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| Essay # 106757 |
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The Divine Comedy and Carl Jung, 2008.
This paper discusses Dante's 'The Divine Comedy' as it relates to Jungian archetypal theory.
1,740 words (approx. 7.0 pages), 4 sources, MLA, £ 34.95
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Abstract
In this article, the writer notes that the development of Dante's 'Divine Comedy' is a development of self. This individual travels from shallow to more authentic experiences as he or she travels through the different worlds or levels of hell. The writer points out that similarly Jungian archetypal theory demonstrates the same sort of idea. The individual travels through a traditional set of concepts that range in depth from very shallow to much deeper and more authentic, until one becomes what is considered the true self which is steeped in the concept of the old soul and is the mythic combined with the human. The writer maintains that the archetypes associated with Jungian theory are clearly and concisely illuminated in the depths of the 'Divine Comedy'. The writer concludes that each archetype is given its appropriate time and due character while Dante the pilgrim seeks to entertain how he above others can more closely live the life of the wise old man, who he assumed was Virgil but was really himself.
From the Paper
"The shadow coincides with early Dante, when he is drawn by sin and temptation and on the verge of suicide. He is in need of intervention, in this case Virgil (the wise old man) to accompany him and give him guidance as he does not know himself or his place in the world. He is also in need of Beatrice, his lost love to come to him and explain the virtue of the journey and to introduce him to his guide, the wise old man a concept illuminated later that will lead us between the acceptance of the feminine Animus within himself as nothing to fear. For Dante the shadow is really his grief, as he wanders about the world trying to do and say the right thing but not knowing himself well enough to known what the right or wrong thing for him is."
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'Tobacco Road', 2008.
This paper provides a review of the book 'Tobacco Road' by Erskine Caldwell.
2,835 words (approx. 11.3 pages), 10 sources, MLA, £ 51.95
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Abstract
In this essay, the writer introduces, discusses and analyzes the book "Tobacco Road," by Erskine Caldwell. Specifically, the writer discusses the author's life and its effect on his writing of "Tobacco Road". Further, the writer provides criticisms of the novel and looks at the novel's place in literary history. The writer notes that "Tobacco Road" is probably one of the most enduring glimpses into a tragic part of America's history that has ever been written. The writer explains that profiling a poor white family from Georgia, it encapsulates the poverty and hunger these people faced, while using dark humor and pathos to portray the tragedy of their lives, and the gradual decline of any decency in their spirit. The paper includes over 10 pages of copied critiques on this subject.
Outline:
Introduction
Tobacco Road
References
From the Paper
"It seems the only one with any sense at all in the family is Pearl, and she has enough sense to want to get out and go to Augusta. She is also the most unusual character in the novel - she never speaks, and refuses to sleep with her husband, Lov. Early in the novel, the reader discovers Jeeter is not her father, and this explains why she is different, and why she wants to leave the area. Everyone else in the novel seems a bit dazed by what happens around them, just as Lov is dazed when he loses the turnips. Caldwell gives a sense of unreality to the novel, as if things are happing around the characters, and they do not understand why they happen, or how everything relates to them and their lives. It is as if they are walking through life - seeing it but not really taking part.
"Jeeter uses his children to further himself, no matter how shocking this may be. He sold Pearl to Lov for seven dollars and some household items, and is absolutely enthralled with Ellie May's sexual seduction of Lov so Jeeter can grab the turnips. He also in effect sells his son Dude to Sister Bessie Rice for a car and the chance to get his firewood to market. Jeeter is always full of hope, but he is so scheming and lazy he can never get past the hoping stage."
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"The Fall of the House of Usher" and "The Scarlet Letter", 2008.
This paper examines the symbolism in "The Fall of the House of Usher" by Edgar Allan Poe and "The Scarlet Letter" by Nathaniel Hawthorne.
1,329 words (approx. 5.3 pages), 8 sources, MLA, £ 27.95
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Abstract
The paper examines the literary techniques used in "The Fall of the House of Usher" by Edgar Allan Poe and "The Scarlet Letter" by Nathaniel Hawthorne. The paper describes the deterioration of the human mind in Hawthorne's character, Dimmesdale, and in Poe's narrator and shows how they share the same lack of knowledge that they are victims of their own mental deterioration.
