of power in both "The Odyssey" by Homer and "The Aeneid" by Virgil. The paper suggests that within "The Odyssey", power comes to Odysseus through a combination of bravery, versatility, patience and virtue and the approval of the gods. In contrast, it suggests that in "The Aeneid", power comes to Aeneas through piety and the consequent approval of the gods.
From the Paper
"Further, Aeneas is sincerely rather than falsely or conveniently pious toward the gods, which is another of his strengths. We know this because Aeneas is not ever prompted by Venus, his mother, or by any of the other gods or goddesses that are in the Aeneid to be pious or to display piety. Instead, he is simply deeply, sincerely pious, in all circumstances, good ones and bad ones. Aeneas's piety therefore is eventually noticed by all: gods; goddesses, and mortals. Throughout the Aeneid, Aeneas in fact accomplishes all that he eventually does, as a result of his faith; forbearance; and self-control - qualities that are ultimately substantially rewarded by fate within the poem, and that are major sources of Aeneas's power as well."
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"The Aeneid", 2002.
A critical analysis of Virgil?s epic poem ?The Aeneid?, often described as the poet?s response to Homer?s epics ?The Iliad,? and ?The Odyssey? in that it details the Trojan War and its aftermath from the Roman perspective.
1,170 words (approx. 4.7 pages), 1 source, MLA, £ 27.95
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Abstract
The following paper discusses the problems with a literary analysis of ?The Aeneid? as it presents itself with some problems not present in a similar analysis of Homer?s inspiring works. Although the actual status of Homer as either a poet or a collective name of several poets is uncertain, Homer?s works formed the basis of virtually all of Greek classical literature. The writer contends that ?The Iliad? and ?The Odyssey? became the cornerstones of Greek culture, something all Greeks could refer to as a common source of moral values, of rhetoric, and of mythological history. However, this paper claims that as the work of a single individual at a fixed and relatively later point in time and culture, ?The Aeneid? does not have a similar quality of assembled stories, but of a work of more clear design than its Greek predecessors do.
From the Paper
?Throughout the text, Virgil not only details the destiny, but also enters into the persona and voice of Dido, of the Latins whom Aeneas defeats, as well as the gods who both support and oppose Aeneas? destiny. By giving life to such competing voices of the truth, it is difficult to view the text simply as an idealized version of Roman history. Rather the ?Aeneid,? like its protagonist, tells a complicated history of origins. Although the Emperor Augustus may trace his own origins to the fate of Aeneas, the victory of the central character does not come without great costs to others. Virgil obliquely, by allowing other voices to speak and to die over the course of the poem, shows that the founding of any regime of power, like its destruction, is never seamless, and never without some bloodshed and heartache on both sides.?
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Virgil?s ?The Aeneid?, 2004.
This paper discusses Virgil?s ?The Aeneid?, the story of Aeneas, a great Trojan War hero who is destined to become Rome's founder.
950 words (approx. 3.8 pages), 1 source, MLA, £ 23.95
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Abstract
This paper explains that Virgil wrote ?The Aeneid? in response to pressure from Augustus Caesar to write about the glory of the great Roman Empire. The author points out that Aeneas's visit to the underworld is crucial to understanding the importance of fate within the ?Aeneid?. The paper contends that Aeneas's visit to the underworld helps to reinforce the theme of fate within the story itself and helps to reassert the work's underlying theme that the great Roman Empire was fated to exist.
From the Paper
"Virgil's "Aeneid", despite all its amazing complexities of plot and character, has a relatively simple message about the fate of individuals and history itself. Ultimately, Virgil reveals that fate is a great driving force that ultimately results in the formation of the great Roman Empire. Fate is a religious, unalterable force that determines the course of all human life and human history. Fate is a powerful and ongoing theme in The Aeneid, and Aeneas' journey to the underworld is absolutely crucial in helping to further define this theme. Aeneas' journeys are preordained, and even his great sufferings and wanderings at sea only serve to delay this fate. Even the interference of lesser Gods can do little to change the fate of Aeneas the individual, or the fate of history itself."
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The Gods in "The Aeneid", 2005.
A analysis of the actions of the gods in "the Aeneid" by Virgil.
1,125 words (approx. 4.5 pages), 1 source, £ 30.95
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Abstract
This paper analyzes the main theme found in "The Aeneid", that is that the gods will have their way even when some of them differ in opinion from other gods. The paper describes the writings by Virgil that the Italian gods and goddesses are connected closely to the humans in the story and how the gods in The Aeneid play a vital role in directing humans to do their will even when there are negative consequences from their actions.
From the Paper
" The Gods in "The Aeneid" "The God of Love obeys, and sets aside his bow and quiver, and his plumy pride; he walks Iulus in his mother's sight, and in the sweet resemblance takes delight. The goddess then to your Ascanius flies..." (Virgil, Aeneid.1.i). Cupid, the god of love, takes the form of Aeneas's son so that the queen will fall passionately in love with Aeneas. This is only part one and the gods are active in the story:"The Aeneid" by Virgil. The main theme found in "The Aeneid" is the gods will have their way even when some of them differ in opinion from other gods. "
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Virgil's "Aeneid": The Role of the Gods, 2006.
