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Emily and Mr. Mallard: The Torture of Love, 2008.
An examination of the negative aspects of love, as portrayed in "A Rose for Emily" written by William Faulkner and "Story of an Hour" written by Kate Chopin.
1,330 words (approx. 5.3 pages), 6 sources, MLA, £ 26.95
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Abstract
This paper discusses the contradictory emotions surrounding love in the form of fiction. It specifically explores the "nasty underbelly" to love through the prism of two short stories that grapple with these less pleasant aspects of love. It examines "A Rose for Emily" written by William Faulkner and "Story of an Hour" written by Kate Chopin.
From the Paper
"Both Mrs. Mallard and Emily are victims of more than just lost love or broken hearts - they are presented as victims of extreme circumstances. Both Faulkner and Chopin seem to infer, through their characters, that the rights of women in the south were so restricted by the roles they were expected to play that their freedom was inevitably stifled. This restriction would prove to be a major interference in their love lives, in addition to their general well being. Emily feels the effects psychologically - by turning into a psychopathic, necrophiliac murderer - while Mrs. Mallard internalizes her oppression to the extent that her heart ultimately gives out on her. As Anais Nin once wrote, "Love never dies a natural death. It dies because we don't know how to replenish its source." This is a lesson that both Mrs. Mallard and Emily must learn the hard way."
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"The Tortilla Curtain" and Illegal Immigration, 2008.
This paper analyzes the immigrant experience in "The Tortilla Curtain" by T. Coraghessan Boyle.
2,444 words (approx. 9.8 pages), 8 sources, MLA, £ 44.95
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Abstract
The paper highlights the contrast between the two couples in "The Tortilla Curtain;" the Mossbachers who are shining examples of how the American Dream is supposed to work and the Rincons, illegal immigrants who show how elusive that dream can be. The paper provides a synopsis of the novel and explores the history of illegal immigration in southern California. The paper presents the thesis that current concern over immigration is not really that different from the attitudes of earlier times and shows how the story told in "The Tortilla Curtain" is timely on many levels.
Outline:
Introduction
Synopsis of the Novel
Illegal Immigration in southern California
Thesis
Analysis
From the Paper
"In this year's presidential campaign, the issue of illegal immigration is being used as a way to assert how dedicated a candidate is to protecting the public from terrorists, though the issue has much more to do with economic questions and changes in society than it does with terrorism. Some portray the illegal immigrant population as an invading horde and imply a nefarious purpose in their coming here, while others recognize that illegal immigrants are coming across the border, largely the southern border, looking for better economic conditions than they can find in their home country and not because they are terrorists. The issue is not as simple as much of this candidate posturing would make it seem. The immigrant experience can be analyzed in many ways, such as by looking to studies made by scholars, considering government statistics, reading news accounts of the issue, or reading a novel that delves into this territory and provides a fresh perspective. One such novel is The tortilla Curtain by T. Coraghessan Boyle."
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Delaney Mossbacher of "Tortilla Curtain", 2008.
A character study of Delaney Mossbacher in T. Coraghessan Boyle's 1995 novel "Tortilla Curtain".
706 words (approx. 2.8 pages), 1 source, MLA, £ 15.95
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Abstract
The paper paints a picture of a white, privileged individual who is compassionate about the environment but is utterly insensitive to the implications of his lifestyle upon the lives of others. The paper highlights the contrast between Delaney Mossbacher's liberal, environmental and humanist ideals and his actions and lifestyle. The paper shows how he is fanatical about recycling, yet essentially treats another human life like a piece of trash.
From the Paper
"White, privileged, compassionate about the environment--and utterly insensitive to the implications of his lifestyle upon the lives of others. All of this is embodied in the first actions of Delaney Mossbacher in T. Coraghessan Boyle's 1995 novel Tortilla Curtain. At the beginning of the book, Delaney accidently hits an illegal immigrant and injures him. He offers Candido money in compensation, only 20 dollars, and because Candido cannot go to the hospital for fear of being discovered by the authorities, the man accepts the offering. Candido's wife is pregnant, and now that Candido is injured, he will be unable to earn money to support America."
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Don DeLillo's "White Noise", 2008.