From the Paper
"Authors often use metaphors and symbols as techniques to make statements about characters. Character often lives parallel lives in novels and short stories and it is with great pleasure that we learn from them. Writers employ several different techniques to engage readers. Two stories that illustrate powerful symbolism are "The Fall of the House of Usher" by Edgar Allan Poe and The Scarlet Letter by Nathaniel Hawthorne. Each of these stories bring us into characters by allowing us see them change in a radical way. In "The Fall of the House of Usher," Poe uses the house as a metaphor for the narrator and Roderick's condition. The readers' attention is initially drawn to Roderick, whom we suspect might be mentally unstable. Through careful techniques Poe manages to illustrate how the fall of the house represents the fall of both the narrator and Roderick. In the same way, The Scarlet Letter demonstrates how one person can fall through another type of symbol and that is hidden but, nevertheless, powerful. Both stories demonstrate how the human mind can break down over time, given the right circumstances. "
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Philosophies and Greek Literature, 2008.
This paper discusses perspectives and philosophies that are revealed in
Greek literature.
750 words (approx. 3.0 pages), 3 sources, MLA, £ 16.95
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Abstract
In this article, the writer notes that Greek literature reveals much about Greek and Roman culture. From reading ancient poems and epics, one gains a sense of understanding of the people, their culture, and beliefs. The writer discusses that Greek literature provides fascinating insights into people, societal norms, and beliefs. The writer also points out that because the society was an oral one, many of the early epics, such as Homer's 'The Iliad' and 'The Odyssey' are excellent resources as well as monumental pieces of literature. The writer maintains that with this literature one can gain insight into a segment of society's greatest and most mysterious people.
From the Paper
"Will Durant maintains there are essentially five elements that unify Greek society. They are a common language, a common intellectual life, a common passion for athletics, a love for beauty, and partially common religious beliefs and rituals. Regarding the aspect of literature uniting the Roman population, we can see how the belief of gods and goddesses was a prevalent, inviting force. The same can be said about the society's belief in war, heroism, and fighting for one's country. For example, in The Odyssey, one sees the presence of Athena, Hermes, Aeolus, and Poseidon - gods and goddesses that had incredible power and influence over society. In this drama, the gods are perceived as responsible for human fate. In contrast, The Iliad paints more reasonable picture of the gods - one that leaves the humans in control of their own fate. For example, in the Odyssey, the gods controlled Odysseus' journey. This play also shows how the gods conspire and work against each other."
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Marcus Rediker's "Villains of All Nations", 2008.
Evaluates historian Marcus Rediker's book about pirates, "Villains of All Nations: Atlantic Pirates in the Golden Age" and the phenomenon these pirates represent.
1,045 words (approx. 4.2 pages), 4 sources, MLA, £ 22.95
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Abstract
This paper explains that, unlike most historians, Marcus Rediker in his book "Villains of All Nations: Atlantic Pirates in the Golden Age" takes a positive view of piracy and what they represented for the period in which they lived. The author points out that Rediker believes that the issue of piracy should not be observed from the damages they caused but rather from social, economic and human aspects, which justify their actions. Rediker offers several arguments; however, they are easily countered by suggesting that the actual motivation of these pirates was strictly connected to the accumulation of wealth and power. The paper states that Rediker's book is a shallow and inaccurate account of history of pirates.
From the Paper
"By discussing the history of the first pirates at sea, the author points out the difficulties they are considered to have suffered especially during the Spanish war when they were sent in battles without their expressed will. In this sense, he considers that the eventual freedom they came to have after the end of the armed conflicts was an equitable reward of the situation. Through this perspective, the author tries to justify their actions from a moral point of view."
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| Essay # 106721 |
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C-Reactive Protein, 2008.
This paper provides a critique of the article 'Effects of Antidiabetic and Antihyperlipidemic Agents on C-Reactive Protein' by P. Dandona.
1,314 words (approx. 5.3 pages), 1 source, MLA, £ 27.95
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Abstract
In this essay, the writer notes that Dandona's article entitled 'Effects of Antidiabetic and Antihyperlipidemic Agents on C-Reactive Protein', centers on type 2 diabetes mellitus (DM) and the increased risk of cardiovascular disease. The writer discusses that insulin resistance in type 2 DM predisposes patients to develop cardiovascular disease, and has the associated risk factors for atherosclerosis, a chronic inflammatory disease of the arteries. The writer notes that higher CRP concentrations are found in patients with type 2 DM and Dandona theorizes that reducing these concentrations could have clinical benefit. As glucose and lipid levels are also often elevated in type 2 DM patients, an agent that affects all three of these would be beneficial to patients. The writer maintains that Dandona's article is a retrospective exploration of literature on antidiabetic and antihyperlipidemic agents which reduce these factors.
