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Artistic Freedom in Europe: 1750-1850


# 7320
Artistic Freedom in Europe: 1750-1850
This essay discusses whether commercialization caused the artist to move from being the slave of his patron to the slave of the market.
1,690 words (approx. 6.8 pages) | 4 sources | MLA | 2001 United Kingdom


Paper Summary:

This paper is a study on the changing role of the artist in European society, as seen in its case study of Antonio Canova. It asks whether increased demand for art, and increased commercialization, gave the artist greater freedom as it released him from the grip of his patron; or, whether this only subjugated him to new restrictions, those of a competitive market.

From the Paper:

"Before the nineteenth century artists in Europe relied almost entirely upon their patrons to finance their work. It was extremely difficult, and pretty much unheard of, for an artist to finance his own profession, and there was not a large enough market to create a piece without having a specific buyer in mind. Therefore, patrons could, and often did, exert a large influence on the outcome of the work."

Cite this paper

APA Citation:

Artistic Freedom in Europe: 1750-1850 (2012, January 15). Retrieved February 10, 2012, from http://www.academon.co.uk/Essay-Artistic-Freedom-in-Europe-1750-1850/7320

MLA Citation:

"Artistic Freedom in Europe: 1750-1850" 15 January 2012. Web. 10 Feb. 2012. <http://www.academon.co.uk/Essay-Artistic-Freedom-in-Europe-1750-1850/7320>




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Published by:

wilb GB
Publisher Since:
Aug 16, 2002
Final year History at a top English University.
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