Las Vegas and its Portrayal Through Film

Paper Summary:

This paper discusses how as Hollywood's entertainment counterpart, Las Vegas has been screened as a mecca for romance, crime, action and adventure. It shows how with its consumer expenditure and capital gain, its seductive neon lights, together with its surrounding vast desert, make it an ideal space for filmmakers to explore a diverse range of character types and narratives. It analyzes how although all set in three different periods of time, the films "Ocean?s 11", "Casino" and "Leaving Las Vegas" depict very different images of Las Vegas. It discusses how each film does this through the director's use of mise-en-scene and iconography and the values it holds and their use of time both outside of the film to create a period of time and within the film to correspond to the film's narrative.

From the Paper:

"Scorsese depicts a Vegas at a time when organized crime played a pivotal role in the ownership and running of the casinos. Behind the sexy showgirls, the enticing neon lights, the shining slot machines and the lucky blackjack tables, lives an underworld of greed, vengeance and power which he explores in his 1995 film Casino. In 1983, Ace Rothstein played by Robert De Niro is blown into a sky of flames and is dropped into the flashing neon lights of 1970's Las Vegas. The opening credits are supplied over a close up of the dots which combine to create a neon sign; very similar to the opening credits of Milestone's 1960's classic Ocean's 11, reminding us that these signs will take us into the glittering world of Vegas, where "anything goes;" a world in which before Casino, has only ever been depicted through the eyes of the visitor."

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