Looks at postmodernism and postmodernity as presented in Don DeLillo's "White Noise".
1,320 words (approx. 5.3 pages), 4 sources, MLA, £ 26.95
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Abstract
This paper explores the various meanings of both postmodernism and postmodernity, specifically in reference to Don DeLillo's novel "White Noise", which is in many ways emblematic of both phenomena. Thus, while the paper begins with a delineation between postmodernism and postmodernity, it also shows how the two concepts unite within the course of "White Noise", a postmodernist novel encompassing the postmodern condition.
From the Paper
"What is more, postmodernism also seeks to erase the boundaries that have traditionally separated high culture from popular culture. This came to the forefront most notably in the Pop Art of Andy Warhol. Many other writers and artists incorporate elements of popular culture into their work, whereas Modernists would have merely quoted elements of popular culture. By integrating these seemingly antagonistic qualities into their art work, the postmodern artists and writers effectively make it difficult to tell which "category" their work is meant to fit into."
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Writing a Research Report, 2008.
This paper explores the steps involved in writing a successful research report.
6,473 words (approx. 25.9 pages), 16 sources, MLA, £ 90.95
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Abstract
The paper discusses how writing a research report begins with the selection of a topic and the research of information. The paper relates that writers often outline what they are going to do and then make changes later on. The paper also points out that there are different levels and types of writing and the form of the report, the wording and the tone may depend on what type of report is being written. Additionally, the paper refers to various sources that offer advice on writing and language styles.
Outline:
Introduction
Organizing the Topic
Research
The Writing Process
Other Elements to be Considered
Conclusion
From the Paper
"Writing a report can be achieved in several different ways, but there are certain steps every writer should consider and that may help the writer focus on a topic, develop the evidence needed, and shape the written report to follow. In general terms, the writing process begins with the selection of a subject about which to write. Sometimes the subject is assigned, while at other times it must be selected from something that interests the writer or that he or she thinks they can explain in an interesting way. This is more than just the beginning of the process--it is one of the most important parts of the process because it decides much of what will be done next. If the writer chooses a subject that is too hard to understand, he or she will not be able to explain it to someone else."
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The Spanish Inquisition, 2008.
A comparison of two books that discuss the Spanish Inquisition: "The Spanish Inquisition " by Helen Rawling and "Mad for God: Bartolome Sanchez, the Secret Messiah of Cardenete" by Sara Tilghman Nalle.
1,379 words (approx. 5.5 pages), 2 sources, MLA, £ 27.95
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Abstract
The paper discusses two books on the subject of the Spanish Inquisition. The paper compares Helen Rawling's book "The Spanish Inquisition", a relatively objective chronological introduction to the events of the inquisition with another book, Sara Tilghman Nalle's "Mad for God: Bartolome Sanchez, the Secret Messiah of Cardenete", which has a more anecdotal and personal account approach.
From the Paper
"The Spanish inquisition The Spanish inquisition "The information in each book is also organized differently, though both are chronological, and topical the Nalle work is clearly much more narrative in nature than the Rawlings, work as has been noted by the summary works above. The organization in the Rawlings work is clearly to demonstrate the scope of the whole of the period in such a way that the reader understands the massive number of events and differing circumstances of the more than 300 year inquisition. The organization of the Nalle work is designed to offer a topical and chronological breakdown of the events that occurred, in conjunction with as much primary documentation, of differing characters and points of view as possible. The work organized to offer a comprehensive rather than broad understanding of one man's experience, with the inclusion of the many characters that were a part of the case as there is evidence to support."
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The Gaze, 2008.
A discussion on the meaning of the term "gaze."
1,246 words (approx. 5.0 pages), 3 sources, APA, £ 25.95
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Abstract
The paper discusses the term "gaze" and relates the many forms in which it can be interpreted and applied in movies, television and everyday life.
From the Paper
" "In her discussion of the way women "look" at war and interpret that act of looking through language and image, The World Wars through the Female Gaze, Jean Gallagher asserts that "Vision has ... played an important role in the development and gendering of cultural discourses about war" (Acton, 2004, p.53). Acton goes on to explain that the gaze is important if it can be interpreted through the eyes of the person who is beholding the event, whether that event is a movie or a war battle. Today's woman seem to know of what they gaze upon which they may not have known before, or at least they did not have the courage enough to say so. "
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"In My Brother's Shadow", 2008.