Outline:
Abstract
From the Paper
"The complex metabolic disorder that is type 2 DM is characterized by chronic hyperglycemia. In addition, due to the patient's insulin resistance, due to impaired insulation secretion and/or insulin action, there is also disturbances in lipid, carbohydrate and protein metabolism. This predisposes the patient to the development of cardiovascular disease, due to the proinflammatory and hypercoagulable state. As Dandona notes, an elevated CRP concentration is a predictor of cardiovascular events, in fact, it is a far better indicator than low-density lipoprotein cholesterol (LDL-C) even amongst healthy people. Although previous research indicates that CRP does not initiate atherosclerosis, but instead progresses the disease, the fact that CRP inhibits nitric oxide production suggests that it also has a role in the initiation of atherosclerosis as well."
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"The Human Abstract", 2008.
An analysis of William Blake's abstract of the social injustices of modern society in his poem "The Human Abstract" .
921 words (approx. 3.7 pages), 3 sources, MLA, £ 19.95
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Abstract
This paper discusses how, in "The Human Abstract", the poet William Blake muses that the virtues of orthodox, believing Christians and pious individuals in general are often founded upon making certain members of society impoverished and unhappy.
From the Paper
"Blake's anger intensifies in the poem's second stanza. "And mutual fear brings peace;" he rages, in other words, the fear fostered in the hearts of the lower classes peace to his society, but it is a society that is not just. "Till the selfish loves increase. /Then Cruelty knits a snare, /And spreads his baits with care." The good, middle and upper class persons of society may feel society is peaceful, but it is only because it satisfies their selfish, self-love, and although they are unaware of it, they are ensnared by devilish cruelty. Cruelty, personified in the next stanza, "Sits down with holy fears./And waters the ground with tears" and any false, seemingly pious humility encouraged in the churches is really founded upon the cruelty that keeps the system of injustices in place and merely addresses the aftereffects of injustice with small, half-hearted measures."
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Fairy Tale: "Beauty and the Beast", 2008.
Examines the elements of social and cultural censorship in the fairy tale "Beauty and the Beast".
1,580 words (approx. 6.3 pages), 3 sources, MLA, £ 31.95
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Abstract
This paper explains that the leitmotif of the husban- beast in Madame Du Beaumont's classical version of the fairy tale "Beauty and the Beast" reoccurs in many stories. The paper points out that, in this version of the famous fairytale, the attraction between the sublimely beautiful and the monstrously ugly may hide a fetishist desire at the core of the culture. The paper stresses that the union between a beast and a human being, which forms the plot of the fairytale, obviously hints at the beast-like, sexual desires, which lurk in the human subconscious.
From the Paper
"Another erotic element in the story is the dream Beauty has of the Beast after having delayed her return because of her sisters' wickedness. Thus, Beauty dreams of the dying Beast, longing for her presence and reproaching her for breaking her promise: The tenth night she spent at her father's, she dreamed she was in the palace garden, and that she saw Beast extended on the grass-plot, who seemed just expiring, and, in a dying voice, reproached her with her ingratitude. It is at this point that Beauty actually realizes she has strong feelings for the Beast."
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Defoe's "Moll Flanders", 2008.
An analysis of the problem of gender in Daniel Defoe's "Moll Flanders".
1,241 words (approx. 5.0 pages), 1 source, MLA, £ 25.95
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Abstract
The paper describes how "Moll Flanders" focuses on an individualist female heroine who breaks all the norms concerning the proper attitude and role of a woman in society. The paper discusses how Moll, the female character, pays a very high price for escaping the sphere of domesticity to which women are tied.
From the Paper
"Eighteenth century literature is naturally conventional about gender roles in the patriarchal society. Remarkably, Daniel Defoe's Moll Flanders focuses on an individualist female heroine who breaks all the norms concerning the proper attitude and role of a woman inside society. However, it is obvious that the female character pays a very high price for escaping the sphere of domesticity to which women are naturally tied to. Moll Flanders does not play her traditional role as a woman but, in exchange for her independence, she leads the life a villain. The full title of the novel sums up Moll's immoral and sinful life: "[She] was Twelve Year a Whore, five times a Wife (whereof once to her own brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia..."(Defoe, 1) In Moll's troubled and base destiny, Defoe envisages the fate of the female character that does not comply with her pre-established social role."
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Moby Dick and Julius Caesar, 2008.
A discussion on the main players in "Moby Dick" by Herman Mellville and "Julius Caesar" by William Shakespeare.