An analysis of the ideas of fate and the power of the gods and how these concepts come into play in Virgil's "Aeneid".
1,880 words (approx. 7.5 pages), 1 source, MLA, £ 41.95
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Abstract
This paper discusses how in Virgil's "The Aeneid", it becomes apparent that the will of the Gods and the ideas of fate and destiny overpower the actions and desires of mortals. It looks at how fate and, in particular, Aeneas's destiny to found Rome and the fall of Troy, is inevitable and cannot be changed. It also examines how there are many points in "The Aeneid" where the paths of fate could have been altered in some way and how it is during these moments that the gods appear in some manner in order to intercede.
From the Paper
"Aeneas is destined to found Rome yet is presented with many situations that give him chance to disrupt the course of his fate. In book two there are many clear examples of divine intervention in order to ensure the progression of destiny. When The Aeneid first begins, Aeneas is asked to recount his journeys. Aeneas first describes the Trojan horse, one that allowed the Greeks to sneak behind the Trojan walls. This was a clever trick, yet would have been discovered had it not been for the meddling of the gods. The gods could not allow the Greeks' trick to be discovered because it might have interfered with the fall of Troy. "
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"The Iliad" and "The Aeneid", 2002.
A plot comparison of the murders in Homer's "The Iliad" and Virgil's "The Aeneid".
825 words (approx. 3.3 pages), 2 sources, APA, £ 20.95
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Abstract
A study of two killings of young warriors form the crux of the military drama in the battle between the Trojans and Latins. These killings in Homer's 'The Iliad' and Virgil's 'The Aeneid', despite their similarities, are viewed in entirely different ways from a literary perspective. The Aeneid is in many ways a re-tread of Homer?s Iliad, and Turnus? killing of Pallas is reminiscent of Homer?s Patroklos being cut down in his prime by Hector. In keeping with this comparison, before his death, Pallas begins the battle of Book Ten by helping Aeneas, leading on the battle, and enabling Aeneas to gain a great advantage in the war. This comparison between the two works of literature is also indirectly reinforced when the Latin soldier Liger refers to the great warriors of the Greeks with disdain when taunting the Trojans.
From the Paper
"At the beginning of Book Ten of the Aeneid, Jupiter washes his hands of interfering in the affairs of men. ?What each man does will shape his trial and fortune.? (X.160) This could very well provide an epitaph for the entire chapter. In this chapter, two killings of young warriors form the crux of the military drama in the battle between the Trojans and Latins. But these killings despite their similarities are viewed in entirely different ways from a literary perspective. What does this statement mean? According to the point of view of the ancient Romans, all killing was hardly considered bad or brutal. Warfare and military prowess was a way of life. But not all murders were created equal. This can be seen in a comparison of Aeneas? killing of Lausus (X, 703-832; 943-1141) with Turnus' killing of Pallas (X, 501-702)."
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Making Choices in Virgil's 'Aeneid', 2005.
This paper focuses on choices made by the characters in the classic drama "Aeneid" by Virgil.
1,125 words (approx. 4.5 pages), 1 source, £ 30.95
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Abstract
This paper briefly reviews the choices made by a character in Virgil's Aeneid - specifically, the Trojan king Priam. The writer discusses that as becomes apparent, Priam makes two choices - the first to not kill Sinon, the second to interpret the death of Laocoon as a warning from the gods that the Trojan horse should be permitted inside Troy - that lead to the sacking of his city and to his own demise.
From the Paper
"All human affairs are, of course, about choice. Virgil's 'Aeneid', the classic telling of the founding of Rome by the Trojan prince Aeneas, is a great human drama that revolves, in large measure, around the choices human beings make - either by themselves or with the prodding of the Gods. This paper, in perhaps an unconventional departure, will focus upon the choices made by Priam in the final hours of his kingdom. Specifically, this paper will focus upon two choices made by the Trojan king that sealed his fate - and the fate of his city."
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The Tragedy of the "Aeneid", 2005.
An analysis of the synthesis of tragedy and epic in Book 4 of Virgil's "Aeneid".
1,613 words (approx. 6.5 pages), 4 sources, MLA, £ 36.95
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Abstract
This paper examines how in Virgil's "Aeneid" Book 4, epic and tragedy, are inextricably linked by the use of similes, the relationship between civic duty and responsibility and the intervention of fate and the gods. It looks at how Aeneas, whose epic journey carries him past Carthage, inspires love in Dido who suffers a whole range of emotion, from love, to confusion, to hatred. It also explores the tragic element with Aeneas, who must sacrifice his love for Dido to pursue his destiny to found Rome.
From the Paper
"The essential basis of the tragedy is that Dido sacrifices everything for her personal love for Aeneas. She ultimately fails to understand Aeneas' argument about his duty because in her eyes personal considerations override everything else. She allows herself to be drawn into a position from which she can find no way back and has allows herself to become embroiled in a net of circumstances. The element of pathos is very great in the first half of the book as Dido allows herself to let her emotions run free, and in the second half it continues, together with a feeling of horror and terror as she becomes a typical fury of vengeance rather than a queen or woman."
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