A review of the style and content of Uwe Timm's memoir, entitled "In My Brother's Shadow: A Life and Death in the SS."
1,505 words (approx. 6.0 pages), 1 source, MLA, £ 29.95
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Abstract
This paper discusses Uwe Timm's memoir, entitled "In My Brother's Shadow: A Life and Death in the SS," which presents a single man's attempt to understand himself within all of the contexts of his life. It discusses the content of the memoir and the style in which it was written. The paper also looks at the challenges that Timm had to face during the course of his life.
From the Paper
"Throughout this book, Timm employs a very simple but engaging style. This memoir focuses on a narrow set of events and seeks to explore them throughout the duration of his life - what it ultimately shows is that even in his 60's, Uwe Timm is not absolutely clear as to how he is doing. The style is short on visual, but exceptionally thorough on emotional detail. The result is that the book reads less as a history lesson and more as an in-the-moment exploration of the self as related to the disappointed father and the mythic brother. The result is a work that is highly personal without being self-righteous or self-important. It is an excellently written memoir."
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"The Great Gatsby", 2008.
This paper analyzes how the novel "The Great Gatsby" by F. Scott Fitzgerald portrays the era it was written in.
1,352 words (approx. 5.4 pages), 3 sources, MLA, £ 27.95
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Abstract
The paper shows how "The Great Gatsby" is an intimate look into the lifestyles of the wealthy young people of America during the 1920s. The paper relates how Fitzgerald and his wife lived that lifestyle themselves. The paper then describes these shallow people who although they seem to have everything, are sad and pathetic because they seem to be searching for something they cannot find.
From the Paper
"Francis Scott Key Fitzgerald was born in St. Paul, Minnesota, on September 24, 1896; he was named after relative Francis Scott Key who wrote the "Star Spangled Banner." He attended Princeton University but did not graduate, and in 1917, he joined the Army to fight in World War I, becoming a second lieutenant in the infantry. He never saw action overseas, as the war ended before he was shipped out. However, at Camp Sheridan, near Montgomery, Alabama, his station, he met Zelda Sayre, an 18-year-old daughter of an Alabama judge. He hoped to sell his first novel, "The Romantic Egotist" so they could afford to marry, but the novel was rejected, and he moved to New York to work in advertising to earn enough money to marry Zelda. Impatient, she broke the engagement. He rewrote the novel and it sold as "This Side of Paradise" to Scribners in 1919. From then on, he wrote short stories and novels as his career, and when the novel was published in 1920, he became an overnight success, and quickly married Zelda."
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"Bartleby the Scrivener", 2008.
An analysis of the de-development of Bartleby as a character in Herman Melville's "Bartleby the Scrivener".
1,141 words (approx. 4.6 pages), 3 sources, MLA, £ 23.95
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Abstract
This paper discusses how within Herman Melville's work, "Bartleby the Scrivener", there is a sense that the development of the romantic or transcendental hero is seen in the de-development of Bartleby as a character. It examines how, as Bartleby deconstructs his role, at first by refusing to do anything but copy manuscripts and then flatly refusing to copy and leave the premises, which he has recently been discovered to be living in.
From the Paper
"The employer sees that between he and Bartleby there are similarities and yet that he and Bartleby are also infinitely disconnected from each other, a complete mystery to one another as he soul of one was rejecting of life, and industry and the soul of the employer was embracing such. The employer then goes on to describe how, amongst the civilities and niceties of the visual world, hiding in dark places, there is true human misery, and Bartleby's soul is an example of just such a place of darkness."
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The Muse in Homer's "Odyssey", 2008.
An analysis of the role of the muse on the storytelling of Homer's "Odyssey."
712 words (approx. 2.8 pages), 1 source, MLA, £ 15.95
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Abstract
This paper discusses the role and the importance of the muse in Homer's "Odyssey." It discusses the importance of the muse on storytelling in general and how the narrator of "Odyssey" invokes the muse for further storytelling support. The paper describes the impact that the muse has on any of the characters in Homer's "Odyssey."