874 words (approx. 3.5 pages), 2 sources, MLA, £ 19.95
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Abstract
This paper compares the similarities of two literary characters. More specifically, the paper compares and contrasts the character of Ahab from Herman Mellville's "Moby Dick" with the character of Julius Caesar from Shakespeare's famous story of the same name. The paper concludes that like "Moby Dick", "Julius Caesar" is a historical incident which Shakespeare puts meaning into in retrospect, imbuing the characters with traits which we admire or hate and placing around them others who seemingly act only in accordance with fate.
Outline:
Ways in which Ahab and Julius are similar
Ways in which Ahab and Julius Caesar are different
From the Paper
"Caesar is hard to like. Ahab is also hard to like, but he appears more sympathetic as he is so dogged in his quest of the white whale. Ahab is shown to be a brooding and dark character that we sometimes see in literature, ambiguously evil, yet we sympathize with his madness. He sacrifices everything, including his life and his crew to capture Moby Dick, whom he has sought for so long: "Now it was that there lurked a something in the old man's eyes, which it was hardly sufferable for feeble souls to see. As the unsetting polar star, which through the livelong, arctic, six months' night sustains its piercing, steady, central gaze; so Ahab's purpose now fixedly gleamed down upon the constant midnight of the gloomy crew." (Melville, Chapter 130).
"The book Moby Dick is about a quest and a challenge to the universe in which Ahab lives. He will fight it to the death because he believes he can conquer it. He does not know that no matter how big he may be, it is bigger than he, but he will die in the attempt. "He piled upon the whale's white hump the sum of all the general rage and hate felt by his whole race from Adam down; and then, as if his chest had been a mortar, he burst his hot heart's shell upon it." (Melville, Chapter 135). Like Moby Dick, Julius Caesar is a historical incident which Shakespeare puts meaning into in retrospect, imbuing the characters with traits which we admire or hate and placing around them others who seemingly act only in accordance with fate."
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Fear and Madness in Edgar Allan Poe, 2008.
An analysis of the mood and tone in Edgar Allan Poe's "The Black Cat" and "The Tell-tale Heart".
778 words (approx. 3.1 pages), 6 sources, MLA, £ 16.95
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Abstract
The paper discusses how Edgar Allan Poe's works, "The Black Cat" and "The Tell-tale Heart", are stories that reveal Poe's incredible technique of establishing mood and tone through fear and madness with his narrators. The paper explains that by making the men in the stories appear normal, Poe tricks us into fear and creates a perfect horror story.
From the Paper
"Edgar Allan Poe is a master at creating the perfect moss and tone for his horror stories. Two stories that emphasize this fact are "The Black Cat" and "The Tell-tale Heart," in which Poe heightens mood and tone with fear and madness. Both stories are psychological thrillers, a trademark for Poe. Jack Sullivan maintains that Poe transformed the horror story by "endowing it with new psychological insight and consistency of tone and atmosphere" (Sullivan 323). He adds that Poe's stories are "painfully artful" (323). These statements cannot be argued, as Poe delighted in the macabre and making his readers feel uncomfortable. Jay Parini agrees with this, adding that Poe's stories are stories of "intrusion--whether culmination in the act of violent murder or in the psychological violation of another person or in describing the internal war of the divided self" (Parini 269)."
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"Harry Potter and the Sorcerer's Stone", 2008.
A look at the function of the Mirror of Erised in J.K. Rowling's "Harry Potter and the Sorcerer's Stone".
754 words (approx. 3.0 pages), 3 sources, MLA, £ 16.95
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Abstract
The paper discusses how J.K. Rowling's "Harry Potter and the Sorcerer's Stone" can be considered a "coming of age" book that makes the main character, Harry Potter, understand who he really is and who are the kind of people surrounding him. The paper focuses on the Mirror of Erised and how it made Harry Potter search deep within to find out what he really wants in life. The paper further discusses how the mirror may be a tool that shows humans only what they desire and not what is truly important.
From the Paper
"There have been many coming of age books and movies that people are familiar with that helped them understand who they are or what human nature really is. J.K. Rowling's first book Harry Potter and the Sorcerer's Stone can be considered a "coming of age" book that made the main character understand who he really is and the kind of people surrounding him. For starters, it is where Harry Potter realized his birthright as a wizard, which was kept hidden from him by his aunt and uncle. He also realized that upon reaching the age of 11, he would be reaching that age when he would be schooled with his own kind and learns the ways of witchcraft and wizardry."
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