From the Paper
"Before Odysseus is introduced, the narrator invokes the Muse to ask for her assistance in retelling Odysseus' adventures. The Muse therefore has the most noticeable impact on the narrator of the story. In the first book, the narrator suggests that Odysseus' story belongs not to him but to the Muses. The Muse receives her information not as humans do through the five senses but from some mysterious source: as if from the divine database of human affairs. The narrator simply serves as a channel for the Muse's wisdom and the medium through which it is transmitted. Therefore, the Muse is what makes Odysseus' story timeless. If the narrator must invoke the Muse before telling the story, Homer suggests that the story is in fact timeless and immortal like the gods. The Muse helps humans to tell and retell stories like Homer's to learn meaningful moral lessons. She gave "both good and evil" to Demodocus too, indicating that the Muse is a neutral spiritual force."
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Bram Stoker's "Dracula", 2008.
An anlysis of the role of science in Bram Stoker's "Dracula".
1,505 words (approx. 6.0 pages), 1 source, MLA, £ 29.95
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Abstract
This paper explains that Bram Stoker wrote "Dracula"in 1897 during the Industrial Revolution. For the first time in history, people were seeing how science and technology could change their lives and society, for better and for worse. The writer points out that superstition and fear of science continued well into the early 1900s. The writer then describes how each of the main characters in "Dracula" believes in the scientific rationality, yet ends up combining both science and superstition to succeed against the evil of Dracula.
From the Paper
"When Lucy dies, Van Helsing's use of the superstitions are magnified and even Seward does not understand why these actions are being taken. Van Helsing places garlic all around the room and Lucy's coffin and places the crucifix over her mouth. He then completely surprises Seward by asking if he can cut off her head, take out her heart, and stuff her mouth with garlic. Naturally, Seward is upset about this mutilation, but Van Helsing reminds him that "there are strange and terrible days before us.""
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American Ethnic Literature, 2008.
Looks at what is meant by the genre of American ethnic literature.
1,295 words (approx. 5.2 pages), 2 sources, APA, £ 26.95
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Abstract
This paper explains that ethnic authors use their personal experiences to illustrate the troubles and discrimination they have faced in an attempt to gain the understanding of readers and to perhaps change some long-held ideals and falsehoods. The paper then points out that American ethnic literature is a strong and vital part of American literature. The paper uses the writings of prize-wining African-American women to exemplify American ethnic literature: Poet Gwendolyn Brooks (Pulitzer Prize for Poetry), Alice Walker (Pulitzer Prize) and Toni Morrison (Nobel Prize and Pulitzer Prize).
From the Paper
"Another perspective all ethnic literatures seem to share are their views of traditional American values, such as equality and freedom, and that is not surprising. Ethnic writers, like anyone else, desire those values, but it is difficult to support them traditionally when they are not applied to your race or circumstances, and much of their writing reflects that. Alice Walker's "Everyday Use" is an excellent example of these values, and how they are missing in many ethnic lives. She writes, "I never had an education myself. After second grade the school was closed down.""
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Don DeLillo's "White Noise", 2008.
Looks at simulated reality in Don DeLillo's "White Noise".
1,865 words (approx. 7.5 pages), 2 sources, MLA, £ 35.95
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Abstract
This paper explains that the SIMUVAC (Simulated Evacuation) episode in Don DeLillo's novel "White Noise" serves as a pivotal turning point in the narrative. The writer then points out that much of the rest of the narrative is haunted by the main protagonist's (Jack) obsession with his own impending mortality. The paper also investigates the concepts of reality and simulation in real life and concludes that the ultimate significance of the SIMUVAC episode in "White Noise" is that it effects the transformation of death from an abstract sphere to something that is very real in Jack's perceptive field.
From the Paper
"This episode confirms Baudrillard's characterization of the mass media's deceptive role. While the media generates a strong desire in the masses for knowing the absolute truth, of attaining total objectivity in relation to information, it is actually the "truer than true which counts or, in other words, the fact of being there without being there. Or, to put it yet another way, the fantasy." The tabloid media can be thought of as an extreme representation of this desire for a truth that goes beyond truth, until it ultimately satisfies our hidden desire for escape from reality - i.e. fantasy."
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